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Distributed Aspect Ratio » 2.20:1

2.20:1 | 65 Titles

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Born on the Fourth of July (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing

Starring | Tom Cruise, Bryan Larkin, Raymond J. Barry, Caroline Kava

Cameras | Panavision Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

Mindhunter (2017)

Television Series | 2D | 6K Project | Color | 2.20:1 | 60 Minutes

| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen

Starring | Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross

Cameras | Red Xenomorph Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Lawrence of Arabia (1962)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 216 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates

Starring | Peter O'Toole, Alec Guinness, Anthony Quinn, Jack Hawkins

Cameras | Super Panavision-70 Camera

Lenses | Panavision Super Panavision 70 Series Lenses

Chitty Chitty Bang Bang (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 144 Minutes

Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley

Starring | Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Benny Hill

Cameras | Super Panavision-70 Camera

Independence Day (1996)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Roland Emmerich | Cinematography by | Karl Walter Lindenlaub | Editing by | David Brenner

Starring | Will Smith, Bill Pullman, Jeff Goldblum, Mary McDonnell

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

Dunkirk (2017)

Motion Picture | 2D | 2K Project, 4K Project | Color | 1.43:1, 1.90:1, 2.20:1, 2.35:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses

Ice Station Zebra (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 148 Minutes

Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster

Starring | Rock Hudson, Ernest Borgnine, Patrick McGoohan, Jim Brown

Cameras | Super Panavision-70 Camera

Song of Norway (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 138 Minutes

Directed by | Andrew L. Stone | Cinematography by | Davis Boulton | Editing by | Virginia L. Stone

Starring | Florence Henderson, Toralv Maurstad, Christina Schollin, Frank Porretta

Cameras | Super Panavision-70 Camera

Ryan’s Daughter (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 206 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Robert Mitchum, Trevor Howard, John Mills, Christopher Jones

Cameras | Super Panavision-70 Camera

Lord Jim (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 154 Minutes

Directed by | Richard Brooks | Cinematography by | Freddie Young | Editing by | Alan Osbiston

Starring | Peter O'Toole, James Mason, Curd Jürgens, Eli Wallach

Cameras | Super Panavision-70 Camera

Cheyenne Autumn (1964)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 154 Minutes

Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins

Starring | Richard Widmark, Carroll Baker, Karl Malden, Sal Mineo

Cameras | Super Panavision-70 Camera

Exodus (1960)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 208 Minutes

Directed by | Otto Preminger | Cinematography by | Sam Leavitt | Editing by | Louis R. Loeffler

Starring | Paul Newman, Eva Marie Saint, Ralph Richardson, Peter Lawford

Cameras | Super Panavision-70 Camera

The Big Fisherman (1959)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 180 Minutes

Directed by | Frank Borzage | Cinematography by | Lee Garmes | Editing by | Paul Weatherwax

Starring | Howard Keel, John Saxon, Susan Kohner, Martha Hyer

Cameras | Super Panavision-70 Camera

Orpheus in der Unterwelt (1974)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 88 Minutes

Directed by | Horst Bonnet | Cinematography by | Otto Hanisch | Editing by | Thea Richter

Starring | Dorit Gäbler, Rolf Hoppe, Kurt Marschner, Wolfgang Greese

Airport (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 137 Minutes

Directed by | George Seaton, Henry Hathaway | Cinematography by | Ernest Laszlo | Editing by | Stuart Gilmore

Starring | Burt Lancaster, Dean Martin, George Kennedy, Jean Seberg

Cameras | Todd-AO 65mm Camera

The Last Valley (1971)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 128 Minutes

Directed by | James Clavell | Cinematography by | Norman Warwick, John Wilcox | Editing by | John Bloom

Starring | Michael Caine, Omar Sharif, Florinda Bolkan, Nigel Davenport

Cameras | Todd-AO 65mm Camera

Porgy and Bess (1959)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 138 Minutes

Directed by | Otto Preminger, Rouben Mamoulian | Cinematography by | Leon Shamroy | Editing by | Daniel Mandell

Starring | Sidney Poitier, Dorothy Dandridge, Sammy Davis Jr., Pearl Bailey

Cameras | Todd-AO 65mm Camera

Oliver! (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 153 Minutes

Directed by | Carol Reed | Cinematography by | Oswald Morris | Editing by | Ralph Kemplen

Starring | Mark Lester, Ron Moody, Shani Wallis, Oliver Reed

Cameras | Panasonic Cameras

Around the World in Eighty Days (1956)

Motion Picture | 2D | Film Project | Color | 1.37:1, 2.20:1 | 175 Minutes

Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax

Starring | David Niven, Cantinflas, Shirley MacLaine, Robert Newton

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Tomorrowland (2015)

Motion Picture | 2D, 3D | Color | 1.85:1, 1.90:1, 2.20:1 | 130 Minutes

Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood

Starring | George Clooney, Britt Robertson, Hugh Laurie, Raffey Cassidy

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

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