1.85:1 | 1395 Titles
Sofia (2018)
Country | France, Qatar, Belgium, Morocco
Type | Motion Picture
Running Time | 80 Minutes
Aspect Ratio | 1.85:1
Directed by | Meryem Benm'Barek-Aloïsi | Cinematography by | Son Doan | Editing by | Céline Perréard
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses
modified:
Clerks (1994)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.85:1
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR Camera
modified:
LBJ (2016)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 1.85:1
Directed by | Rob Reiner | Cinematography by | Barry Markowitz | Editing by | Bob Joyce
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision PVintage Prime Lenses
modified:
24 Hour Party People (2002)
Country | UK
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 1.85:1
Directed by | Michael Winterbottom | Cinematography by | Robby Müller | Editing by | Trevor Waite, Michael Winterbottom
Cameras | Sony DSR-PD150 Camera
modified:
Taxi Driver (1976)
Country | USA
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 1.85:1
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro
Cameras | ARRIFLEX 35 BL Camera
Lenses | ARRI / Zeiss Lenses
modified:
The Window (2008)
Country | Argentina, Spain
Type | Motion Picture
Running Time | 85 Minutes
Aspect Ratio | 1.85:1
Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Standard Speed Prime Lenses
modified:
Afterglow (1997)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 1.85:1
Directed by | Alan Rudolph | Cinematography by | Toyomichi Kurita | Editing by | Suzy Elmiger
Cameras | ARRIFLEX Camera
modified:
Out of Sight (1998)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 1.85:1
Directed by | Steven Soderbergh | Cinematography by | Elliot Davis | Editing by | Anne V. Coatesmodified:
Lolita (1997)
Country | France, USA
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 1.85:1
Directed by | Adrian Lyne | Cinematography by | Howard Atherton | Editing by | David Brenner, Julie Monroe
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
modified:
The Love Witch (2016)
Country | USA
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 1.85:1
Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller
Cameras | ARRICAM Studio (ST) Camera
modified:
The Art of Racing in the Rain (2019)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 1.85:1
Directed by | Simon Curtis | Cinematography by | Ross Emery | Editing by | Adam Recht
Cameras | ARRI ALEXA SXT EV
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
modified:
Beloved (1998)
Country | USA
Type | Motion Picture
Running Time | 172 Minutes
Aspect Ratio | 1.85:1
Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Andy Keir, Carol Littleton
Cameras | Panavision Cameras
Lenses | Panavision Lenses
modified:
Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Country | USA, Canada
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor
Cameras | Panavision Panaflex Camera
modified:
Van Helsing (2004)
Country | USA, Czech Republic, Romania
Type | Motion Picture
Running Time | 131 Minutes
Aspect Ratio | 1.85:1
Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May
modified:
Rounded Corners (2019)
Country | USA
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Paul Check
Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
modified:
Dinosaur (2000)
Country | USA
Type | Motion Picture
Running Time | 82 Minutes
Aspect Ratio | 1.85:1
Directed by | Eric Leighton, Ralph Zondag | Cinematography by | David R. Hardberger, Steven Douglas Smith | Editing by | H. Lee Peterson
Cameras | VistaVision Cameras
modified:
The End of the Affair (1999)
Country | UK, USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Neil Jordan | Cinematography by | Roger Pratt | Editing by | Tony Lawson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
modified:
Jurassic Park (1993)
Country | USA
Type | Motion Picture
Running Time | 127 Minutes
Aspect Ratio | 1.85:1
3D Re-released in 2013
Directed by | Steven Spielberg | Cinematography by | Dean Cundey | Editing by | Michael Kahn
modified:
Home Alone (1990)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 1.85:1
Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
modified:
How the Grinch Stole Christmas (2000)
Country | USA
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 1.85:1
Directed by | Ron Howard | Cinematography by | Donald Peterman | Editing by | Daniel P. Hanley, Mike Hill
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens
modified:
