Angenieux Optimo 17-80mm T2.2 Lens | 43 Titles
Body of Lies (2008)
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
Second Act (2018)
Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens
True Blood (2008)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
15 años y un día (2013)
Directed by | Gracia Querejeta | Cinematography by | Juan Carlos Gómez | Editing by | Nacho Ruiz Capillas
Calvary (2014)
Directed by | John Michael McDonagh | Cinematography by | Larry Smith | Editing by | Chris Gill
Cameras | ARRI ALEXA Series Cameras
Ange et Gabrielle (2015)
Directed by | Anne Giafferi | Cinematography by | Stéphane Cami | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA XT Plus Camera
Million Dollar Arm (2014)
Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Cooke S4 Lenses
Qu’est-ce qu’on va faire de toi? (2012)
Directed by | Jean-Daniel Verhaeghe | Cinematography by | Marc Falchier | Editing by | Dominique Faysse
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens
Des gens qui s’embrassent (2013)
Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra
Cameras | ARRI ALEXA Plus Camera
Le dernier des injustes (2013)
Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans
Cameras | Aaton Penelope Camera, Aaton Xterà Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens
La dune (2013)
Faust (2011)
Directed by | Aleksandr Sokurov | Cinematography by | Bruno Delbonnel | Editing by | Jörg Hauschild
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Master Prime Lenses
Trois mondes (2012)
Directed by | Catherine Corsini | Cinematography by | Claire Mathon | Editing by | Muriel Breton
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Ultra Prime Lenses
Camille redouble (2012)
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler
Cameras | ARRI ALEXA Plus Camera
Cornouaille (2012)
Nosso Lar (2010)
Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes
Lenses | Angenieux Lenses, Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
Vatertage – Opa über Nacht (2012)
Directed by | Ingo Rasper | Cinematography by | Ueli Steiger | Editing by | Ueli Christen
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Frau Ella (2013)
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Friendship! (2010)
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer
Lenses | Angenieux Lenses, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
