Motion Picture | 11122 Titles
The Beach (2000)
Directed by | Danny Boyle | Cinematography by | Darius Khondji | Editing by | Masahiro Hirakubo
Cameras | ARRIFLEX 235 Camera
What Just Happened (2008)
Directed by | Barry Levinson | Cinematography by | Stéphane Fontaine | Editing by | Hank Corwin
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Terminator: Dark Fate (2019)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Blade Runner (1982)
Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings
Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses
Avant-Drag! (2024)
Directed by | Fil Ieropoulos | Cinematography by | Mihalis Gkatzogias | Editing by | Fil Ieropoulos
Cameras | Canon EOS-C300 Camera
Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens
Longlegs (2024)
Directed by | Osgood Perkins | Cinematography by | Andres Arochi | Editing by | Graham Fortin, Greg Ng
Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses
Minority Report (2002)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision Lenses
The Terminator (1984)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
Sharp Instinct: Volume II ()
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 398
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 402
Error: Query failed - You have an error in your SQL syntax; check the manual that corresponds to your MySQL server version for the right syntax to use near 'ORDER BY `post_id` DESC LIMIT 0,7' at line 1
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 410
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 413
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 559
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 560
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 587
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 616
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 653
Cameras | Panasonic Cameras, Sony Cameras
Eike, Tudo ou Nada (2022)
Directed by | Dida Andrade, Andradina Azevedo | Cinematography by | Andradina Azevedo | Editing by | Maria Rezende
Cameras | Red Komodo Camera
Lenses | Zeiss Lenses
True Lies (1994)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Munich (2005)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Maître du monde (2011)
Directed by | Enrico Alexander Giordano | Cinematography by | Daniel Brouwer | Editing by | Enrico Alexander Giordano
Starring | Boris Beynet
Cameras | Panasonic AG-HVX200 Camera
Lenses | Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
Trap (2024)
Directed by | M. Night Shyamalan | Cinematography by | Sayombhu Mukdeeprom | Editing by | Noemi Katharina Preiswerk
Cameras | ARRICAM Lite (LT) Camera
The Favourite (2018)
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
1941 (1979)
Directed by | Steven Spielberg | Cinematography by | William A. Fraker | Editing by | Michael Kahn
Cameras | Panavision Panaflex Series Cameras
Raiders of the Lost Ark (1981)
Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas
Poor Things (2023)
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses
Jaws (1975)
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
Mary and Max (2009)
