Cooke Anamorphic/i 135mm T2.3 Lens | 4 Titles
Silverstar (2022)
Directed by | Diede in 't Veld | Cinematography by | Ties Versteegh | Editing by | Jeffrey De Vore
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Beyond the Night (2018)
Directed by | Jason Noto | Cinematography by | Daniel Sharnoff | Editing by | Kathryn J. Schubert
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens
A Girl Is a Gun (2017)
| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic 30-72 mm A2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
Crown Vic (2019)
Directed by | Joel Souza | Cinematography by | Thomas Scott Stanton | Editing by | David Andalman
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
