ARRIFLEX 16SR2 Camera | 17 Titles
The Castle (1997)
Directed by | Rob Sitch | Cinematography by | Miriana Marusic | Editing by | Wayne Hyett
Cameras | ARRIFLEX 16SR2 Camera
Chasing Amy (1997)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Zeiss Super Speed Lenses
Indefinite (2015)
Directed by | Kane Arcadia | Cinematography by | Carlos Schneider | Editing by | Ken Lee
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Cinema Products Lenses
Body Melt (1993)
Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy
Cameras | ARRIFLEX 16SR2 Camera
Escape: World Safari III (1988)
Til the End of the Day (2011)
Directed by | Callen Diederichs | Cinematography by | Alain Astruc | Editing by | Jean-Sebastien Gauthier
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Zeiss Lenses
American Horror Story (2011)
| Cinematography by | Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba | Editing by | Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Lenses, Panavision Lenses
Mafiosa (2006)
| Cinematography by | Aleksander Kaufmann, Pierre Novion, Patrick Blossier | Editing by | Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson
Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses
Skate or Die (2008)
Directed by | Miguel Courtois
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Always Something Better (1997)
Directed by | Stephen Kinsella | Cinematography by | Jorge Diaz-Amador | Editing by | Kristin M. Frascione
Cameras | ARRIFLEX 16SR2 Camera
Lock, Stock and Two Smoking Barrels (1998)
Directed by | Guy Ritchie | Cinematography by | Tim Maurice-Jones | Editing by | Niven Howie
Cameras | ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras
Dark Frontier (2009)
Directed by | Kriv Stenders | Cinematography by | Jules O'Loughlin | Editing by | Gabriella Muir
Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera
Aizea: City of the Wind (2001)
Directed by | Ione Hernández | Cinematography by | Daniel Aranyó | Editing by | Andrea Zondler
Cameras | ARRIFLEX 16SR2 Camera
Southern Justice (2006)
Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses
Die You Zombie Bastards! (2005)
The Counterfeiters (2007)
Directed by | Stefan Ruzowitzky | Cinematography by | Benedict Neuenfels | Editing by | Britta Nahler