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Distributed Aspect Ratio » 1.85:1

1.85:1 | 1432 Titles

1.85:1 3.86/5 7 Votes

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Bruce Almighty (2003)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 101 Minutes

Directed by | Tom Shadyac | Cinematography by | Dean Semler | Editing by | Scott Hill

Starring | Jim Carrey, Jennifer Aniston, Morgan Freeman, Philip Baker Hall

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Ava (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Léa Mysius | Cinematography by | Paul Guilhaume | Editing by | Pierre Deschamps

Starring | Noée Abita, Laure Calamy, Juan Cano, Tamara Cano

Cameras | ARRICAM Lite (LT) Camera

Lenses | Hawk V-Lite Lenses

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Boyhood (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 165 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adair

Starring | Ellar Coltrane, Patricia Arquette, Ethan Hawke, Elijah Smith

Cameras | Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses

Monsters. (2019)

Motion Picture | 2D | 3.4K Project | Color | 1.85:1 | 116 Minutes

Directed by | Marius Olteanu | Cinematography by | Luchian Ciobanu | Editing by | Ion Ioachim Stroe

Starring | Judith State, Cristian Popa, Alexandru Potocean, Serban Pavlu

Cameras | ARRI AMIRA Premium Camera

Lenses | Zeiss Super Speeds Mk II Lenses

The Crucible (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 124 Minutes

Directed by | Nicholas Hytner | Cinematography by | Andrew Dunn | Editing by | Tariq Anwar

Starring | Daniel Day-Lewis, Winona Ryder, Paul Scofield, Joan Allen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Of Fathers and Sons (2017)

Documentary | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Talal Derki | Cinematography by | Kahtan Hassoun | Editing by | Anne Fabini

Starring | Abu Osama, Ayman Osama, Osama Osama

Velvet Goldmine (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Maryse Alberti | Editing by | James Lyons

Starring | Ewan McGregor, Jonathan Rhys Meyers, Christian Bale, Toni Collette

Cameras | Aaton Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Mirror Has Two Faces (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Barbra Streisand | Cinematography by | Andrzej Bartkowiak, Dante Spinotti | Editing by | Jeff Werner

Starring | Barbra Streisand, Jeff Bridges, Lauren Bacall, George Segal

Cameras | Panavision Panaflex Camera

Period. End of Sentence. (2018)

Documentary, Short Film | 2D | Color | 1.85:1 | 26 Minutes

Directed by | Rayka Zehtabchi | Cinematography by | Sam A. Davis | Editing by | Sam A. Davis

Starring | Ajeya, Anita, Gouri Choudari, Shabana Khan

Bahubali: The Beginning (2015)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 159 Minutes

Directed by | S.S. Rajamouli | Cinematography by | Senthil Kumar | Editing by | Kotagiri Venkateshwara Rao

Starring | Prabhas, Rana Daggubati, Ramya Krishnan, Sathyaraj

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Immortals (2011)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 110 Minutes

Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Wyatt Jones, Stuart Levy, David Rosenbloom

Starring | Henry Cavill, Mickey Rourke, John Hurt, Stephen Dorff

Cameras | Panavision Genesis Camera, Phantom HD Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Friendship’s Field (1995)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 83 Minutes

Directed by | Bruce Neibaur | Cinematography by | Matthew Williams

Starring | Kate Maberly, Jonathan Hernandez, Randall King, Carolyn Hurlburt

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Standard Speed Prime Lenses

American Pastime (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 105 Minutes

Directed by | Desmond Nakano | Cinematography by | Matthew Williams | Editing by | Mark Yoshikawa

Starring | Aaron Yoo, Olesya Rulin, Carlton Bluford, Sami Roe

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Jeepers Creepers (2001)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 90 Minutes

Directed by | Victor Salva | Cinematography by | Don E. FauntLeRoy | Editing by | Ed Marx

Starring | Gina Philips, Justin Long, Jonathan Breck, Patricia Belcher

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Shoplifters (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda

Starring | Lily Franky, Sakura Andô, Kirin Kiki, Mayu Matsuoka

Cameras | ARRI ALEXA Mini Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leica Summicron-C Series Lenses, Zeiss Ultra Prime Lenses

Weekends (2017)

Short Film | 2D | Color | 1.85:1 | 15 Minutes

Directed by | Trevor Jimenez | Editing by | Trevor Jimenez

Free Solo (2018)

Documentary | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt

Starring | Alex Honnold, Tommy Caldwell, Jimmy Chin, Cheyne Lempe

Cameras | Blackmagic URSA Camera, Canon EOS-1Ds Mark II Camera, Canon EOS-C300 Mark II Camera

The Kid Stays in the Picture (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 93 Minutes

Directed by | Nanette Burstein, Brett Morgen | Cinematography by | John Bailey | Editing by | Jun Diaz

Starring | Robert Evans, Eddie Albert, Peter Bart, Charlie Bluhdorn

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses

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