Angenieux Optimo Anamorphic Lenses | 17 Titles
Ice (2016)
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Cam Gigandet,
Jeremy Sisto,
Ray Winstone
| Cinematography by | Maz Makhani | Editing by | Jamie Alain, Lisa Binkley
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic 40-440mm 2S T4.5 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Lenses
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Hell or High Water (2016)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Starring ~ Dale Dickey,
Ben Foster,
Chris Pine
Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts
Cameras | ARRI ALEXA XT Studio Camera
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Need for Speed (2014)
Country | USA, UK, France, Philippines
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Starring ~ Aaron Paul,
Dominic Cooper,
Imogen Poots
Directed by | Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Paul Rubell, Scott Waugh
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Summicron-C 21 mm T2.0 Lens, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
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The Nice Guys (2016)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Starring ~ Russell Crowe,
Ryan Gosling,
Angourie Rice
Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron
Cameras | ARRI ALEXA XT Camera
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Straight Outta Compton (2015)
Country | USA
Type | Motion Picture
Running Time | 147 Minutes
Aspect Ratio | 2.39:1
Starring ~ O'Shea Jackson Jr.,
Corey Hawkins,
Jason Mitchell
Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
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The Martian (2015)
Country | USA, UK
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Starring ~ Matt Damon,
Jessica Chastain,
Kristen Wiig
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro ScaliaCamera Operator | Graham Hall
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses
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Creed (2015)
Country | USA
Type | Motion Picture
Running Time | 133 Minutes
Aspect Ratio | 2.39:1
Starring ~ Michael B. Jordan,
Sylvester Stallone,
Tessa Thompson
Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
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The 33 (2015)
Country | Chile, USA
Type | Motion Picture
Running Time | 127 Minutes
Aspect Ratio | 2.39:1
Starring ~ Antonio Banderas,
Rodrigo Santoro,
Juliette Binoche
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses
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It Follows (2014)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Starring ~ Maika Monroe,
Keir Gilchrist,
Olivia Luccardi
Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio Perez IV
Cameras | ARRI ALEXA Plus Camera, Red Epic Camera
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Nezha (2014)
Country | China
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Starring ~ Jiaqi Li,
Haofei Li,
Jin Chen
Directed by | Xiaofeng Li | Cinematography by | Joewi Verhoeven | Editing by | Yueyue Liu
Cameras | ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo Anamorphic 56-152mm 2S T4.0 Lens, Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens
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La vie très privée de Monsieur Sim (2015)
Country | France
Type | Motion Picture
Running Time | 102 Minutes
Starring ~ Jean-Pierre Bacri,
Isabelle Gélinas,
Vimala Pons
Directed by | Michel Leclerc | Cinematography by | Guillaume Deffontaines | Editing by | François Gédigier
Cameras | Red Epic Dragon Camera
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Get on Up (2014)
Country | USA, UK
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 1.85:1
Starring ~ Chadwick Boseman,
Nelsan Ellis,
Dan Aykroyd
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses
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Le ciel du centaure (2015)
Country | Argentina, France
Type | Motion Picture
Starring ~ Malik Zidi,
Romina Paula,
Roly Serrano
Directed by | Hugo Santiago | Cinematography by | Gustavo Biazzi | Editing by | Alejo Moguillansky
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras
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The Equalizer (2014)
Country | USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Starring ~ Denzel Washington,
Marton Csokas,
Chloë Grace Moretz
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Angenieux Optimo Anamorphic 56-152mm 2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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Xi you ji: Da nao tian gong (2014)
Country | China, Hong Kong
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 2.39:1
Starring ~ Donnie Yen,
Yun-Fat Chow,
Aaron Kwok
Directed by | Pou-Soi Cheang | Cinematography by | Man Po Cheung, Tao Yang | Editing by | Ka-Fai Cheung
Cameras | Red One MX Camera
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Harry Potter and the Goblet of Fire (2005)
Country | UK, USA
Type | Motion Picture
Running Time | 157 Minutes
Aspect Ratio | 2.39:1
Starring ~ Daniel Radcliffe,
Emma Watson,
Rupert Grint
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses
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3 Idiots (2009)
Country | India
Type | Motion Picture
Running Time | 170 Minutes
Aspect Ratio | 2.39:1
Starring ~ Aamir Khan,
Madhavan,
Mona Singh
Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani
Cameras | ARRICAM Lite (LT) Camera
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