Editor
F9 (2021)
Movie
| USA
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lenses: Tokina Lenses
Additional Editor
The Fate of the Furious (2017)
| China, USA, Japan
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Edited By
Star Trek Beyond (2016)
| USA, China, United Arab Emirates, Canada
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Editor
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Editor
Furious 6 (2013)
| USA, Japan, Spain, UK
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Additional Editor
Total Recall (2012)
| USA, Canada
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Vfx Editor
Fast Five (2011)
| USA, Brazil, Japan
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Editor
MacGruber (2010)
| USA
Directed by: Jorma Taccone
Cinematography by: Brandon Trost
Edited by: Jamie Gross
Visual Effects Editor
The Last Exorcism (2010)
| France, USA
Directed by: Daniel Stamm
Cinematography by: Zoltan Honti
Edited by: Shilpa Sahi
Visual Effects Editor
Gamer (2009)
| USA
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Visual Effects Editor
2012 (2009)
| USA
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Visual Effects Editor: Gradient FX
The Invention of Lying (2009)
| USA
Cinematography by: Tim Suhrstedt
Edited by: Chris Gill
Visual Effects Editor
The Informers (2008)
| Germany, USA
Directed by: Gregor Jordan
Cinematography by: Petra Korner
Edited by: Robert Brakey
Editorial Intern
Bigger Stronger Faster* (2008)
| USA
Directed by: Chris Bell
Cinematography by: Alexander Buono
Edited by: Brian Singbiel
Production Assistant
Indiana Jones and the Kingdom of the Crystal Skull (2008)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
