Angenieux Optimo 17-80mm T2.2 Lens | 41 Titles
True Blood (2008)
Country | USA
Type | Television Series
Running Time | 800 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
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Shônen H (2013)
Country | Japan
Type | Motion Picture
Running Time | 121 Minutes
Aspect Ratio | 1.85:1
Directed by | Yasuo Furuhata
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
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15 años y un día (2013)
Country | Spain
Type | Motion Picture
Running Time | 96 Minutes
Directed by | Gracia Querejeta | Cinematography by | Juan Carlos Gómez | Editing by | Nacho Ruiz Capillas
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Calvary (2014)
Country | Ireland, UK
Type | Motion Picture
Running Time | 102 Minutes
Directed by | John Michael McDonagh | Cinematography by | Larry Smith | Editing by | Chris Gill
Cameras | ARRI ALEXA Series Cameras
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Ange et Gabrielle (2015)
Country | France
Type | Motion Picture
Running Time | 91 Minutes
Directed by | Anne Giafferi | Cinematography by | Stéphane Cami | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA XT Plus Camera
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Million Dollar Arm (2014)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.39:1
Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Cooke S4 Lenses
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Qu’est-ce qu’on va faire de toi? (2012)
Country | France
Type | Television Movie
Running Time | 89 Minutes
Directed by | Jean-Daniel Verhaeghe | Cinematography by | Marc Falchier | Editing by | Dominique Faysse
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens
modified:
Des gens qui s’embrassent (2013)
Country | France, Belgium
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra
Cameras | ARRI ALEXA Plus Camera
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Le dernier des injustes (2013)
Country | France, Austria
Type | Motion Picture
Running Time | 220 Minutes
Aspect Ratio | 1.85:1
Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans
Cameras | Aaton Penelope Camera, Aaton Xterà Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens
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La dune (2013)
Country | France, Israel
Type | Motion Picture
Running Time | 87 Minutes
Directed by | Yossi Aviram | Cinematography by | Antoine Héberlé
Cameras | ARRI ALEXA Camera
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Faust (2011)
Country | Russia
Type | Motion Picture
Running Time | 140 Minutes
Directed by | Aleksandr Sokurov | Cinematography by | Bruno Delbonnel | Editing by | Jörg Hauschild
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Master Prime Lenses
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Trois mondes (2012)
Country | France
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Catherine Corsini | Cinematography by | Claire Mathon | Editing by | Muriel Breton
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Ultra Prime Lenses
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Camille redouble (2012)
Country | France
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 1.85:1
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler
Cameras | ARRI ALEXA Plus Camera
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Cornouaille (2012)
Country | France
Type | Motion Picture
Running Time | 96 Minutes
Aspect Ratio | 2.39:1
Directed by | Anne Le Ny | Cinematography by | Jean-Marc Fabre | Editing by | Guerric Catala
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Nosso Lar (2010)
Country | Brazil
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 2.35:1
Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes
Lenses | Angenieux Lenses, Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
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Vatertage – Opa über Nacht (2012)
Country | Germany
Type | Motion Picture
Running Time | 93 Minutes
Aspect Ratio | 2.35:1
Directed by | Ingo Rasper | Cinematography by | Ueli Steiger | Editing by | Ueli Christen
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
modified:
Frau Ella (2013)
Country | Germany
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.35:1
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
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Friendship! (2010)
Country | Germany, USA
Type | Motion Picture
Running Time | 110 Minutes
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer
Lenses | Angenieux Lenses, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
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Le capital (2012)
Country | France
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 2.39:1
Directed by | Costa-Gavras | Cinematography by | Eric Gautier | Editing by | Yannick Kergoat, Yorgos Lamprinos
Cameras | Aaton Penelope Camera
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All Is Lost (2013)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Starring |
Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
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