Zeiss Lenses | 190 Titles
Eike, Tudo ou Nada (2022)
Directed by | Dida Andrade, Andradina Azevedo | Cinematography by | Andradina Azevedo | Editing by | Maria Rezende
Cameras | Red Komodo Camera
Lenses | Zeiss Lenses
Poor Things (2023)
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses
Mission: Impossible – Dead Reckoning Part One (2023)
Directed by | Christopher McQuarrie | Cinematography by | Fraser Taggart | Editing by | Eddie Hamilton
Lenses | Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses
The Matrix Resurrections (2021)
Directed by | Lana Wachowski | Cinematography by | Daniele Massaccesi, John Toll | Editing by | Joseph Jett Sally
Cameras | Red Komodo Camera
Lenses | Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses
Scan Ahead (2024)
Directed by | Joe Stebbens | Cinematography by | Rafe Moate | Editing by | Rafe Moate, Joe Stebbens
Cameras | Canon EOS-C100 Camera, Sony NEX-FS700 Camera
Lenses | Sigma Lenses, Zeiss Lenses
Post Mortem (2022)
Directed by | Luca Larsen | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Zeiss Compact Prime CP.2 Lenses
Cinema Bandi (2021)
Directed by | Praveen Kandregula | Cinematography by | Apoorva Shaligram, Sagar Yvv | Editing by | Ravi Teja Girijala, Dharmendra Kakarala
Cameras | Red Gemini Camera
Lenses | Zeiss Lenses
Ratcatcher (1999)
Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti
Cameras | ARRIFLEX 16mm Cameras, ARRIFLEX 35mm Cameras
Lenses | Zeiss Lenses, Zeiss Variable Prime Lenses
Godzilla Minus One (2023)
Directed by | Takashi Yamazaki | Cinematography by | Kôzô Shibasaki | Editing by | Ryûji Miyajima
Cameras | Sony CineAlta VENICE Camera
Burma Road – Flying Tigers (2015)
Directed by | Chris D. Nebe | Cinematography by | Josh Lim, Josh Miller, JJ Osbun | Editing by | Mark Grabianowski, JJ Osbun
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 25mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens
Kompas (2024)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
The Crow (1994)
Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig, M. Scott Smith
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
French Story (2024)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Lenses | Zeiss Jena Lens
Triangle of Sadness (2022)
Directed by | Ruben Östlund | Cinematography by | Fredrik Wenzel | Editing by | Mikel Cee Karlsson, Ruben Östlund
Lenses | Zeiss Supreme Prime Series Lenses
Fay Grim (2006)
Directed by | Hal Hartley | Cinematography by | Sarah Cawley | Editing by | Hal Hartley
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
The Quiet Girl (2022)
Directed by | Colm Bairéad | Cinematography by | Kate McCullough | Editing by | John Murphy
Cameras | Sony CineAlta VENICE Camera
Lenses | Zeiss Compact Prime CP.3 Lenses
Living (2022)
Directed by | Oliver Hermanus | Cinematography by | Jamie Ramsay | Editing by | Chris Wyatt
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
Glass Onion (2022)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Zeiss Supreme Prime Series Lenses
All Quiet on the Western Front (2022)
Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera
Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses
