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Motion Picture | 10723 Titles

Motion Picture 4.81/5 16 Votes

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Incredibles 2 (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 118 Minutes

Directed by | Brad Bird | Cinematography by | Mahyar Abousaeedi, Erik Smitt | Editing by | Stephen Schaffer

Starring | Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner

Official Secrets (2019)

Motion Picture | 2D | Color | 112 Minutes

Directed by | Gavin Hood | Cinematography by | Florian Hoffmeister | Editing by | Megan Gill

Starring | Keira Knightley, Matt Smith, Matthew Goode, Rhys Ifans

Cameras | Sony CineAlta VENICE Camera

Lenses | Leica Summicron-C Series Lenses

The Aeronauts (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley

Starring | Felicity Jones, Eddie Redmayne, Himesh Patel, Vincent Perez

Cameras | Red Monstro 8K Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Batman (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy

Starring | Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision SL35-M 35 mm T1.9 Lens

A Hidden Life (2019)

Motion Picture | 2D | 4K Project | Color | 174 Minutes

Directed by | Terrence Malick | Cinematography by | Jörg Widmer | Editing by | Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Starring | August Diehl, Valerie Pachner, Maria Simon, Karin Neuhäuser

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

21 Bridges (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Brian Kirk | Cinematography by | Paul Cameron | Editing by | Tim Murrell

Starring | Chadwick Boseman, Sienna Miller, J.K. Simmons, Stephan James

Cameras | ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera

The Night of the Virgin (2016)

Motion Picture | 2D | 2K Project | Color | 2.70:1 | 116 Minutes

Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia

Starring | Javier Bódalo, Miriam Martín, Víctor Amilibia, Ignatius Farray

Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera

Lenses | Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I Lenses

Nightwatch (1994)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Ole Bornedal | Cinematography by | Dan Laustsen | Editing by | Camilla Skousen

Starring | Nikolaj Coster-Waldau, Sofie Gråbøl, Kim Bodnia, Lotte Andersen

Cameras | Moviecam Compact Camera, Moviecam SuperAmerica Camera

Wendy (2020)

Motion Picture | 2D | Color | 112 Minutes

Directed by | Benh Zeitlin | Cinematography by | Sturla Brandth Grøvlen | Editing by | Scott Cummings, Affonso Gonçalves

Starring | Yashua Mack, Devin France, Gage Naquin, Gavin Naquin

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

The Yaku and the Undefeated (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 86 Minutes

Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion

Starring | Struggle E. Stylez, Sofia Salgado, Wesley Renard, Robyn Elise

Cameras | Blackmagic Design Cameras

Lenses | Samyang Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

Incredible Violence (2018)

Motion Picture | 2D | Color | 92 Minutes

Directed by | G. Patrick Condon | Cinematography by | Ian Vatcher | Editing by | Justin Oakey

Starring | M.J. Kehler, Stephen Oates, Michael Worthman, Kimberley Drake

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Clairmont 100 mm T3.4 Lens, Clairmont 32 mm T2.3 Lens, Clairmont 40 mm T2.3 Lens, Clairmont 50 mm T2.3 Lens, Clairmont 75 mm T2.8 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens

Easy Rider (1969)

Motion Picture | 2D | Black & White, Color | 95 Minutes

Directed by | Dennis Hopper | Cinematography by | László Kovács, Baird Bryant | Editing by | Donn Cambern

Starring | Peter Fonda, Dennis Hopper, Jack Nicholson, Antonio Mendoza

Cameras | ARRIFLEX 35 IIC Camera, Bolex Cameras

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens

Blade Runner 2049 (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 164 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

What if it Was Me? (2020)

Motion Picture | 2D | Color |

Directed by | Matt Power | Cinematography by | Matt Power | Editing by | Alex Coleman

Starring | David Tomlinson, Jacelyn Holmes, Danilo Reyes, Tiffany Blom

Cameras | Red Scarlet Dragon Camera

Lenses | Canon L Series Lenses

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Green Book (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 130 Minutes

Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito

Starring | Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leica Summilux-C Series Lenses

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