Mitchell BNCR Camera | 8 Titles
Romeo and Juliet (1968)
Directed by | Franco Zeffirelli | Cinematography by | Pasqualino De Santis | Editing by | Reginald Mills
Cameras | Mitchell BNCR Camera
Badlands (1973)
Directed by | Terrence Malick | Cinematography by | Tak Fujimoto, Stevan Larner, Brian Probyn | Editing by | Robert Estrin, Billy Weber
Cameras | Mitchell BNCR Camera
Bonnie and Clyde (1967)
Directed by | Arthur Penn | Cinematography by | Burnett Guffey | Editing by | Dede Allen
Cameras | Mitchell BNCR Camera
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
The Godfather (1972)
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Lolita (1962)
Directed by | Stanley Kubrick | Cinematography by | Oswald Morris | Editing by | Anthony Harvey
Cameras | Mitchell BNCR Camera
The Mirror (1975)
Directed by | Andrei Tarkovsky | Cinematography by | Georgi Rerberg | Editing by | Lyudmila Feyginova
Cameras | ARRI Cameras, Mitchell BNCR Camera
The Godfather: Part II (1974)
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses