Camera Operator, Cinematographer
Good Kill (2014)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Director Of Photography
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Director Of Photography
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Director Of Photography
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Director Of Photography
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Director Of Photography
Vantage Point (2008)
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Director Of Photography
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography
Taking Lives (2004)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
Director Of Photography
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Director Of Photography
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Director Of Photography
Don't Say a Word (2001)
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Director Of Photography
Coyote Ugly (2000)
Directed by: David McNally
Cinematography by: Amir Mokri
Edited by: William Goldenberg
Director Of Photography
Eye for an Eye (1996)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Edited by: Peter Honess
Camera Operator , Director Of Photography
The Joy Luck Club (1993)
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Director Of Photography
Blue Steel (1990)
Directed by: Kathryn Bigelow
Cinematography by: Amir Mokri
Edited by: Lee Percy
Director Of Photography
Pacific Heights (1990)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Cameras: ARRI Cameras
