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Blackmagic Cinema Camera < 16 >
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Blackmagic Design Cameras | 49 Titles

Blackmagic Design Cameras 4.00/5 3 Votes

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Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

The Yaku and the Undefeated (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 86 Minutes

Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion

Starring | Struggle E. Stylez, Sofia Salgado, Wesley Renard, Robyn Elise

Cameras | Blackmagic Design Cameras

Lenses | Samyang Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

Flytrap (2015)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 81 Minutes

Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger

Starring | Jeremy Crutchley, Gabrielle Stone, Jonah Blechman, Ina-Alice Kopp

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Angenieux 24-240 f2.6 Zoom Lens

Highly Ghosted (2018)

Television Episode, Web Series | 2D | UHD Project | Color | 2.76:1 |

Directed by | Rob Mulligan, Michael Boris | Cinematography by | Scott Migdol | Editing by | Chris Cope

Starring | Michael Boris, Scott Migdol, Natalie Hodges, Zairilla Bacon

Cameras | Blackmagic Pocket Cinema 4K Camera, Panasonic Lumix DMC-GH5 Camera

Church of Fears (2018)

Direct to Video | 2D | HD Project | Color | 1.78:1 (16x9) | 115 Minutes

Directed by | Jaime Kepner | Cinematography by | Paul Kepner | Editing by | Paul Kepner

Starring | David Eaton, Annabeth Furlow, Michael W. Green, Deborah Kay Hooker

Cameras | Blackmagic Cinema Camera, Sony NEX-FS100 Camera

Lenses | Canon FD 100 mm f2.8 SSC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens

Free Solo (2018)

Documentary | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt

Starring | Alex Honnold, Tommy Caldwell, Jimmy Chin, Cheyne Lempe

Cameras | Blackmagic URSA Camera, Canon EOS-1Ds Mark II Camera, Canon EOS-C300 Mark II Camera

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

Family Obligations (2019)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 81 Minutes

Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring

Starring | Angelica Adams, Eleanor Brandle-Frank, Peppa Brandle-Frank, Grace Chan

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Other Halves (2015)

Direct to Video | 2D | 2K Project | Color | 90 Minutes

Directed by | Matthew T. Price | Cinematography by | Tobias Deml | Editing by | Don Stroud

Starring | Lauren Lakis, Mercedes Manning, Lianna Liew, Melanie Friedrich

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Samyang Lenses

Missing Girl (2017)

Short Film | 2D | HD Project | Black & White | 2.39:1 | 8 Minutes

Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco

Starring | Sigfried Gonzalez, Brashell Santos

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Sigma Lenses

Black Wedding (2015)

Motion Picture | 2D | Film Project | Color | 1.36:1 | 70 Minutes

Directed by | Thomas Bohn | Cinematography by | Frank Glencairn

Starring | Mersiha Husagic, Beate Maes, Diego Wallraff

Cameras | Blackmagic Cinema Camera

Lenses | Zeiss Lenses

Natural Born Pranksters (2016)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Roman Atwood, Ben Pluimer | Cinematography by | Donny Anderson | Editing by | Ben Daughtrey, Benjamin Mitnick

Starring | Roman Atwood, Vitaly Zdorovetskiy, Dennis Roady, Kevin Brueck

Cameras | Blackmagic Cinema Camera

The Radicalization of Jeff Boyd (2017)

Motion Picture | 2D | HD Project | Black & White, Color | 2.39:1 | 117 Minutes

Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder

Starring | Uwe Schwarzwalder, Yessica Sanchez, Zarina Tadjibaeva, Jörg Reichlin

Cameras | Blackmagic Pocket Cinema Camera

Queen of the South (2016)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 42 Minutes

The Resident (2018)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | John Brawley, Hilda Mercado, Elliot Davis | Editing by | Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon

Starring | Matt Czuchry, Emily VanCamp, Manish Dayal, Shaunette Renée Wilson

Cameras | ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera

Lenses | Leica Summicron-C 135 mm T2.0 Lens, Leica Summicron-C 18 mm T2.0 Lens, Leica Summicron-C 21 mm T2.0 Lens, Leica Summicron-C 25 mm T2.0 Lens, Leica Summicron-C 29 mm T2.0 Lens, Leica Summicron-C 35 mm T2.0 Lens, Leica Summicron-C 40 mm T2.0 Lens, Leica Summicron-C 50 mm T2.0 Lens, Leica Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses

Sharknado 2: The Second One (2014)

Television Movie | 2D | Color | 1.78:1 (16x9) | 95 Minutes

Directed by | Anthony C. Ferrante | Cinematography by | Ben Demaree | Editing by | Ana Florit, Vashi Nedomansky

Starring | Ian Ziering, Tara Reid, Vivica A. Fox, Mark McGrath

Cameras | Blackmagic Cinema Camera, Red Epic Camera

Everybody Happy (2016)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Nic Balthazar | Cinematography by | Robrecht Heyvaert | Editing by | Philippe Ravoet

Starring | Barbara Sarafian, Peter Van den Begin, Josse De Pauw, Rik Verheye

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, ARRI AMIRA Camera, Blackmagic Pocket Cinema Camera

Lenses | ARRI Lenses, Canon Lenses

Under the Bed (2017)

Motion Picture | 2D | HD Project | Color | 120 Minutes

Directed by | Daniel Myrick | Cinematography by | Stephanie Martin | Editing by | Daniel Myrick, Byron Wong

Starring | Hannah New, Beverly D'Angelo, Alexis Krause, Ryan O'Nan

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Panasonic Lenses, Sigma 18-35mm f1.8 DC HSM Lens

Logan (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 137 Minutes

Directed by | James Mangold | Cinematography by | John Mathieson | Editing by | Michael McCusker, Dirk Westervelt

Starring | Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Tailgate (2015)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 83 Minutes

Directed by | Jai Hogg | Cinematography by | Mark Broadbent | Editing by | Joe Lancaster

Starring | Sam Young, Peter Marshall, Damian Smith, Tony Hodgson

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera

Lenses | Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 28mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens