Television Movie | 573 Titles
The American Mall (2008)
Directed by | Shawn Ku | Cinematography by | Matthew Williams | Editing by | Don Brochu
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Sharknado 2: The Second One (2014)
Directed by | Anthony C. Ferrante | Cinematography by | Ben Demaree | Editing by | Ana Florit, Vashi Nedomansky
Cameras | Blackmagic Cinema Camera, Red Epic Camera
Hemingway & Gellhorn (2012)
Directed by | Philip Kaufman | Cinematography by | Rogier Stoffers | Editing by | Walter Murch
Cameras | ARRI ALEXA Camera
Legends of the Hidden Temple: The Movie (2016)
Directed by | Joe Menendez | Cinematography by | Tom Harting | Editing by | Damon Fecht
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Lenses | Panavision Lenses, Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens
Deliverance Creek (2014)
Directed by | Jon Amiel | Cinematography by | Theo van de Sande | Editing by | Josh Beal
Cameras | ARRI ALEXA Camera
Min faster i Sarajevo (2016)
Directed by | Goran Kapetanovic | Cinematography by | Ita Zbroniec-Zajt | Editing by | Andreas Nilsson
Annabelle Hooper and the Ghosts of Nantucket (2016)
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean
Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
Road to Ferrari (2013)
Directed by | Matthew Bennett | Cinematography by | Daniel McKeown | Editing by | Janet Gaynor
Cameras | ARRI ALEXA Series Cameras, Canon Cameras
LaLee’s Kin: The Legacy of Cotton (2001)
Directed by | Deborah Dickson, Susan Froemke, Albert Maysles | Cinematography by | Albert Maysles | Editing by | Deborah Dickson
Premio lo Nuestro a la música latina 2010 (2010)
Northpole (2014)
The Night Strangler (1973)
The Night Stalker (1972)
Directed by | John Llewellyn Moxey | Cinematography by | Michel Hugo | Editing by | Desmond Marquette
Qu’est-ce qu’on va faire de toi? (2012)
Directed by | Jean-Daniel Verhaeghe | Cinematography by | Marc Falchier | Editing by | Dominique Faysse
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens
La disparition (2012)
Directed by | Jean-Xavier de Lestrade | Cinematography by | Isabelle Razavet | Editing by | Sophie Brunet, Julie Decondé, Gaëlle Perroteau
Cameras | ARRI ALEXA Camera
American Blackout (2013)
Directed by | Jonathan Rudd | Cinematography by | Dave Miller | Editing by | Paul Evans, Jonathan Rudd
Cameras | Canon XA10 Camera, GoPro HD Hero2 Camera
Skellig: The Owl Man (2009)
Directed by | Annabel Jankel | Cinematography by | Steve Lawes | Editing by | Peter Christelis
Cameras | ARRIFLEX D-21 Camera
Margaret (2009)
Directed by | James Kent | Cinematography by | David Odd | Editing by | William Diver
Cameras | ARRICAM Lite (LT) Camera
