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Zeiss Lenses  |  117 Titles

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Arrival   (2016)

Country | USA, Canada, India

Running Time | 116 Minutes
Aspect Ratio |
Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker
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Tailgate   (2015)

Red Son   (2016)

Country | Spain

Aspect Ratio |
Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo
Lenses |

modified:

Manx Meister   (2010)

Country | UK

Running Time | 8 Minutes
Starring |
Directed by | Pete Woods | Cinematography by | Geoff Boyle
Lenses |

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Brenda   (2015)

Country | Ireland

Running Time | 12 Minutes
Aspect Ratio |
Directed by | Matteo Bertoli | Cinematography by | Matteo Bertoli | Editing by | Ciaran Murray
modified:

Rock N Love   (2015)

Country | Indonesia

Running Time | 92 Minutes
Directed by | Hedy Suryawan | Cinematography by | Tono Wisnu
Lenses |

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The Father and the Bear   (2016)

Country | USA

Running Time | 85 Minutes
Aspect Ratio |
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
modified:

The Mutineer   (2017)

The Visitor   (2007)

Country | USA

Running Time | 104 Minutes
Aspect Ratio |
Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle
modified:

Hard Core Logo   (1996)

Country | Canada

Running Time | 92 Minutes
Directed by | Bruce McDonald | Cinematography by | Danny Nowak | Editing by | Reginald Harkema
Cameras |

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Filly Brown   (2012)

Country | USA

Running Time | 80 Minutes
Aspect Ratio |
Directed by | Youssef Delara, Michael D. Olmos | Cinematography by | Ben Kufrin | Editing by | Eric R. Brodeur, Youssef Delara
Cameras |
Lenses |

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Cineastes   (2014)

Country | USA

Running Time | 21 Minutes
Directed by | Alexander Vo | Cinematography by | John Lazear | Editing by | Alexander Vo
Lenses |

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The Apostate: Call of the Revenant   (2015)

Country | UK

Running Time | 82 Minutes
Aspect Ratio | ,
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
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RED   (2010)

Country | USA

Running Time | 111 Minutes
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble
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Recien cazado   (2009)

Country | Mexico

Running Time | 110 Minutes
Aspect Ratio |
Directed by | Rene Bueno | Cinematography by | Alberto Lee | Editing by | Rene Bueno, Zeiddy Silva-Rios Viggiano
Cameras |
Lenses |

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The Heart Machine   (2014)

Country | USA

Running Time | 85 Minutes
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford
Cameras |

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Concussion   (2013)

Country | USA

Running Time | 96 Minutes
Directed by | Stacie Passon | Cinematography by | David Kruta | Editing by | Anthony Cupo
Cameras |
Lenses |

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Her   (2013)

Country | USA

Running Time | 126 Minutes
Aspect Ratio |
Directed by | Spike Jonze | Cinematography by | Hoyte Van Hoytema | Editing by | Jeff Buchanan, Eric Zumbrunnen
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Death to Prom   (2014)

Country | USA

Running Time | 95 Minutes
Aspect Ratio |
Directed by | Matthew Stenerson, Jeremy Wilker | Cinematography by | Jeremy Wilker | Editing by | Cassie Wentlandt
Lenses |

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Verrückt nach Paris   (2002)

Country | Germany, France

Running Time | 90 Minutes
Aspect Ratio |
Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric
modified:
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