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Stephen F. Windon

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Director Of Photography

The Fate of the Furious (2017)

| China, USA, Japan

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

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Cinematographer

Star Trek Beyond (2016)

| USA, China, United Arab Emirates, Canada

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

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Cinematographer

Furious 7 (2015)

| USA, China, Japan, Canada, United Arab Emirates

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

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Cinematographer

Furious 6 (2013)

| USA, Japan, Spain, UK

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

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Director Of Photography

G.I. Joe: Retaliation (2013)

| USA

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

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Cinematographer

A Few Best Men (2011)

| Australia, UK

Directed by: Stephan Elliott

Cinematography by: Stephen F. Windon

Edited by: Sue Blainey

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

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Director Of Photography

Fast Five (2011)

| USA, Brazil, Japan

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

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Cinematographer

Needle (2010)

| Australia

Directed by: John V. Soto

Cinematography by: Stephen F. Windon

Edited by: Jason Ballantine

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Director Of Photography

The Fast and the Furious: Tokyo Drift (2006)

| USA, Germany, Japan

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

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Director Of Photography

House of Wax (2005)

| Australia, USA

Directed by: Jaume Collet-Serra

Cinematography by: Stephen F. Windon

Edited by: Joel Negron

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Cinematographer

Anacondas: The Hunt for the Blood Orchid (2004)

| USA

Directed by: Dwight H. Little

Cinematography by: Stephen F. Windon

Edited by: Marcus D'Arcy, Mark Warner

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

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Additional Photographer

Darkness Falls (2003)

| USA, Australia

Directed by: Jonathan Liebesman

Cinematography by: Dan Laustsen

Edited by: Timothy Alverson, Steve Mirkovich

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Director Of Photography

The Tuxedo (2002)

| USA

Directed by: Kevin Donovan

Cinematography by: Stephen F. Windon

Edited by: Craig Herring

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Deep Blue Sea (1999)

| USA, Mexico

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

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Director Of Photography

Firestorm (1998)

| USA

Directed by: Dean Semler

Cinematography by: Stephen F. Windon

Edited by: Jack Hofstra

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Cinematographer

The Patriot (1998)

| USA

Directed by: Dean Semler

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin

Cameras: Panavision Cameras

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Director Of Photography

The Postman (1997)

| USA

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

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Director Of Photography

Rapa Nui (1994)

| USA

Directed by: Kevin Reynolds

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

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Camera Operator: Second Unit

The Rescue (1988)

| USA

Directed by: Ferdinand Fairfax

Cinematography by: Russell Boyd

Edited by: David Holden, Carroll Timothy O'Meara

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Director Of Photography: Second Unit / First Assistant Camera: New York

Crocodile Dundee II (1988)

| Australia, USA

Directed by: John Cornell

Cinematography by: Russell Boyd

Edited by: David Stiven

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