Canon L Series Lenses | 28 Titles
4 Days (2017)
Directed by | Michalis Giagkounidis | Cinematography by | Mihalis Gkatzogias | Editing by | Smaro Papaevangelou
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon L Series Lenses
Avant-Drag! (2024)
Directed by | Fil Ieropoulos | Cinematography by | Mihalis Gkatzogias | Editing by | Fil Ieropoulos
Cameras | Canon EOS-C300 Camera
Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens
Cartel Land (2015)
Directed by | Matthew Heineman | Cinematography by | Matthew Heineman, Matt Porwoll | Editing by | Matthew Hamachek, Matthew Heineman, Bradley J. Ross, Pax Wassermann
Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF-S 17-55mm f2.8 Lens
Sar (2016)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Canon EOS-5D Mark II Camera, GoPro HD Hero Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Return of the Thumb (2018)
Directed by | Florian Schmidt-Convey | Cinematography by | Costa Konstantinou | Editing by | Florian Schmidt-Convey
Cameras | Blackmagic Design Cameras, Blackmagic URSA Camera, Canon Cameras, Canon EOS-C100 Camera, Canon EOS-C300 Camera, Sony Cameras, Sony α7 Series Cameras, Sony α7S Camera
Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF Series Lenses, Canon L Series Lenses, Canon Lenses, Zeiss Lenses, Zeiss ZF.2 85mm Planar f1.4 Lens, Zeiss ZF.2 Prime Lenses
Noctambulous (2011)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo
Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses
What if it Was Me? (2020)
Directed by | Matt Power | Cinematography by | Matt Power | Editing by | Alex Coleman
Cameras | Red Scarlet Dragon Camera
Lenses | Canon L Series Lenses
Bright Red (2014)
Directed by | David Barros | Cinematography by | David Barros | Editing by | Francisco Wanzeller
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens
Netherwood (2011)
Directed by | Cristobal Araus Lobos | Editing by | Cristobal Araus Lobos
Cameras | Canon EOS-7D Camera
Sad Hill Unearthed (2017)
Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch
Cameras | Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
A Different Set of Cards (2016)
Directed by | Falko Jakobs | Cinematography by | Falko Jakobs, Raoul Schmitz | Editing by | Falko Jakobs
Cameras | Canon EOS-C100 Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens
The Box (2018)
Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart
Cameras | Canon EOS-7D Camera, Sony α7S Camera
Lacuna (2016)
Directed by | Isaac Stewart | Cinematography by | Datu Bethke | Editing by | Matthew Roper, Isaac Stewart
Cameras | Canon EOS-1DX Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 50 mm f1.2 L Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon Lenses
Algorithm (2014)
Directed by | Jon Schiefer | Cinematography by | Satsuki Murashige | Editing by | Jon Schiefer
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon L Series Lenses
La casa muda (2010)
Directed by | Gustavo Hernández | Cinematography by | Pedro Luque | Editing by | Gustavo Hernández
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
The Lady in Number 6: Music Saved My Life (2013)
Directed by | Malcolm Clarke | Cinematography by | Kieran Crilly | Editing by | Carl Freed
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens