Marc Spicer

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Escape Room | ShotOnWhat?

Cinematographer

Escape Room (2019)

Directed by: Adam Robitel

Cinematography by: Marc Spicer

Edited by: Steve Mirkovich

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

Fast 8 | ShotOnWhat?

Director Of Photography: Second Unit, Cuba/Atlanta Unit

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lights Out | ShotOnWhat?

Director Of Photography

Lights Out (2016)

Directed by: David F. Sandberg

Cinematography by: Marc Spicer

Edited by: Michel Aller, Kirk M. Morri

Cameras: ARRI ALEXA Camera

Furious 7 | ShotOnWhat?

Cinematographer

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

The Wolverine | ShotOnWhat?

Camera Operator: "a" Camera

The Wolverine (2013)

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Season of the Witch | ShotOnWhat?

Camera Operator: "a" Camera

Season of the Witch (2011)

Directed by: Dominic Sena

Cinematography by: Amir Mokri

Edited by: Bob Ducsay, Mark Helfrich, Dan Zimmerman

Tomorrow, When the War Began | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Tomorrow, When the War Began (2010)

Directed by: Stuart Beattie

Cinematography by: Ben Nott

Edited by: Marcus D'Arcy

Australia | ShotOnWhat?

Additional Photography

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Jindabyne | ShotOnWhat?

Camera Operator: Second Unit

Jindabyne (2006)

Directed by: Ray Lawrence

Cinematography by: David Williamson

Edited by: Karl Sodersten

House of Wax | ShotOnWhat?

Camera Operator / Camera Operator: "a" Camera / Director Of Photography: Second Unit

House of Wax (2005)

Directed by: Jaume Collet-Serra

Cinematography by: Stephen F. Windon

Edited by: Joel Negron

Son of the Mask | ShotOnWhat?

Camera Operator: Second Unit

Son of the Mask (2005)

Directed by: Lawrence Guterman

Cinematography by: Greg Gardiner

Edited by: Malcolm Campbell, John Coniglio, Debra Neil-Fisher

Anacondas: The Hunt for the Blood Orchid | ShotOnWhat?

Camera Operator

Anacondas: The Hunt for the Blood Orchid (2004)

Directed by: Dwight H. Little

Cinematography by: Stephen F. Windon

Edited by: Marcus D'Arcy, Mark Warner

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Thunderstruck | ShotOnWhat?

Camera Operator

Thunderstruck (2004)

Directed by: Darren Ashton

Cinematography by: Geoffrey Hall

Edited by: Martin Connor

The Rage in Placid Lake | ShotOnWhat?

Camera Operator

The Rage in Placid Lake (2003)

Directed by: Tony McNamara

Cinematography by: Ellery Ryan

Edited by: Lee Smith

Moulin Rouge! | ShotOnWhat?

Camera Operator: "c" Camera

Moulin Rouge! (2001)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Mission: Impossible II | ShotOnWhat?

Camera Operator

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Crouching Tiger, Hidden Dragon | ShotOnWhat?

Underwater Photographer: Second Unit

Crouching Tiger, Hidden Dragon (2000)

Directed by: Ang Lee

Cinematography by: Peter Pau

Edited by: Tim Squyres

Cameras: ARRIFLEX 435 ES Camera

Lenses: Zeiss Lenses

Deep Blue Sea | ShotOnWhat?

Camera Operator

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

Oscar and Lucinda | ShotOnWhat?

Camera Operator / Camera Operator: Second Unit

Oscar and Lucinda (1997)

Directed by: Gillian Armstrong

Cinematography by: Geoffrey Simpson

Edited by: Nicholas Beauman

Cameras: Panavision Panaflex Gold II Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Daylight | ShotOnWhat?

Camera Operator

Daylight (1996)

Directed by: Rob Cohen

Cinematography by: David Eggby

Edited by: Peter Amundson

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Rapa Nui | ShotOnWhat?

Camera Operator

Rapa Nui (1994)

Directed by: Kevin Reynolds

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

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