Mitchell Cameras | 74 Titles
To Kill a Bird of Prey (1983)
Directed by | Iosif Demian | Cinematography by | Alexandru David
Cameras | Mitchell R35R Camera
Lenses | Bausch & Lomb Super Baltar Lenses
The Family Jewels (1965)
Directed by | Jerry Lewis | Cinematography by | W. Wallace Kelley | Editing by | John Woodcock
Cameras | Mitchell BNC Camera
The Mirror (1975)
Directed by | Andrei Tarkovsky | Cinematography by | Georgi Rerberg | Editing by | Lyudmila Feyginova
Cameras | ARRI Cameras, Mitchell BNCR Camera
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Psycho (1960)
Directed by | Alfred Hitchcock | Cinematography by | John L. Russell | Editing by | George Tomasini
Cameras | Mitchell BNC Camera
Playtime (1967)
Directed by | Jacques Tati | Cinematography by | Jean Badal, Andréas Winding | Editing by | Gérard Pollicand
Cameras | Mitchell Cameras
Lost Highway (1997)
Directed by | David Lynch | Cinematography by | Peter Deming | Editing by | Mary Sweeney
Lenses | Panavision Primo Anamorphic Lenses
The Godfather: Part II (1974)
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses
Rear Window (1954)
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini
Cameras | Mitchell BNC Camera
Cool Hand Luke (1967)
Directed by | Stuart Rosenberg | Cinematography by | Conrad L. Hall | Editing by | Sam O'Steen
Cameras | Mitchell BNC Camera
Lenses | Panavision Lenses
Logan’s Run (1976)
Directed by | Michael Anderson | Cinematography by | Ernest Laszlo | Editing by | Bob Wyman
Cameras | ARRIFLEX Camera, Mitchell Cameras
King Kong (2005)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
The Sound of Music (1965)
Directed by | Robert Wise | Cinematography by | Ted D. McCord | Editing by | William Reynolds
Cameras | Mitchell BNC Camera, Modern Cinema Systems MCS-70
Gods and Generals (2003)
Directed by | Ron Maxwell | Cinematography by | Kees Van Oostrum | Editing by | Corky Ehlers
Cameras | Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses