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Distributed Aspect Ratio » 2.20:1

2.20:1 | 66 Titles

2.20:1 5.00/5 2 Votes

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Apocalypse Now (1979)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.20:1, 2.39:1 | 147 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Starring | Martin Sheen, Marlon Brando, Robert Duvall

Cameras | ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Mitchell BNCR Camera

Lenses | Technovision Lenses, Todd-AO Lenses

Mank (2020)

Motion Picture | 8K Project | Black & White | 2.20:1 | 131 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Gary Oldman, Amanda Seyfried, Lily Collins, Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leica Summilux-C Series Lenses

Born on the Fourth of July (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing

Starring | Tom Cruise, Bryan Larkin, Raymond J. Barry, Caroline Kava

Cameras | Panavision Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

Mindhunter (2017)

Television Series | 2D | 6K Project | Color | 2.20:1 | 60 Minutes

| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen

Starring | Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross

Cameras | Red Xenomorph Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Lawrence of Arabia (1962)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 216 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates

Starring | Peter O'Toole, Alec Guinness, Anthony Quinn, Jack Hawkins

Cameras | Super Panavision-70 Camera

Lenses | Panavision Super Panavision 70 Series Lenses

Chitty Chitty Bang Bang (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 144 Minutes

Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley

Starring | Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Benny Hill

Cameras | Super Panavision-70 Camera

Independence Day (1996)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Roland Emmerich | Cinematography by | Karl Walter Lindenlaub | Editing by | David Brenner

Starring | Will Smith, Bill Pullman, Jeff Goldblum, Mary McDonnell

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

Dunkirk (2017)

Motion Picture | 2D | 2K Project, 4K Project | Color | 1.43:1, 1.90:1, 2.20:1, 2.35:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses

Ice Station Zebra (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 148 Minutes

Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster

Starring | Rock Hudson, Ernest Borgnine, Patrick McGoohan, Jim Brown

Cameras | Super Panavision-70 Camera

Song of Norway (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 138 Minutes

Directed by | Andrew L. Stone | Cinematography by | Davis Boulton | Editing by | Virginia L. Stone

Starring | Florence Henderson, Toralv Maurstad, Christina Schollin, Frank Porretta

Cameras | Super Panavision-70 Camera

Ryan’s Daughter (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 206 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Robert Mitchum, Trevor Howard, John Mills, Christopher Jones

Cameras | Super Panavision-70 Camera

Lord Jim (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 154 Minutes

Directed by | Richard Brooks | Cinematography by | Freddie Young | Editing by | Alan Osbiston

Starring | Peter O'Toole, James Mason, Curd Jürgens, Eli Wallach

Cameras | Super Panavision-70 Camera

Cheyenne Autumn (1964)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 154 Minutes

Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins

Starring | Richard Widmark, Carroll Baker, Karl Malden, Sal Mineo

Cameras | Super Panavision-70 Camera

Exodus (1960)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 208 Minutes

Directed by | Otto Preminger | Cinematography by | Sam Leavitt | Editing by | Louis R. Loeffler

Starring | Paul Newman, Eva Marie Saint, Ralph Richardson, Peter Lawford

Cameras | Super Panavision-70 Camera

The Big Fisherman (1959)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 180 Minutes

Directed by | Frank Borzage | Cinematography by | Lee Garmes | Editing by | Paul Weatherwax

Starring | Howard Keel, John Saxon, Susan Kohner, Martha Hyer

Cameras | Super Panavision-70 Camera

Orpheus in der Unterwelt (1974)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 88 Minutes

Directed by | Horst Bonnet | Cinematography by | Otto Hanisch | Editing by | Thea Richter

Starring | Dorit Gäbler, Rolf Hoppe, Kurt Marschner, Wolfgang Greese

Airport (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 137 Minutes

Directed by | George Seaton, Henry Hathaway | Cinematography by | Ernest Laszlo | Editing by | Stuart Gilmore

Starring | Burt Lancaster, Dean Martin, George Kennedy, Jean Seberg

Cameras | Todd-AO 65mm Camera

The Last Valley (1971)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 128 Minutes

Directed by | James Clavell | Cinematography by | Norman Warwick, John Wilcox | Editing by | John Bloom

Starring | Michael Caine, Omar Sharif, Florinda Bolkan, Nigel Davenport

Cameras | Todd-AO 65mm Camera

Porgy and Bess (1959)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 138 Minutes

Directed by | Otto Preminger, Rouben Mamoulian | Cinematography by | Leon Shamroy | Editing by | Daniel Mandell

Starring | Sidney Poitier, Dorothy Dandridge, Sammy Davis Jr., Pearl Bailey

Cameras | Todd-AO 65mm Camera

Oliver! (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 153 Minutes

Directed by | Carol Reed | Cinematography by | Oswald Morris | Editing by | Ralph Kemplen

Starring | Mark Lester, Ron Moody, Shani Wallis, Oliver Reed

Cameras | Panasonic Cameras

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