Sony PMW-F55 Camera | 37 Titles
Girls Trip (2017)
Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh
Cameras | Sony PMW-F55 Camera
Burma Road – Flying Tigers (2015)
Directed by | Chris D. Nebe | Cinematography by | Josh Lim, Josh Miller, JJ Osbun | Editing by | Mark Grabianowski, JJ Osbun
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 25mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens
The Crown (2016)
| Cinematography by | Adriano Goldman, Stuart Howell, Ole Bratt Birkeland, Frank Lamm, Fabian Wagner | Editing by | Yan Miles, Pia Di Ciaula, Úna Ní Dhonghaíle, Stuart Gazzard, Kristina Hetherington, Celia Haining, Tim Porter, Simon Brasse, Paulo Pandolpho, Frances Parker, Luke Dunkley, Mark Eckersley, Chris Barwell, Ben Lester, Alex Mackie, Adam Bosman, Daniel Greenway, Peggy Koretzky, Mark Davis, Richard Graham, Morten Højbjerg
Cameras | Sony CineAlta VENICE Camera, Sony PMW-F55 Camera
Lenses | Cooke Panchro/i Classic 135mm T2.8 Lens, Cooke Panchro/i Classic 21mm T2.2 Lens, Cooke Panchro/i Classic 27mm T2.2 Lens, Cooke Panchro/i Classic 65mm T2.4 Lens, Zeiss Super Speed Lenses
Annihilation (2018)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Barney Pilling
Lenses | Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses
Overboard (2018)
Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Lenses, Zeiss Master Prime Lenses
Slender Man (2018)
Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York
Cameras | Sony PMW-F55 Camera, Sony α7S II Camera
Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses
The Big Bang Theory (2007)
Bloodline (2015)
| Cinematography by | Jaime Reynoso, Darren Lew | Editing by | Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses
Marco Polo (2014)
| Cinematography by | Vanja Cernjul, Romain Lacourbas, Xavier Grobet, Gavin Struthers | Editing by | Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras | Sony PMW-F55 Camera
Follow (2015)
Directed by | Owen Egerton | Cinematography by | Ellie Ann Fenton | Editing by | Sean McQueeney
Cameras | Sony PMW-F55 Camera
Red Son (2016)
Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Lenses
Gortimer Gibbon’s Life on Normal Street (2014)
| Cinematography by | Eduardo Enrique Mayén, Francisco Bulgarelli | Editing by | Cheryl Campsmith, Marcelo Sansevieri, Kevin Gasca
Cameras | Sony PMW-F55 Camera
Lenses | Cooke S4 Lenses
Think Like a Man Too (2014)
Directed by | Tim Story | Cinematography by | Christopher Duskin | Editing by | Peter S. Elliot
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Panavision Super Speed Lenses
Fuchi ni tatsu (2016)
Directed by | Kôji Fukada | Cinematography by | Ken'ichi Negishi | Editing by | Kôji Fukada, Julia Gregory
Cameras | Sony PMW-F55 Camera
Barbershop: The Next Cut (2016)
Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh
Cameras | Sony PMW-F55 Camera
Sicarivs: the Night and the Silence (2015)
Directed by | Javier Muñoz | Cinematography by | Javier Cerdá | Editing by | Paco Díaz
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Super Speeds Mk III Lenses
The Wedding Ringer (2015)
Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Vinyl (2016)
| Cinematography by | Reed Morano, David Franco, Rodrigo Prieto | Editing by | Tim Streeto, Kate Sanford, David Tedeschi, Perri B. Frank, Eric Lorenz
Cameras | Sony PMW-F55 Camera
Furious 7 (2015)
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Tomorrowland (2015)
Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
