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Distributed Aspect Ratio » 1.85:1

1.85:1 | 1438 Titles

1.85:1 3.70/5 10 Votes

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The Terminator (1984)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 107 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt

Starring | Arnold Schwarzenegger, Linda Hamilton, Michael Biehn, Paul Winfield

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses | Zeiss Lenses

Knives Out (2019)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 130 Minutes

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Chris Evans, Ana de Armas

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

Searching for Bobby Fischer (1993)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 109 Minutes

Directed by | Steven Zaillian | Cinematography by | Conrad L. Hall | Editing by | Wayne Wahrman

Starring | Joe Mantegna, Ben Kingsley, Max Pomeranc

A Spark in Nothing (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 146 Minutes

Directed by | Griffin Loch | Cinematography by | Rob McPeters

Starring | Arielle Gottesman, Nika Balina, Corrinne Mica

Cameras | Sony α7R II Camera

Batman (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy

Starring | Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision SL35-M 35 mm T1.9 Lens

Nightwatch (1994)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Ole Bornedal | Cinematography by | Dan Laustsen | Editing by | Camilla Skousen

Starring | Nikolaj Coster-Waldau, Sofie Gråbøl, Kim Bodnia, Lotte Andersen

Cameras | Moviecam Compact Camera, Moviecam SuperAmerica Camera

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Goodbye Christopher Robin (2017)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Victoria Boydell

Starring | Domhnall Gleeson, Margot Robbie, Kelly Macdonald, Vicki Pepperdine

Flytrap (2015)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 81 Minutes

Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger

Starring | Jeremy Crutchley, Gabrielle Stone, Jonah Blechman, Ina-Alice Kopp

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Angenieux 24-240 f2.6 Zoom Lens

Bruce Almighty (2003)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 101 Minutes

Directed by | Tom Shadyac | Cinematography by | Dean Semler | Editing by | Scott Hill

Starring | Jim Carrey, Jennifer Aniston, Morgan Freeman, Philip Baker Hall

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Ava (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Léa Mysius | Cinematography by | Paul Guilhaume | Editing by | Pierre Deschamps

Starring | Noée Abita, Laure Calamy, Juan Cano, Tamara Cano

Cameras | ARRICAM Lite (LT) Camera

Lenses | Hawk V-Lite Lenses

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Boyhood (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 165 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adair

Starring | Ellar Coltrane, Patricia Arquette, Ethan Hawke, Elijah Smith

Cameras | Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses

Monsters. (2019)

Motion Picture | 2D | 3.4K Project | Color | 1.85:1 | 116 Minutes

Directed by | Marius Olteanu | Cinematography by | Luchian Ciobanu | Editing by | Ion Ioachim Stroe

Starring | Judith State, Cristian Popa, Alexandru Potocean, Serban Pavlu

Cameras | ARRI AMIRA Premium Camera

Lenses | Zeiss Super Speeds Mk II Lenses

The Crucible (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 124 Minutes

Directed by | Nicholas Hytner | Cinematography by | Andrew Dunn | Editing by | Tariq Anwar

Starring | Daniel Day-Lewis, Winona Ryder, Paul Scofield, Joan Allen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Of Fathers and Sons (2017)

Documentary | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Talal Derki | Cinematography by | Kahtan Hassoun | Editing by | Anne Fabini

Starring | Abu Osama, Ayman Osama, Osama Osama

Velvet Goldmine (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Maryse Alberti | Editing by | James Lyons

Starring | Ewan McGregor, Jonathan Rhys Meyers, Christian Bale, Toni Collette

Cameras | Aaton Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Mirror Has Two Faces (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Barbra Streisand | Cinematography by | Andrzej Bartkowiak, Dante Spinotti | Editing by | Jeff Werner

Starring | Barbra Streisand, Jeff Bridges, Lauren Bacall, George Segal

Cameras | Panavision Panaflex Camera

Period. End of Sentence. (2018)

Documentary, Short Film | 2D | Color | 1.85:1 | 26 Minutes

Directed by | Rayka Zehtabchi | Cinematography by | Sam A. Davis | Editing by | Sam A. Davis

Starring | Ajeya, Anita, Gouri Choudari, Shabana Khan

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