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Angenieux Optimo 17-80mm T2.2 Lens | 43 Titles

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Body of Lies (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia

Starring | Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses

Second Act (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson

Starring | Jennifer Lopez, Vanessa Hudgens, Leah Remini, Treat Williams

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

True Blood (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 800 Minutes

Shônen H (2013)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Yasuo Furuhata

Starring | Yutaka Mizutani, Ran Itô, Tatsuki Yoshioka, Shun Oguri

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

15 años y un día (2013)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Gracia Querejeta | Cinematography by | Juan Carlos Gómez | Editing by | Nacho Ruiz Capillas

Starring | Tito Valverde, Maribel Verdú, Arón Piper, Belén López

Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo Zoom Lenses

Calvary (2014)

Motion Picture | 2D | Color | 102 Minutes

Directed by | John Michael McDonagh | Cinematography by | Larry Smith | Editing by | Chris Gill

Starring | Brendan Gleeson, Chris O'Dowd, Kelly Reilly, Aidan Gillen

Cameras | ARRI ALEXA Series Cameras

Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo Zoom Lenses

Ange et Gabrielle (2015)

Motion Picture | 2D | Color | 91 Minutes

Directed by | Anne Giafferi | Cinematography by | Stéphane Cami | Editing by | Christine Lucas Navarro

Starring | Isabelle Carré, Patrick Bruel, Alice de Lencquesaing, Thomas Solivérès

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Cooke S4 Lenses

Million Dollar Arm (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel

Starring | Jon Hamm, Aasif Mandvi, Alan Arkin, Suraj Sharma

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Cooke S4 Lenses

Qu’est-ce qu’on va faire de toi? (2012)

Television Movie | 2D | Color | 89 Minutes

Directed by | Jean-Daniel Verhaeghe | Cinematography by | Marc Falchier | Editing by | Dominique Faysse

Starring | Simon Abkarian, Françoise Gillard, Nicolas Rompteaux, Jérémie Duvall

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80mm T2.2 Lens

Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4 Lenses

Le dernier des injustes (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 220 Minutes

Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans

Starring | Benjamin Murmelstein, Claude Lanzmann

Cameras | Aaton Penelope Camera, Aaton Xterà Camera

Lenses | Angenieux Optimo 17-80mm T2.2 Lens

La dune (2013)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Yossi Aviram | Cinematography by | Antoine Héberlé

Starring | Niels Arestrup, Lior Ashkenazi, Guy Marchand, Emma de Caunes

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

Faust (2011)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 140 Minutes

Directed by | Aleksandr Sokurov | Cinematography by | Bruno Delbonnel | Editing by | Jörg Hauschild

Starring | Johannes Zeiler, Anton Adasinsky, Isolda Dychauk, Georg Friedrich

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Master Prime Lenses

Trois mondes (2012)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Catherine Corsini | Cinematography by | Claire Mathon | Editing by | Muriel Breton

Starring | Raphaël Personnaz, Clotilde Hesme, Arta Dobroshi, Reda Kateb

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Ultra Prime Lenses

Camille redouble (2012)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler

Starring | Noémie Lvovsky, Samir Guesmi, Judith Chemla, India Hair

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Cooke S4 Lenses

Cornouaille (2012)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Anne Le Ny | Cinematography by | Jean-Marc Fabre | Editing by | Guerric Catala

Starring | Vanessa Paradis, Samuel Le Bihan, Jonathan Zaccaï, Laurent Stocker

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Cooke S4 Lenses

Nosso Lar (2010)

Motion Picture | 2D | Color | 2.35:1 | 103 Minutes

Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes

Starring | Renato Prieto, Fernando Alves Pinto, Rosanne Mulholland, Inez Viana

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses

Vatertage – Opa über Nacht (2012)

Motion Picture | 2D | Color | 2.35:1 | 93 Minutes

Directed by | Ingo Rasper | Cinematography by | Ueli Steiger | Editing by | Ueli Christen

Starring | Sebastian Bezzel, Sarah Horvath, Monika Gruber, Mika Sieger

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Frau Ella (2013)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr

Starring | Matthias Schweighöfer, Ruth-Maria Kubitschek, August Diehl, Anna Bederke

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Friendship! (2010)

Motion Picture | 2D | Color, Black and White | 110 Minutes

Friendship! | ShotOnWhat?

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer

Starring | Matthias Schweighöfer, Friedrich Mücke, Alicja Bachleda, Todd Stashwick

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses

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