Harry Potter and the Prisoner of Azkaban  (2004)

NEED ADD ITEMS: Film Prints: Horizontal ************************************************************************************** Cameras: Arricam LT, Cooke S4 Lenses Arriflex 435 Advanced, Cooke S4 Lenses Film Negative: 35 mm (Kodak Vision2 500T 5218, Vision 200T 5274) Cinematographic Process: Digital Intermediate (2K) (master format) Super 35 (source format) Film Prints: 35 mm (anamorphic) 70 mm (horizontal) (IMAX DMR blow-up) Laboratories: Technicolor, London, UK Aspect Ratio: 2.35 : 1 Sound: DTS, Dolby Digital, SDDS http://en.wikipedia.org/wiki/Harry_Potter_and_the_Prisoner_of_Azkaban_(film) *It is also the last Harry Potter film to be released on VHS http://www.filmintuition.com/Cuaron.html *Harry Potter and the Prisoner of Azkaban. “Special Edition DVD.” Dir: Alfonso Cuaron. Warner Brothers, 2004. http://harrypotter.wikia.com/wiki/Harry_Potter_and_the_Prisoner_of_Azkaban_(film) *23 November, 2004 (VHS/DVD) (The last of the series to be released on VHS) 11 December, 2007 (HD DVD/Blu-ray) http://www.theasc.com/magazine/june04/cover/index.html *Although The Prisoner of Azkaban retained the franchise's Super 35mm format, its look evolved in other ways. New elements include a very mobile camera and a predominance of wide-angle lenses. "We were on the 14mm, 18mm, 21mm or 24mm the whole movie," says Seresin. *Unlike earlier Harry Potter films, the main units on The Prisoner of Azkaban used only one camera, an Arricam ST, about 90 percent of the time. *That goal involved thousands of considerations. One of the first was film stock. Seresin had recently shot several pictures on Kodak's EXR 500T 5298, which he calls "my favorite film stock ever." *When time turns backward, Harry and his friends are filmed at 24 fps in the foreground, while in the background, four hours of hospital action is compressed into 10 seconds of time-lapse footage run in reverse. *Basically, it was done as an 8-fps effect," says Guyett, who worked on this with second-unit director of photography Peter Hannan, BSC. *These were mostly 10Ks and 20Ks, plus a "moon light" - a 20K HMI on a remote-controlled crane arm. http://forums.creativecow.net/archivethread/45/524082 *TEWKSBURY, Mass.--(BUSINESS WIRE)--March 1, 2004--Avid Technology, Inc. (NASDAQ: AVID) today announced that leading Hollywood trailer house The Ant Farm has purchased 40 Avid(R) Media Composer(R) Adrenaline(TM) systems, as well as a suite of Avid Productivity Tools for its two Avid Unity(TM) MediaNetwork shared-storage systems. The Ant Farm will install the Media Composer Adrenaline systems in its new Los Angeles-based facility and use them to create campaigns and trailers for some of the most highly anticipated Hollywood films, including Harry Potter and the Prisoner of Azkaban, Shrek 2, and M. Night Shyamalan's The ge. Villa