Angenieux Optimo 15-40mm T2.6 Lens | 72 Titles
Better Call Saul (2015)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras | Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
Body of Lies (2008)
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
Second Act (2018)
Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens
True Blood (2008)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
The Institute (2017)
Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler
Cameras | Red Epic Dragon Camera
Furious 7 (2015)
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
The Survivalist (2015)
Directed by | Stephen Fingleton | Cinematography by | Damien Elliott | Editing by | Mark Towns
Cameras | ARRI ALEXA Plus Camera, Blackmagic Design Cameras
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Zeiss Super Speed Lenses
Agent Vinod (2012)
Directed by | Sriram Raghavan | Cinematography by | C.K. Muraleedharan | Editing by | Pooja Ladha Surti
Goddess (2013)
Directed by | Mark Lamprell | Cinematography by | Damian Wyvill
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses
Aashiqui 2 (2013)
La danza de la realidad (2013)
Directed by | Alejandro Jodorowsky | Cinematography by | Jean-Marie Dreujou | Editing by | Maryline Monthieux
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens
Né quelque part (2013)
Directed by | Mohamed Hamidi | Cinematography by | Alex Lamarque | Editing by | Marion Monnier
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses
Zombeavers (2014)
Directed by | Jordan Rubin | Cinematography by | Jonathan Hall | Editing by | Seth Flaum, Ed Marx
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses
Healing (2014)
Directed by | Craig Monahan | Cinematography by | Andrew Lesnie | Editing by | Suresh Ayyar
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens
Xenia (2014)
Directed by | Panos H. Koutras | Cinematography by | Hélène Louvart, Simos Sarketzis | Editing by | Yorgos Lamprinos
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens
Les trois frères, le retour (2014)
Directed by | Didier Bourdon, Bernard Campan, Pascal Légitimus | Cinematography by | Pascal Caubère | Editing by | Jeanne Kef
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 45-120mm T2.8 Lens
On a marché sur Bangkok (2014)
Directed by | Olivier Baroux | Cinematography by | Régis Blondeau | Editing by | Christophe Pinel
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Bon rétablissement ! (2014)
Directed by | Jean Becker | Cinematography by | Jean-Claude Larrieu | Editing by | Franck Nakache, Jacques Witta
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
