Cameras » Red Digital Cinema Cameras

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Red Digital Cinema Cameras | 508 Titles

Red Digital Cinema Cameras 4.60/5 5 Votes

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A Mother’s Fury (2021)

Television Movie | 2D | 4K Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | David Langlois | Cinematography by | Maximilian Brey | Editing by | David Legault

Starring | Chelsea Hobbs, Stephanie Cleough, James Neate

Cameras | Red Digital Cinema Cameras

Lenses | Sigma Lenses

Avengers: Infinity War (2018)

Motion Picture | 3D | 2K Project | Color | 1.90:1, 2.39:1 | 149 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans

Cameras | ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

The Queen’s Gambit (2020)

Miniseries | 2D | 8K Project | Color | 1.78:1 (16x9) | 397 Minutes

| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro

Starring | Anya Taylor-Joy, Chloe Pirrie, Bill Camp

Cameras | Red Monstro 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

Black Panther (2018)

Motion Picture | 3D | 3.4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver

Starring | Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Cooper’s Treasure (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Zach Driscoll, Phil Lott, Doug Dearth, Jeff Moriarty, Scott Gardner | Editing by | Mario Roman, Alexander Sanchez, Niccolo Roveda, Justin Inda, Diego J. Garza, Caton Clark, Paul McAleavey, Sally Jasso, Frank Keraudren, Kirk Kirkland, Tanner Roth

Starring | Darrell Miklos, Roger Miklos, Manuel Rodriguez, Charles Gregory Schwartz

Cameras | Canon EOS-C300 Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon EF Series Lenses, Nikon - Nikkor Lenses

Silverstar (2022)

Motion Picture | 2D | 2K Project | Color | 86 Minutes

Directed by | Diede in 't Veld | Cinematography by | Ties Versteegh | Editing by | Jeffrey De Vore

Starring | Anneke Blok, Bo Maerten, Eliyha Altena

Cameras | ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera, Red Komodo Camera

Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Spooky Squad: Bigfoot’s Big Feat (2015)

TV Special | 2D | 4K Project | Color | 1.78:1 (16x9) |

Directed by | Nick Murphy, Paul Ritchey | Cinematography by | Gino Varisano

Starring | Corey Holland, Jacquie Baker, Dominic Moschitti

Cameras | Red Epic Dragon Camera

Music Hole (2021)

Motion Picture | 2D | 8K Project | Color | 2.39:1 |

Directed by | Gaëtan Lekens, David Mutzenmacher | Cinematography by | Bruno Degrave | Editing by | Alexandre Adam

Starring | Wim Willaert, Vanessa Guide, Tom Audenaert, Hande Kodja

Cameras | Red Monstro 8K Camera

Lenses | Cooke S7/i 100mm T2.0 Lens, Cooke S7/i 135mm T2.0 Lens, Cooke S7/i 18mm T2.0 Lens, Cooke S7/i 25mm T2.0 Lens, Cooke S7/i 32mm T2.0 Lens, Cooke S7/i 50mm T2.0 Lens, Cooke S7/i 75mm T2.0 Lens

Semper Fi (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Henry Alex Rubin | Cinematography by | David Devlin | Editing by | Kevin Tent, Kyle Valenta

Starring | Jai Courtney, Nat Wolff, Finn Wittrock

Cameras | Red Monstro 8K Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Cineovision Lenses, Zeiss Lenses

Smart Guys (2016)

Web Series | 2D | Color | 1.78:1 (16x9) | 80 Minutes

| Cinematography by | Gino Varisano, Ian Mosley-Duffy | Editing by | Nick Murphy, Paul Ritchey

Starring | Paul Ritchey, Nick Murphy, Josh Henderson, Corey Regensburg

Cameras | Canon EOS-7D Camera, Red One Camera

Fortuna (2020)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 108 Minutes

Directed by | Nicolangelo Gelormini | Cinematography by | Agostino Vertucci | Editing by | Nicolangelo Gelormini

Starring | Valeria Golino, Pina Turco, Libero De Rienzo, Cristina Magnotti

Cameras | Red Epic Camera

Lenses | Cooke S4/i Lenses

Monster (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Anthony Mandler | Cinematography by | David Devlin | Editing by | Joe Klotz

Starring | ASAP Rocky, John David Washington, Kelvin Harrison Jr.

Cameras | Red Epic Dragon Camera

Lenses | Cineovision Lenses, Nikon - Nikkor Lenses, Zeiss Lenses

The Unforgivable (2021)

Motion Picture | 2D | 4K Project | Color | 112 Minutes

Directed by | Nora Fingscheidt | Cinematography by | Guillermo Navarro | Editing by | Stephan Bechinger, Joe Walker

Starring | Sandra Bullock, Viola Davis, Vincent D'Onofrio

Cameras | Red Helium 8K Camera

Lenses | Angenieux Lenses, ARRI Lenses

The Irishman (2019)

Motion Picture | 2D | 4K Project | Color | 1.37:1, 1.66:1, 1.85:1 | 209 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

Cotton Wool (2017)

Short Film | 2D | 4K Project | Color | 2.39:1 | 38 Minutes

Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil

Starring | Leanne Best, Crissy Rock, Kate Rutter

Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera

Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens

Incident in a Ghostland (2018)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Pascal Laugier | Cinematography by | Danny Nowak | Editing by | Dev Singh

Starring | Crystal Reed, Mylène Farmer, Anastasia Phillips

Cameras | Red Epic Dragon Camera

Lenses | Optica Elite 35 Spherical Lenses

Roger Waters – Us + Them (2019)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 135 Minutes

Roger Waters – Us + Them | ShotOnWhat?

Directed by | Sean Evans, Roger Waters | Editing by | Katie Mcquerrey

Starring | Rufat Aliyev, Farshid Azizi, Nikoo Bafti, Azzurra Caccetta

Cameras | Red Epic Helium Camera, Red Monstro 8K Camera, Red Weapon Dragon Camera

Supernatural (2005)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Serge Ladouceur, Bradley S. Creasser, Aaron Schneider | Editing by | Don Koch, Nicole Baer, James Pickel, Tom McQuade, Anthony Pinker, John Fitzpatrick, David Ekstrom, Paul Karasick, Bruce Gorman, Martin Skibosh

Starring | Jared Padalecki, Jensen Ackles, Jim Beaver, Misha Collins

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX D-21 Camera, Canon EOS-5D Mark II Camera, Panasonic AG-HVX200 Camera, Red One Camera

Lenses | Clairmont Anamorphic Lenses, Cooke S4 Lenses

Art of the Dead (2019)

Motion Picture | 2D | 6K Project | Color | 97 Minutes

Directed by | Rolfe Kanefsky | Cinematography by | Michael Su | Editing by | Jay Woelfel

Starring | Richard Grieco, Lainee Rhodes, Nick Ford, Dee Cutrone

Cameras | Red Epic Helium Camera

Lenses | Tokina Vista Cinema Prime Lenses

Rain Beau’s End (2020)

Motion Picture | 117 Minutes

Rain Beau’s End | ShotOnWhat?

Directed by | Tracy Wren | Cinematography by | Kevin Otterness

Starring | Edward Asner, Sean Young, Christian Stolte, Melanie Chandra

Cameras | Red Epic Dragon Camera

Lenses | Tokina Vista Cinema Prime Lenses

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