Distributed Aspect Ratio » 1.85:1

1.85:1 | 1571 Titles

1.85:1 3.23/5 13 Votes

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The Formula (1980)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 117 Minutes

Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | John Carter

Starring | George C. Scott, Marlon Brando, Marthe Keller, John Gielgud

Cameras | Panavision Cameras

The Goodbye Girl (1977)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 111 Minutes

Directed by | Herbert Ross | Cinematography by | David M. Walsh | Editing by | John F. Burnett

Starring | Richard Dreyfuss, Marsha Mason, Quinn Cummings, Paul Benedict

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Predator (1987)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 107 Minutes

Directed by | John McTiernan | Cinematography by | Donald McAlpine | Editing by | Mark Helfrich, John F. Link

Starring | Arnold Schwarzenegger, Carl Weathers, Kevin Peter Hall, Elpidia Carrillo

Cameras | ARRIFLEX 35 III Camera, Panavision Cameras

Once Upon a Time… in Hollywood (2019)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 161 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghost in the Shell (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | Rupert Sanders | Cinematography by | Jess Hall | Editing by | Billy Rich, Neil Smith

Starring | Scarlett Johansson, Pilou Asbæk, Takeshi Kitano

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Romeo and Juliet (1968)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 138 Minutes

Directed by | Franco Zeffirelli | Cinematography by | Pasqualino De Santis | Editing by | Reginald Mills

Starring | Leonard Whiting, Olivia Hussey, John McEnery

Cameras | Mitchell BNCR Camera

The Other Side of the Wind (2018)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1, 1.85:1 | 122 Minutes

Directed by | Orson Welles | Cinematography by | Gary Graver | Editing by | Bob Murawski, Orson Welles

Starring | John Huston, Oja Kodar, Peter Bogdanovich

Cameras | Éclair NPR Camera

The Edge of Seventeen (2016)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Kelly Fremon Craig | Cinematography by | Doug Emmett | Editing by | Tracey Wadmore-Smith

Starring | Hailee Steinfeld, Haley Lu Richardson, Blake Jenner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Love Witch (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller

Starring | Samantha Robinson, Jeffrey Vincent Parise, Laura Waddell, Gian Keys

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Chasing Amy (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 113 Minutes

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith

Starring | Ben Affleck, Joey Lauren Adams, Ethan Suplee, Scott Mosier

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Zeiss Super Speed Lenses

Free Solo (2018)

Documentary | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt

Starring | Alex Honnold, Tommy Caldwell, Jimmy Chin, Cheyne Lempe

Cameras | Blackmagic URSA Mini Camera, Canon EOS-1Ds Mark II Camera, Canon EOS-C300 Mark II Camera

Lenses | Canon CINE-SERVO 50-1000mm T5.0 Lens

Causeway (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 94 Minutes

Directed by | Lila Neugebauer | Cinematography by | Diego García | Editing by | Robert Frazen, Lucian Johnston

Starring | Jennifer Lawrence, Brian Tyree Henry, Linda Emond

Cameras | ARRI ALEXA LF Camera

Lenses | Panavision H Series Lenses

Wildlife (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Paul Dano | Cinematography by | Diego García | Editing by | Louise Ford, Matthew Hannam

Starring | Ed Oxenbould, Jake Gyllenhaal, Carey Mulligan

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses

Darkest Hour (2017)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.85:1 | 125 Minutes

Directed by | Joe Wright | Cinematography by | Bruno Delbonnel | Editing by | Valerio Bonelli

Starring | Gary Oldman, Lily James, Kristin Scott Thomas

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

Eighth Grade (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 93 Minutes

Directed by | Bo Burnham | Cinematography by | Andrew Wehde | Editing by | Jennifer Lilly

Starring | Elsie Fisher, Josh Hamilton, Emily Robinson

Cameras | Red Helium 8K Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Boy Erased (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 115 Minutes

Directed by | Joel Edgerton | Cinematography by | Eduard Grau | Editing by | Jay Rabinowitz

Starring | Lucas Hedges, Nicole Kidman, Joel Edgerton

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

On the Basis of Sex (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Mimi Leder | Cinematography by | Michael Grady | Editing by | Michelle Tesoro

Starring | Felicity Jones, Armie Hammer, Justin Theroux

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Searching (2018)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Aneesh Chaganty | Cinematography by | Juan Sebastian Baron, Nicholas D. Johnson, Will Merrick | Editing by | Nicholas D. Johnson, Will Merrick

Starring | John Cho, Debra Messing, Joseph Lee

Cameras | Apple iPhone Camera, GoPro (Woodman Labs) Cameras

Tully (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 95 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Stefan Grube

Starring | Charlize Theron, Mackenzie Davis, Ron Livingston

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Goldfinger (1964)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 110 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Gert Fröbe, Honor Blackman

Cameras | Mitchell BNC Camera

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