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ARRIFLEX 435 Advanced Camera  |  12 Titles

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It’s Only the End of the World   (2016)

Country | Canada, France

Running Time | 97 Minutes
Aspect Ratio |
Directed by | Xavier Dolan | Cinematography by | André Turpin | Editing by | Xavier Dolan
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Bridge of Spies   (2015)

Country | Germany, India, USA

Running Time | 142 Minutes
Aspect Ratio |
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
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Snowpiercer   (2013)

Country | South Korea, Czech Republic

Running Time | 126 Minutes
Aspect Ratio |
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim
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Quantum of Solace   (2008)

Naked Weapon   (2002)

Country | Hong Kong

Running Time | 90 Minutes
Aspect Ratio |
Directed by | Siu-Tung Ching | Cinematography by | Sung Fai Choi | Editing by | Angie Lam
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Snow White and the Huntsman   (2012)

King Kong   (2005)

Country | New Zealand, USA, Germany

Running Time | 187 Minutes
Aspect Ratio |
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
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My Name Is Khan   (2010)

Country | India, USA, United Arab Emirates

Running Time | 165 Minutes
Aspect Ratio |
Directed by | Karan Johar | Cinematography by | Ravi K. Chandran | Editing by | Deepa Bhatia
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Vampire Effect   (2003)

Country | Hong Kong

Running Time | 88 Minutes
Aspect Ratio |
Directed by | Dante Lam | Cinematography by | Man Po Cheung | Editing by | Ki-Hop Chan
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The Lord of the Rings: The Return of the King   (2003) oscar-icon

Country | New Zealand, USA

Running Time | 201 Minutes
Aspect Ratio |
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
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Harry Potter and the Prisoner of Azkaban   (2004)

Country | UK, USA

Running Time | 142 Minutes
Aspect Ratio |
Directed by | Alfonso Cuarón | Cinematography by | Michael Seresin | Editing by | Steven Weisberg
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Colombiana   (2011)

Country | France

Running Time | 108 Minutes
Aspect Ratio |
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre
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