Angenieux Optimo 15-40mm T2.6 Lens | 70 Titles
Better Call Saul (2015)
Country | USA
Type | Television Series
Running Time | 46 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
modified:
The Institute (2017)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 4096x2304 - (1.78:1) Capture Resolution
Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler
Cameras | Red Epic Dragon Camera
modified:
Furious 7 (2015)
Country | USA, China, Japan, Canada, United Arab Emirates
Type | Motion Picture
Running Time | 137 Minutes
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
modified:
The Survivalist (2015)
Country | UK
Type | Motion Picture
Running Time | 104 Minutes
Directed by | Stephen Fingleton | Cinematography by | Damien Elliott | Editing by | Mark Towns
Cameras | ARRI ALEXA Plus Camera, Blackmagic Design Cameras
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Zeiss Super Speed Lenses
modified:
Agent Vinod (2012)
Country | India
Type | Motion Picture
Running Time | 157 Minutes
Directed by | Sriram Raghavan | Cinematography by | C.K. Muraleedharan | Editing by | Pooja Ladha Surti
modified:
Goddess (2013)
Country | Australia
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 2.39:1
Directed by | Mark Lamprell | Cinematography by | Damian Wyvill
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses
modified:
Aashiqui 2 (2013)
Country | India
Type | Motion Picture
Running Time | 132 Minutes
Directed by | Mohit Suri | Cinematography by | Vishnu Rao | Editing by | Devendra Murdeshwar
modified:
Good Doctor (2013)
The Fugitive of Joseon (2013)
La danza de la realidad (2013)
Country | Chile, France
Type | Motion Picture
Running Time | 133 Minutes
Aspect Ratio | 1.85:1
Directed by | Alejandro Jodorowsky | Cinematography by | Jean-Marie Dreujou | Editing by | Maryline Monthieux
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens
modified:
Né quelque part (2013)
Country | France, Morocco, Belgium
Type | Motion Picture
Running Time | 87 Minutes
Directed by | Mohamed Hamidi | Cinematography by | Alex Lamarque | Editing by | Marion Monnier
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses
modified:
Zombeavers (2014)
Country | USA
Type | Motion Picture
Running Time | 77 Minutes
Directed by | Jordan Rubin | Cinematography by | Jonathan Hall | Editing by | Seth Flaum, Ed Marx
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses
modified:
Healing (2014)
Country | Australia
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 2.39:1
Directed by | Craig Monahan | Cinematography by | Andrew Lesnie | Editing by | Suresh Ayyar
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens
modified:
Xenia (2014)
Country | Greece, France, Belgium
Type | Motion Picture
Running Time | 134 Minutes
Aspect Ratio | 1.85:1
Directed by | Panos H. Koutras | Cinematography by | Hélène Louvart, Simos Sarketzis | Editing by | Yorgos Lamprinos
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens
modified:
Les trois frères, le retour (2014)
Country | France, Belgium
Type | Motion Picture
Running Time | 106 Minutes
Directed by | Didier Bourdon, Bernard Campan, Pascal Légitimus | Cinematography by | Pascal Caubère | Editing by | Jeanne Kef
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 45-120mm T2.8 Lens
modified:
On a marché sur Bangkok (2014)
Country | France
Type | Motion Picture
Running Time | 93 Minutes
Aspect Ratio | 1.85:1
Directed by | Olivier Baroux | Cinematography by | Régis Blondeau | Editing by | Christophe Pinel
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
modified:
Bon rétablissement ! (2014)
Country | France
Type | Motion Picture
Running Time | 81 Minutes
Directed by | Jean Becker | Cinematography by | Jean-Claude Larrieu | Editing by | Franck Nakache, Jacques Witta
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
modified:
Le dernier loup (2015)
Country | China, France
Type | Motion Picture
Running Time | 121 Minutes
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Reynald Bertrand
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens
modified:
Une enfance (2015)
Country | France
Type | Motion Picture
Running Time | 99 Minutes
Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Isabelle Devinck
Cameras | Sony PMW-F55 Camera
modified:
L’effet aquatique (2016)
Country | France, Iceland
Type | Motion Picture
Running Time | 83 Minutes
Directed by | Sólveig Anspach, Jean-Luc Gaget | Cinematography by | Isabelle Razavet | Editing by | Anne Riegel
Cameras | ARRI ALEXA Series Cameras
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
modified:
