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Zeiss Lenses | 190 Titles

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Monster (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Anthony Mandler | Cinematography by | David Devlin | Editing by | Joe Klotz

Starring | ASAP Rocky, John David Washington, Kelvin Harrison Jr.

Cameras | Red Epic Dragon Camera

Lenses | Cineovision Lenses, Nikon - Nikkor Lenses, Zeiss Lenses

The Father (2020)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Florian Zeller | Cinematography by | Ben Smithard | Editing by | Yorgos Lamprinos

Starring | Anthony Hopkins, Olivia Colman, Mark Gatiss

Cameras | Sony CineAlta VENICE Camera

Lenses | Zeiss Cinema Zoom Series Lenses, Zeiss Supreme Prime Series Lenses

Drive My Car (2021)

Motion Picture | 2D | Color | 1.85:1 | 179 Minutes

Directed by | Ryûsuke Hamaguchi | Cinematography by | Hidetoshi Shinomiya | Editing by | Azusa Yamazaki

Starring | Hidetoshi Nishijima, Tôko Miura, Reika Kirishima

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Lenses

Home Alone (1990)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell

Starring | Macaulay Culkin, Joe Pesci, Daniel Stern, John Heard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Lenses

The Narrator (2018)

Short Film | 2D | 2K Project | Color | 2.39:1 | 10 Minutes

Directed by | Nicholas Connor | Cinematography by | Skye Fisher, Will Jensen | Editing by | Maddie Fletcher, Anand Nagra

Starring | Gavin James, Hannah Brackstone-Brown, Michael Watson-Gray

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Lenses

This Is My Desire (2020)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 116 Minutes

Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee

Starring | Emmanuel Adeji, Mary Agholor, Kemi Lala Akindoju, Lala Akindoju

Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 16SR3 HS Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

Johnny (2021)

Direct to Video | 2D | HD Project | Color | 2.35:1 | 107 Minutes

Directed by | John Charles Gerald | Cinematography by | John Charles Gerald

Starring | Bruce Bellinger, John Charles Gerald, Nick Gerald

Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Downton Abbey (2019)

Movie | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Michael Engler | Cinematography by | Ben Smithard | Editing by | Mark Day

Starring | Michelle Dockery, Matthew Goode, Tuppence Middleton, Geraldine James

Cameras | Sony Cameras, Sony CineAlta VENICE Camera

Lenses | Zeiss Supreme Prime 100mm T1.5 Lens, Zeiss Supreme Prime 21mm T1.5 Lens, Zeiss Supreme Prime 25mm T1.5 Lens, Zeiss Supreme Prime 29mm T1.5 Lens, Zeiss Supreme Prime 35mm T1.5 Lens, Zeiss Supreme Prime 50mm T1.5 Lens, Zeiss Supreme Prime 65mm T1.5 Lens, Zeiss Supreme Prime 85mm T1.5 Lens

Tiempo de lluvia (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 89 Minutes

Directed by | Itandehui Jansen | Cinematography by | Iwao Kawasaki | Editing by | Macarena Sierra

Starring | Harold Torres, Noé Hernández, Ángeles Cruz, Baltimore Beltran

Cameras | Digital Bolex D16

Lenses | Zeiss Lenses

Atlantics (2019)

Motion Picture | 2D | Color | 1.66:1 | 106 Minutes

Directed by | Mati Diop | Cinematography by | Claire Mathon | Editing by | Aël Dallier Vega

Starring | Abdou Balde, Aminata Kane, Ibrahima Mbaye, Amadou Mbow

Cameras | Panasonic VariCam 35, Red Weapon Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses

Topsy-Turvy (1999)

Motion Picture | 2D | Color | 1.66:1 | 154 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Robin Sales

Starring | Jim Broadbent, Allan Corduner, Dexter Fletcher, Sukie Smith

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

Eyes Wide Shut (1999)

Motion Picture | 2D | Color | 159 Minutes

Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt

Starring | Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85 mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

The Scythian (2018)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Rustam Mosafir | Cinematography by | Dzmitry Karnachyk | Editing by | Andrey Nazarov

Starring | Aleksey Faddeev, Aleksandr Kuznetsov, Yuriy Tsurilo, Vasilisa Izmaylova

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke Anamorphic/i Prime Lenses, Zeiss Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Titus (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 162 Minutes

Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot

Starring | Anthony Hopkins, Jessica Lange, Osheen Jones, Dario D'Ambrosi

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

Tetro (2009)

Motion Picture | 2D | 2K Project | Color | 127 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Mihai Malaimare Jr. | Editing by | Walter Murch

Starring | Vincent Gallo, Alden Ehrenreich, Maribel Verdú, Silvia Pérez

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss DigiPrime Lenses

Black Wedding (2015)

Motion Picture | 2D | Film Project | Color | 1.36:1 | 70 Minutes

Directed by | Thomas Bohn | Cinematography by | Frank Glencairn

Starring | Mersiha Husagic, Beate Maes, Diego Wallraff

Cameras | Blackmagic Cinema Camera

Lenses | Zeiss Lenses

Til the End of the Day (2011)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 27 Minutes

Directed by | Callen Diederichs | Cinematography by | Alain Astruc | Editing by | Jean-Sebastien Gauthier

Starring | Keegan Bush, Jordan Delorme, Callen Diederichs, Jean-Sebastien Gauthier

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Zeiss Lenses

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