2.20:1 | 66 Titles
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
Mank (2020)
Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter
Cameras | Red Digital Cinema Cameras
Lenses | Leica Summilux-C Series Lenses
Born on the Fourth of July (1989)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing
Cameras | Panavision Cameras, Panavision Panaflex Camera
Lenses | Panavision Lenses
Mindhunter (2017)
| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen
Cameras | Red Xenomorph Camera
Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Lawrence of Arabia (1962)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates
Cameras | Super Panavision-70 Camera
Chitty Chitty Bang Bang (1968)
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley
Cameras | Super Panavision-70 Camera
Independence Day (1996)
Directed by | Roland Emmerich | Cinematography by | Karl Walter Lindenlaub | Editing by | David Brenner
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Lenses
Dunkirk (2017)
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Ice Station Zebra (1968)
Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster
Cameras | Super Panavision-70 Camera
Song of Norway (1970)
Directed by | Andrew L. Stone | Cinematography by | Davis Boulton | Editing by | Virginia L. Stone
Cameras | Super Panavision-70 Camera
Ryan’s Daughter (1970)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage
Cameras | Super Panavision-70 Camera
Lord Jim (1965)
Directed by | Richard Brooks | Cinematography by | Freddie Young | Editing by | Alan Osbiston
Cameras | Super Panavision-70 Camera
Cheyenne Autumn (1964)
Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins
Cameras | Super Panavision-70 Camera
Exodus (1960)
Directed by | Otto Preminger | Cinematography by | Sam Leavitt | Editing by | Louis R. Loeffler
Cameras | Super Panavision-70 Camera
The Big Fisherman (1959)
Directed by | Frank Borzage | Cinematography by | Lee Garmes | Editing by | Paul Weatherwax
Cameras | Super Panavision-70 Camera
Orpheus in der Unterwelt (1974)
Airport (1970)
Directed by | George Seaton, Henry Hathaway | Cinematography by | Ernest Laszlo | Editing by | Stuart Gilmore
Cameras | Todd-AO 65mm Camera
The Last Valley (1971)
Directed by | James Clavell | Cinematography by | Norman Warwick, John Wilcox | Editing by | John Bloom
Cameras | Todd-AO 65mm Camera
Porgy and Bess (1959)
Directed by | Otto Preminger, Rouben Mamoulian | Cinematography by | Leon Shamroy | Editing by | Daniel Mandell
Cameras | Todd-AO 65mm Camera
Oliver! (1968)
Directed by | Carol Reed | Cinematography by | Oswald Morris | Editing by | Ralph Kemplen
Cameras | Panasonic Cameras