Distributed Aspect Ratio » 2.76:1

2.76:1 | 13 Titles

2.76:1 4.57/5 7 Votes

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Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

La jungle est mon jardin (2022)

Motion Picture | 2D | 4K Project | Color | 2.76:1 | 78 Minutes

Directed by | Enrico Alexander Giordano

Starring | Elodie Atsadé, Sidiki Bakaba, Daniel Jenny

Cameras | Canon EOS-1D C Camera

Lenses | Cineovision Lenses, Leica R Series Lenses

The Creator (2023)

Motion Picture | 2D | 4K Project | Color | 2.76:1 | 133 Minutes

Directed by | Gareth Edwards | Cinematography by | Greig Fraser, Oren Soffer | Editing by | Hank Corwin, Scott Morris, Joe Walker

Starring | John David Washington, Madeleine Yuna Voyles, Gemma Chan

Cameras | Sony ILME-FX3 Camera

Lenses | Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

Prairie Wind (2018)

Short Film | 2D | 16K Project | Color | 2.76:1 | 4 Minutes

Directed by | Martin Lisius | Cinematography by | Martin Lisius

Cameras | Canon Cameras

Highly Ghosted (2018)

Television Episode, Web Series | 2D | UHD Project | Color | 2.76:1 |

Directed by | Rob Mulligan, Michael Boris | Cinematography by | Scott Migdol | Editing by | Chris Cope

Starring | Michael Boris, Scott Migdol, Natalie Hodges, Zairilla Bacon

Cameras | Blackmagic Pocket Cinema 4K Camera, Panasonic Lumix DMC-GH5 Camera

The Wonderful World of the Brothers Grimm (1962)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 135 Minutes

Directed by | Henry Levin, George Pal | Cinematography by | Paul Vogel | Editing by | Walter Thompson

Starring | Laurence Harvey, Claire Bloom, Karlheinz Böhm, Walter Slezak

Cameras | Cinerama Camera

This Is Cinerama (1952)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 115 Minutes

Directed by | Merian C. Cooper, Gunther von Fritsch, Ernest B. Schoedsack, Michael Todd Jr. | Cinematography by | Harry Squire | Editing by | William Henry, Milton Shifman

Starring | Lowell Thomas, Kathy Darlyn, Toni Valk

Cameras | Cinerama Camera

The Greatest Story Ever Told (1965)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 260 Minutes

Directed by | George Stevens, David Lean, Jean Negulesco | Cinematography by | Loyal Griggs, William C. Mellor | Editing by | Harold F. Kress, Argyle Nelson Jr., J. Frank O'Neill

Starring | Max von Sydow, Dorothy McGuire, Charlton Heston, Michael Anderson Jr.

Cameras | Ultra Panavision 70 Camera

It’s a Mad, Mad, Mad, Mad World (1963)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 205 Minutes

Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson

Starring | Spencer Tracy, Milton Berle, Ethel Merman, Mickey Rooney

Cameras | Ultra Panavision 70 Camera

Khartoum (1966)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 128 Minutes

Directed by | Basil Dearden, Eliot Elisofon | Cinematography by | Edward Scaife | Editing by | Fergus McDonell

Starring | Charlton Heston, Laurence Olivier, Richard Johnson, Ralph Richardson

Cameras | Ultra Panavision 70 Camera

Battle of the Bulge (1965)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 167 Minutes

Directed by | Ken Annakin | Cinematography by | Jack Hildyard

Starring | Henry Fonda, Robert Shaw, Robert Ryan, Dana Andrews

Cameras | Ultra Panavision 70 Camera

The Hateful Eight (2015)

Motion Picture | 2D | Color | 2.76:1 | 168 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins

Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Ben-Hur (1959)

Motion Picture | 2D | Film Project | Color | 2.55:1, 2.76:1 | 212 Minutes

Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth

Starring | Charlton Heston, Jack Hawkins, Stephen Boyd, Haya Harareet

Cameras | MGM Camera 65 Camera

Lenses | Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Lenses, Panavision Lenses

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