Blackmagic Cinema Camera | 17 Titles
Northern Lights (2016)
Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil
Cameras | Blackmagic Cinema Camera
Church of Fears (2018)
Directed by | Jaime Kepner | Cinematography by | Paul Kepner | Editing by | Paul Kepner
Cameras | Blackmagic Cinema Camera, Sony NEX-FS100 Camera
Lenses | Canon FD 100 mm f2.8 SSC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
Skull (2018)
Directed by | Yusron Fuadi | Editing by | Yusron Fuadi
Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE
Black Wedding (2015)
Directed by | Thomas Bohn | Cinematography by | Frank Glencairn
Cameras | Blackmagic Cinema Camera
Lenses | Zeiss Lenses
Natural Born Pranksters (2016)
Directed by | Roman Atwood, Ben Pluimer | Cinematography by | Donny Anderson | Editing by | Ben Daughtrey, Benjamin Mitnick
Cameras | Blackmagic Cinema Camera
Sharknado 2: The Second One (2014)
Directed by | Anthony C. Ferrante | Cinematography by | Ben Demaree | Editing by | Ana Florit, Vashi Nedomansky
Cameras | Blackmagic Cinema Camera, Red Epic Camera
Tailgate (2015)
Directed by | Jai Hogg | Cinematography by | Mark Broadbent | Editing by | Joe Lancaster
Lenses | Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 28mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens
Kilo Two Bravo (2014)
Directed by | Paul Katis | Cinematography by | Chris Goodger | Editing by | Brin
Cameras | ARRI ALEXA XT Camera, Blackmagic Cinema Camera
Lenses | Angenieux Lenses, Red Pro Prime Lenses
Big Game (2014)
Directed by | Jalmari Helander | Cinematography by | Mika Orasmaa | Editing by | Iikka Hesse
Cameras | ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera
Lenses | Hawk Anamorphic Lenses
III (2015)
Once Upon a Time (2011)
| Cinematography by | Stephen Jackson, Tony Mirza, Steven Fierberg | Editing by | Geofrey Hildrew, Mark Goldman, Joe Talbot Hall, Scot J. Kelly, Richard Glazerman, Paul Mendoza, Jon Koslowsky, Kathryn Panian, Robert Lanford, Adam Lemnah, Chris Conlee, Adam K. Tiller, Jim Towne, Julie Monroe, Henk Van Eeghen, Luke Brown, Lindsay Armstrong
Cameras | ARRI ALEXA Camera, Blackmagic Cinema Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Me + Her (2014)
Kill Game (2018)
Directed by | Robert Mearns | Cinematography by | Andrew Strahorn | Editing by | Stephen J. Murray
Cameras | Blackmagic Cinema Camera
The Living (2014)
Directed by | Jack Bryan | Cinematography by | Aleksandar Kosutic | Editing by | Frank Reynolds
Cameras | Blackmagic Cinema Camera
The Expendables 3 (2014)
Directed by | Patrick Hughes | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson, Paul Harb
Puberty Blues (2012)
| Cinematography by | John Brawley | Editing by | Deborah Peart, Dany Cooper, Geoff Hitchins, Nicole La Macchia, Bill Russo
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
