VistaVision Cameras | 35 Titles
Jurassic Park (1993)
Country | USA
Type | Motion Picture
Running Time | 127 Minutes
Aspect Ratio | 1.85:1
3D Re-released in 2013
Directed by | Steven Spielberg | Cinematography by | Dean Cundey | Editing by | Michael Kahn
modified:
Honey I Blew Up the Kid (1992)
Country | USA
Type | Motion Picture
Running Time | 89 Minutes
Aspect Ratio | 1.85:1
Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson
Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras
Lenses | Canon K35 Prime Lenses
modified:
One-Eyed Jacks (1961)
Country | USA
Type | Motion Picture
Running Time | 141 Minutes
Aspect Ratio | 1.85:1
Directed by | Marlon Brando | Cinematography by | Charles Lang | Editing by | Archie Marshek
Cameras | VistaVision Cameras
modified:
The Desperate Hours (1955)
Country | USA
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 1.85:1
Directed by | William Wyler | Cinematography by | Lee Garmes | Editing by | Robert Swink
Cameras | VistaVision Cameras
modified:
The Buccaneer (1958)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 1.85:1
Directed by | Anthony Quinn | Cinematography by | Loyal Griggs | Editing by | Archie Marshek
Cameras | VistaVision Cameras
modified:
The Searchers (1956)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 1.85:1
Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray
Cameras | Mitchell VistaVision Camera
modified:
High Society (1956)
Country | USA
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 1.85:1
Directed by | Charles Walters | Cinematography by | Paul Vogel | Editing by | Ralph E. Winters
Cameras | VistaVision Cameras
modified:
The Trouble with Harry (1955)
Country | USA
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 1.85:1
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | Alma Macrorie
Cameras | VistaVision Cameras
modified:
The Man Who Knew Too Much (1956)
Country | USA
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 1.85:1
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini
Cameras | VistaVision Cameras
modified:
Funny Face (1957)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 1.85:1
Directed by | Stanley Donen | Cinematography by | Ray June | Editing by | Frank Bracht
Cameras | VistaVision Cameras
modified:
Spectre (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 148 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
modified:
To Catch a Thief (1955)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 1.85:1
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini
Cameras | VistaVision Cameras
modified:
Star Trek II: The Wrath of Khan (1982)
Country | USA
Type | Motion Picture
Running Time | 113 Minutes
Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch
Cameras | Dykstraflex Camera, Panavision Cameras
modified:
Captain Phillips (2013)
Country | USA
Type | Motion Picture
Running Time | 134 Minutes
Aspect Ratio | 2.39:1
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leica Summilux-C Series Lenses, Zeiss Super Speed Lenses
modified:
Tornado Alley (2011)
Country | USA
Type | Motion Picture
Running Time | 43 Minutes
3D Re-released in 2011
Directed by | Sean C. Casey | Cinematography by | Sean C. Casey, Peter Rubi | Editing by | Sean C. Casey, Peter Rubi
Cameras | Imax Cameras, VistaVision Cameras
modified:
Who Framed Roger Rabbit (1988)
Country | USA
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 1.85:1
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Camera, VistaVision Cameras
Lenses | Panavision Lenses
modified:
Men in Black (1997)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 1.85:1
Directed by | Barry Sonnenfeld | Cinematography by | Donald Peterman | Editing by | Jim Miller
modified:
Transformers: Dark of the Moon (2011)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
modified:
The Lost World: Jurassic Park (1997)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 1.85:1
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
modified:
The NeverEnding Story (1984)
Country | West Germany, USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Jane Seitz
Lenses | Technovision Lenses
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