Motion Picture | 11012 Titles
Guardians of the Galaxy (2014)
Country | USA
Type | Motion Picture
Running Time | 121 Minutes
Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood
Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens
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The Game (1997)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | James Haygood
Lenses | Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens
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Rocky Balboa (2006)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses | Zeiss Master Prime Lenses
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The Last Black Man in San Francisco (2019)
Country | USA
Type | Motion Picture
Running Time | 121 Minutes
Directed by | Joe Talbot | Cinematography by | Adam Newport-Berra | Editing by | David Marks
Cameras | ARRI ALEXA Mini Camera
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The Intruder (2019)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Directed by | Deon Taylor | Cinematography by | Daniel Pearl | Editing by | Melissa Kent
Cameras | ARRI ALEXA Mini Camera
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Elf (2003)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 1.85:1
Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental
Cameras | Panavision Cameras
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Hulk (2003)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 1.85:1
Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres
Cameras | ARRIFLEX 535 B Camera
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Crown Vic (2019)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Directed by | Joel Souza | Cinematography by | Thomas Scott Stanton | Editing by | David Andalman
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
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Escape Room (2019)
Country | USA, South Africa
Type | Motion Picture
Running Time | 99 Minutes
Directed by | Adam Robitel | Cinematography by | Marc Spicer | Editing by | Steve Mirkovichmodified:
Sad Hill Unearthed (2017)
Country | Spain
Type | Documentary, Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 1.78:1 (16x9), 1.85:1
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch
Cameras | Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
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Symphony in Blue (2017)
Country | USA
Type | Motion Picture
Running Time | 70 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko
Cameras | Panasonic AG-HVX200 Camera
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Key of Brown (2013)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion
Cameras | Sony PMW-F3 Camera
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Death Note (2017)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi
Cameras | Panasonic VariCam 35, Panasonic VariCam Camera
Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
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Dragged Across Concrete (2018)
Country | Canada, USA
Type | Motion Picture
Running Time | 159 Minutes
Aspect Ratio | 2.39:1
Directed by | S. Craig Zahler | Cinematography by | Benji Bakshi | Editing by | Greg D'Auria
Cameras | Red Weapon 8K
Lenses | Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 28mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens
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El Último Suspiro (2017)
Country | Spain
Type | Motion Picture, Short Film
Running Time | 5 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo
Cameras | Blackmagic Design Cameras, Canon Cameras
Lenses | Canon Lenses, Leica Lenses
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Toto le héros (1991)
Country | Belgium, France, Germany
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 1.85:1
Directed by | Jaco Van Dormael | Cinematography by | Walther van den Ende | Editing by | Susana Rossberg
Cameras | Aaton Cameras
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The Neon Demon (2016)
Country | Denmark, France, USA, UK
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Nicolas Winding Refn | Cinematography by | Natasha Braier | Editing by | Matthew Newman
Lenses | Cooke Lenses, Cooke Xtal Express Lenses
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Homecoming (2009)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.85:1
Directed by | Morgan J. Freeman | Cinematography by | John Burdick, Stephen Kazmierski | Editing by | Keith Reamermodified:
Good Time (2017)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses
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Three Night Stand (2013)
Country | Canada
Type | Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Pat Kiely | Cinematography by | Robert Vroom | Editing by | Jared Curtis
Cameras | ARRI ALEXA FR Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
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