Television Movie | 573 Titles
Sharknado 2: The Second One (2014)
Country | USA
Type | Television Movie
Running Time | 95 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Anthony C. Ferrante | Cinematography by | Ben Demaree | Editing by | Ana Florit, Vashi Nedomansky Cameras | Blackmagic Cinema Camera, Red Epic Camera
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Hemingway & Gellhorn (2012)
Country | USA
Type | Television Movie
Running Time | 155 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Philip Kaufman | Cinematography by | Rogier Stoffers | Editing by | Walter Murch Cameras | ARRI ALEXA Camera
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Legends of the Hidden Temple: The Movie (2016)
Country | USA
Type | Motion Picture, Television Movie
Running Time | 65 Minutes
Directed by | Joe Menendez | Cinematography by | Tom Harting | Editing by | Damon Fecht Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Lenses | Panavision Lenses, Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens
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'Once Upon a Time' Storybrooke Has Frozen Over (2014)
Country | USA
Type | Television Episode, Television Movie
Editing by | Mark Goldman, Geofrey Hildrew, Scot J. Kellymodified:
Deliverance Creek (2014)
Country | USA
Type | Television Movie
Running Time | 87 Minutes
Directed by | Jon Amiel | Cinematography by | Theo van de Sande | Editing by | Josh Beal Cameras | ARRI ALEXA Camera
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Min faster i Sarajevo (2016)
Country | Sweden, Bosnia and Herzegovina
Type | Motion Picture, Television Movie
Running Time | 58 Minutes
Directed by | Goran Kapetanovic | Cinematography by | Ita Zbroniec-Zajt | Editing by | Andreas Nilssonmodified:
Annabelle Hooper and the Ghosts of Nantucket (2016)
Country | USA
Type | Motion Picture, Television Movie
Running Time | 92 Minutes
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
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Road to Ferrari (2013)
Country | USA
Type | Television Movie
Directed by | Matthew Bennett | Cinematography by | Daniel McKeown | Editing by | Janet Gaynor Cameras | ARRI ALEXA Series Cameras, Canon Cameras
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LaLee’s Kin: The Legacy of Cotton (2001)
Country | USA
Type | Television Movie
Running Time | 89 Minutes
Directed by | Deborah Dickson, Susan Froemke, Albert Maysles | Cinematography by | Albert Maysles | Editing by | Deborah Dicksonmodified:
Premio lo Nuestro a la música latina 2010 (2010)
Country | USA
Aspect Ratio | 1.78:1 (16x9)
Directed by | Francy González | Editing by | Leonardo Sarmientomodified:
Northpole (2014)
Country | Canada, USA
Type | Motion Picture, Television Movie
Running Time | 81 Minutes
Directed by | Douglas Barr | Cinematography by | Pierre Jodoin | Editing by | Annie Ilkowmodified:
Room on the Broom (2012)
Country | UK
Type | Short Film, Television Movie
Running Time | 25 Minutes
Directed by | Jan Lachauer, Max Lang | Editing by | Robin Salesmodified:
The Night Strangler (1973)
Country | USA
Type | Television Movie
Running Time | 74 Minutes
Aspect Ratio | 1.33:1 (4x3)
Directed by | Dan Curtis | Cinematography by | Robert B. Hauser | Editing by | Folmar Blangstedmodified:
The Night Stalker (1972)
Country | USA
Type | Television Movie
Running Time | 74 Minutes
Aspect Ratio | 1.33:1 (4x3)
Directed by | John Llewellyn Moxey | Cinematography by | Michel Hugo | Editing by | Desmond Marquettemodified:
Qu’est-ce qu’on va faire de toi? (2012)
Country | France
Type | Television Movie
Running Time | 89 Minutes
Directed by | Jean-Daniel Verhaeghe | Cinematography by | Marc Falchier | Editing by | Dominique Faysse Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens
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La disparition (2012)
Country | France
Type | Television Movie
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Directed by | Jean-Xavier de Lestrade | Cinematography by | Isabelle Razavet | Editing by | Sophie Brunet, Julie Decondé, Gaëlle Perroteau Cameras | ARRI ALEXA Camera
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American Blackout (2013)
Country | USA, UK
Type | Television Movie, TV Special
Running Time | 92 Minutes
Directed by | Jonathan Rudd | Cinematography by | Dave Miller | Editing by | Paul Evans, Jonathan Rudd Cameras | Canon XA10 Camera, GoPro HD Hero2 Camera
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Skellig: The Owl Man (2009)
Country | UK
Type | Television Movie
Running Time | 102 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Annabel Jankel | Cinematography by | Steve Lawes | Editing by | Peter Christelis Cameras | ARRIFLEX D-21 Camera
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Margaret (2009)
Country | UK
Type | Television Movie
Running Time | 113 Minutes
Directed by | James Kent | Cinematography by | David Odd | Editing by | William Diver Cameras | ARRICAM Lite (LT) Camera
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Summoned (2013)
Country | USA
Type | Television Movie
Running Time | 89 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Peter Sullivan | Cinematography by | Roberto Schein | Editing by | Randy Carter Cameras | Sony Cameras, Sony PMW-F3 Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision Ultra Speed MKII Lenses
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