ARRI ALEXA Mini Camera | 90 Titles
Everything Everywhere All at Once (2022)
Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers
Cameras | ARRI ALEXA Mini Camera
PEN15 (2019)
| Cinematography by | Andy Rydzewski, Adam Silver, Bella Gonzales | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden, John Daigle, Michael Scotti Jr.
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4 Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Ultra Prime Lenses
1923 (2022)
| Cinematography by | Corrin Hodgson, Ben Richardson, Robert McLachlan | Editing by | Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers
Cameras | ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera
Under the Silver Lake (2018)
Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio C. Perez IV
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses
True Detective (2014)
| Cinematography by | Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister | Editing by | Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
A Beautiful Day in the Neighborhood (2019)
Bombshell (2019)
Directed by | Jay Roach | Cinematography by | Barry Ackroyd | Editing by | Jon Poll
Cameras | ARRI ALEXA Mini Camera
Booksmart (2019)
Directed by | Olivia Wilde | Cinematography by | Jason McCormick | Editing by | Jamie Gross, Brent White
Cameras | ARRI ALEXA Mini Camera
L’Arminuta (2021)
Directed by | Giuseppe Bonito | Cinematography by | Alfredo Betrò | Editing by | Roberto Missiroli
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens
Sløborn (2020)
| Cinematography by | Christian Alvart, Christian Huck | Editing by | Marc Hofmeister, William James, Zoë Dahmen, Robert Sterna
Cameras | ARRI ALEXA Mini Camera
Lenses | Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74, Hawk Vantage One Lenses
Spider-Man: Homecoming (2017)
Directed by | Jon Watts | Cinematography by | Salvatore Totino | Editing by | Debbie Berman, Dan Lebental
Lenses | Angenieux Lenses, Cooke S4/i Lenses
The Deleted (2016)
| Cinematography by | Steeven Petitteville, Michael Marius Pessah | Editing by | Joe Carugati, Nate Katz
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Lenses
Magnetic Beats (2021)
Directed by | Vincent Maël Cardona | Cinematography by | Brice Pancot | Editing by | Flora Volpelière
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Technovision Zeiss Standard Speed Anamorphic 100mm T2.0 Lens, Technovision Zeiss Standard Speed Anamorphic 200mm T2.8 Lens, Technovision Zeiss Standard Speed Anamorphic 25mm T2.0 Lens, Technovision Zeiss Standard Speed Anamorphic 32mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 40mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 50mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 85mm T2.1 Lens
Mandy (2018)
Directed by | Panos Cosmatos | Cinematography by | Benjamin Loeb | Editing by | Brett W. Bachman, Paul Painter
An Enchanted (2019)
Black Panther (2018)
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens
Les Misérables (2019)
Directed by | Ladj Ly | Cinematography by | Julien Poupard | Editing by | Flora Volpelière
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
Blood and Money (2020)
Directed by | John Barr | Cinematography by | John Barr | Editing by | Roger Cropley II
Cameras | ARRI ALEXA Mini Camera
Columbus (2017)
Directed by | Kogonada | Cinematography by | Elisha Christian | Editing by | Kogonada
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4 Lenses
Young Sheldon (2017)
| Cinematography by | Buzz Feitshans IV, Neil Toussaint, Tim Suhrstedt | Editing by | David Helfand, Brian Merken, Steven Rasch, Jeff Seibenick
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Style Lenses, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens