2.20:1 | 65 Titles
Mindhunter (2017)
60 Minutes
| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen Cameras | Red Xenomorph Camera
Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
modified:
Lawrence of Arabia (1962) 
216 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates Cameras | Super Panavision-70 Camera
modified:
Chitty Chitty Bang Bang (1968)
144 Minutes
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley Cameras | Super Panavision-70 Camera
modified:
Independence Day (1996)
145 Minutes
Directed by | Roland Emmerich | Cinematography by | Karl Walter Lindenlaub | Editing by | David Brenner Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Lenses
modified:
Dunkirk (2017)
106 Minutes
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith Cameras | Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
modified:
Ice Station Zebra (1968)
148 Minutes
Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster Cameras | Super Panavision-70 Camera
modified:
Song of Norway (1970)
138 Minutes
Directed by | Andrew L. Stone | Cinematography by | Davis Boulton | Editing by | Virginia L. Stone Cameras | Super Panavision-70 Camera
modified:
Ryan’s Daughter (1970)
206 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage Cameras | Super Panavision-70 Camera
modified:
Lord Jim (1965)
154 Minutes
Directed by | Richard Brooks | Cinematography by | Freddie Young | Editing by | Alan Osbiston Cameras | Super Panavision-70 Camera
modified:
Cheyenne Autumn (1964)
154 Minutes
Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins Cameras | Super Panavision-70 Camera
modified:
Exodus (1960)
208 Minutes
Directed by | Otto Preminger | Cinematography by | Sam Leavitt | Editing by | Louis R. Loeffler Cameras | Super Panavision-70 Camera
modified:
The Big Fisherman (1959)
180 Minutes
Directed by | Frank Borzage | Cinematography by | Lee Garmes | Editing by | Paul Weatherwax Cameras | Super Panavision-70 Camera
modified:
Orpheus in der Unterwelt (1974)
88 Minutes
Directed by | Horst Bonnet | Cinematography by | Otto Hanisch | Editing by | Thea Richtermodified:
Airport (1970)
137 Minutes
Directed by | George Seaton, Henry Hathaway | Cinematography by | Ernest Laszlo | Editing by | Stuart Gilmore Cameras | Todd-AO 65mm Camera
modified:
The Last Valley (1971)
128 Minutes
Directed by | James Clavell | Cinematography by | Norman Warwick, John Wilcox | Editing by | John Bloom Cameras | Todd-AO 65mm Camera
modified:
Porgy and Bess (1959)
138 Minutes
Directed by | Otto Preminger, Rouben Mamoulian | Cinematography by | Leon Shamroy | Editing by | Daniel Mandell Cameras | Todd-AO 65mm Camera
modified:
Oliver! (1968)
153 Minutes
Directed by | Carol Reed | Cinematography by | Oswald Morris | Editing by | Ralph Kemplen Cameras | Panasonic Cameras
modified:
Around the World in Eighty Days (1956)
175 Minutes
Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
modified:
Tomorrowland (2015)
130 Minutes
Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
modified:
West Side Story (1961)
153 Minutes
Directed by | Jerome Robbins, Robert Wise | Cinematography by | Daniel L. Fapp | Editing by | Thomas Stanfordmodified:
