Fred Raskin

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Editor

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Once Upon a Time... in Hollywood | ShotOnWhat?

Editor

Once Upon a Time in Hollywood (2019)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Edited By

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

The Hateful Eight | ShotOnWhat?

Editor

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Guardians of the Galaxy | ShotOnWhat?

Editor

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Hit and Run | ShotOnWhat?

Additional Editor

Hit and Run (2012)

Directed by: David Palmer, Dax Shepard

Cinematography by: Bradley Stonesifer

Edited by: Keith Croket, Dax Shepard

Cameras: ARRI Cameras

Django Unchained | ShotOnWhat?

Editor

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Fast Five | ShotOnWhat?

Editor

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Big Bang | ShotOnWhat?

Editor

The Big Bang (2010)

Directed by: Tony Krantz

Cinematography by: Shelly Johnson

Edited by: Fred Raskin

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Editor

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

Kill Bill: Vol. 2 | ShotOnWhat?

Second Assistant Editor

Kill Bill: Vol. 2 (2004)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Kill Bill: Vol. 1 | ShotOnWhat?

Assistant Editor

Kill Bill: Vol. 1 (2003)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Insomnia | ShotOnWhat?

Assistant Editor

Insomnia (2002)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Dody Dorn

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Punch-Drunk Love | ShotOnWhat?

Additional Film Editor

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Daddy and Them | ShotOnWhat?

Second Assistant Editor

Daddy and Them (2001)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Cameras

All the Pretty Horses | ShotOnWhat?

First Assistant Editor

All the Pretty Horses (2000)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Boogie Nights | ShotOnWhat?

Second Assistant Editor

Boogie Nights (1997)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Moviecam Compact Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Hard Eight | ShotOnWhat?

Post-production Assistant

Hard Eight (1996)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Barbara Tulliver

Omega Doom | ShotOnWhat?

Assistant Film Editor

Omega Doom (1996)

Directed by: Albert Pyun

Cinematography by: George Mooradian

Edited by: Ken Morrisey, Joe Shugart

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