Red Digital Cinema Cameras | 533 Titles
Eike, Tudo ou Nada (2022)
Directed by | Dida Andrade, Andradina Azevedo | Cinematography by | Andradina Azevedo | Editing by | Maria Rezende
Cameras | Red Komodo Camera
Lenses | Zeiss Lenses
Alps (2011)
Directed by | Yorgos Lanthimos | Cinematography by | Christos Voudouris | Editing by | Yorgos Mavropsaridis
Cameras | Red One Camera
The Matrix Resurrections (2021)
Directed by | Lana Wachowski | Cinematography by | Daniele Massaccesi, John Toll | Editing by | Joseph Jett Sally
Cameras | Red Komodo Camera
Lenses | Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses
The Irishman (2019)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
The Pills (2021)
Directed by | Alexander Popov | Cinematography by | Olga Mitiguz, Alexander Popov | Editing by | Alexander Popov
Cameras | Red Komodo Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens
Monster Party (2018)
Directed by | Chris von Hoffmann | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr., Joe Rosenbloom
Cameras | Red Epic Helium Camera
Lenses | Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Cinema Bandi (2021)
Directed by | Praveen Kandregula | Cinematography by | Apoorva Shaligram, Sagar Yvv | Editing by | Ravi Teja Girijala, Dharmendra Kakarala
Cameras | Red Gemini Camera
Lenses | Zeiss Lenses
Victoria & Abdul (2017)
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Melanie Oliver
Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Zeiss Master Prime Lenses
Swiss Army Man (2016)
Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Matthew Hannam
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Phantom Flex4K Camera, Red Epic Dragon Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Anamorphic Lenses, Cooke S4/i Lenses, Cooke Xtal Express Lenses, Zeiss Super Speed Lenses
Eighth Grade (2018)
Directed by | Bo Burnham | Cinematography by | Andrew Wehde | Editing by | Jennifer Lilly
Cameras | Red Helium 8K Camera
Super Dark Times (2017)
Directed by | Kevin Phillips | Cinematography by | Eli Born | Editing by | Ed Yonaitis
Cameras | Red Epic Dragon Camera
Lenses | Cooke Anamorphic Lenses
The Babysitter (2017)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Martin Bernfeld, Peter Gvozdas
Cameras | Red Weapon Dragon Camera
Guardians of the Galaxy Vol. 3 (2023)
Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Greg D'Auria, Fred Raskin
Lenses | Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses
Skyfall (2012)
Spectre (2015)
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Game Night (2018)
Directed by | John Francis Daley, Jonathan Goldstein | Cinematography by | Barry Peterson | Editing by | David Egan, Jamie Gross, Gregory Plotkin
Lenses | Cooke S4/i Lenses
Portrait of a Lady on Fire (2019)
Directed by | Céline Sciamma | Cinematography by | Claire Mathon | Editing by | Julien Lacheray
Cameras | Red Monstro 8K Camera
Lenses | Leitz THALIA Series Lenses
Hold the Dark (2018)
Directed by | Jeremy Saulnier | Cinematography by | Magnus Nordenhof Jønck | Editing by | Julia Bloch
Cameras | Red Epic Dragon Camera
Lenses | Hawk V-Plus Lenses
White Blood (2023)
Directed by | Richard Williams | Cinematography by | Mark Brightwell
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 25 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens
Kompas (2024)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens
