Compositor: Rise Visual Effects Studios
'Dark' Beginnings and Endings (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Compositor: Rise Visual Effects Studios
'Dark' Dark Matter (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Boris Gromatzki
Compositor: Rise Visual Effects Studios
'Dark' Ghosts (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Compositor: Rise Visual Effects Studios
'Dark' The Travelers (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Simon Gstöttmayr
Compositor: Rise Visual Effects Studios
'Dark' Lost and Found (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Boris Gromatzki
Compositor: Rise Visual Effects Studios
'Dark' An Endless Cycle (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Compositor: Rise Visual Effects Studios
'Dark' The White Devil (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Simon Gstöttmayr
Compositor: Rise Visual Effects Studios
'Dark' Endings and Beginnings (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Roan Densimbor
Digital Compositor: RISE Visual Effects Studios
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Lead Compositor: RISE Visual Effects Studios
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Compositor: Rise Visual Effects Studios - 8 Episodes, 2019
Dark (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses: Zeiss Ultra Prime Lenses
Senior Compositor: Trixter
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Compositor: Trixter Film
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Compositor: Trixter Film
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Compositing Artist: Trixter
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Digital Compositor: Arri
Sams im Glück (2012)
Directed by: Peter Gersina
Cinematography by: Gerhard Schirlo
Edited by: Kai Schröter
Digital Compositor: Arri
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Digital Compositor: Ghost
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Digital Compositor: Pixomondo
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
2D Artist: Double Negative
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Compositor: Double Negative
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Compositor: Double Negative
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Digital Compositor: Double Negative
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Compositor: Double Negative
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Compositor: Double Negative
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Digital Effects Artist: Cinesite
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Compositor: MPC
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Digital Compositor: Baseblack
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Junior Compositor: Das Werk
The Pianist (2002)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Compositing Assistant
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
