ARRICAM Lite (LT) Camera | 371 Titles
Live Free or Die Hard (2007)
128 Minutes
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
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Breaking Bad (2008)
49 Minutes
| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses
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3 Idiots (2009)
170 Minutes
Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani Cameras | ARRICAM Lite (LT) Camera
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Bad Santa (2003)
91 Minutes
Directed by | Terry Zwigoff | Cinematography by | Jamie Anderson | Editing by | Robert Hoffmanmodified:
The Favourite (2018)
119 Minutes
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
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First Man (2018)
141 Minutes
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus, ARRIFLEX 435 Camera, Imax MSM 9802 Camera
Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses
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Vice (2018)
132 Minutes
Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras
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BlacKkKlansman (2018)
135 Minutes
Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
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Cloud Atlas (2012)
172 Minutes
Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
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Gomorrah (2008)
137 Minutes
Directed by | Matteo Garrone | Cinematography by | Marco Onorato | Editing by | Marco Spoletini Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Ultra Prime Lenses
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Chronicle of an Escape (2006)
103 Minutes
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce Cameras | ARRICAM Lite (LT) Camera
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Munich (2005)
164 Minutes
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Lenses
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The Painted Bird (2019)
169 Minutes
Directed by | Václav Marhoul | Cinematography by | Vladimír Smutný | Editing by | Ludek Hudec Lenses | Hawk V-Lite Lenses
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The Expendables (2010)
103 Minutes
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
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True Blood (2008)
800 Minutes
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
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Rocky Balboa (2006)
102 Minutes
Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses | Zeiss Master Prime Lenses
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Good Time (2017)
101 Minutes
Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses
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It’s Only the End of the World (2016)
97 Minutes
Directed by | Xavier Dolan | Cinematography by | André Turpin | Editing by | Xavier Dolanmodified:
American Honey (2016)
163 Minutes
Directed by | Andrea Arnold | Cinematography by | Robbie Ryan | Editing by | Joe Bini Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
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Clouds of Sils Maria (2014)
124 Minutes
Directed by | Olivier Assayas | Cinematography by | Yorick Le Saux | Editing by | Marion Monniermodified:
