Director Of Photography
The Fate of the Furious (2017)
| China, USA, Japan
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Cinematographer
Star Trek Beyond (2016)
| USA, China, United Arab Emirates, Canada
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Cinematographer
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Cinematographer
Furious 6 (2013)
| USA, Japan, Spain, UK
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Director Of Photography
G.I. Joe: Retaliation (2013)
| USA
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Cinematographer
A Few Best Men (2011)
| Australia, UK
Directed by: Stephan Elliott
Cinematography by: Stephen F. Windon
Edited by: Sue Blainey
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Director Of Photography
Fast Five (2011)
| USA, Brazil, Japan
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cinematographer
Needle (2010)
| Australia
Directed by: John V. Soto
Cinematography by: Stephen F. Windon
Edited by: Jason Ballantine
Director Of Photography
The Fast and the Furious: Tokyo Drift (2006)
| USA, Germany, Japan
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Director Of Photography
House of Wax (2005)
| Australia, USA
Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
Cinematographer
Anacondas: The Hunt for the Blood Orchid (2004)
| USA
Directed by: Dwight H. Little
Cinematography by: Stephen F. Windon
Lenses: Zeiss Ultra Prime Lenses
Additional Photographer
Darkness Falls (2003)
| USA, Australia
Directed by: Jonathan Liebesman
Cinematography by: Dan Laustsen
Director Of Photography
The Tuxedo (2002)
| USA
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Director Of Photography
Firestorm (1998)
| USA
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Cinematographer
The Patriot (1998)
| USA
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Derek Brechin
Cameras: Panavision Cameras
Director Of Photography
The Postman (1997)
| USA
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Director Of Photography
Rapa Nui (1994)
| USA
Directed by: Kevin Reynolds
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Camera Operator: Second Unit
The Rescue (1988)
| USA
Directed by: Ferdinand Fairfax
Cinematography by: Russell Boyd
Director Of Photography: Second Unit / First Assistant Camera: New York
Crocodile Dundee II (1988)
| Australia, USA
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
