Napoleon Bonaparte, Producer
Napoleon (2023)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: ARRI ALEXA Mini LF Camera
Beau Wassermann
Beau Is Afraid (2023)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Sony CineAlta VENICE Camera
Arthur Fleck
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Charlie Sisters
The Sisters Brothers (2018)
Directed by: Jacques Audiard
Cinematography by: Benoît Debie
Edited by: Juliette Welfling
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Joe
You Were Never Really Here (2017)
Directed by: Lynne Ramsay
Cinematography by: Thomas Townend
Edited by: Joe Bini
Cameras: ARRI ALEXA XT Series Cameras
Larry "Doc" Sportello
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Freddie Quell
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Leonard Kraditor
Two Lovers (2008)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Ethan Learner
Reservation Road (2007)
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Bobby Green, Producer
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
John R. Cash
Walk the Line (2005)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Lucius Hunt
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Jack Daglish
Hotel Rwanda (2004)
Directed by: Terry George
Cinematography by: Robert Fraisse
Edited by: Naomi Geraghty
John
It's All About Love (2003)
Directed by: Thomas Vinterberg
Cinematography by: Anthony Dod Mantle
Edited by: Valdís Óskarsdóttir
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Lenses, Zeiss Ultra Prime Lenses
Merrill Hess
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Ray Elwood
Buffalo Soldiers (2001)
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Lee Smith
Cameras: Panavision Cameras
Coulmier
Quills (2000)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Peter Boyle
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Commodus
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Willie Gutierrez
The Yards (2000)
Directed by: James Gray
Cinematography by: Harris Savides
Edited by: Jeffrey Ford
Max California
8MM (1999)
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Clay Bidwell
Clay Pigeons (1998)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Edited by: Stan Salfas
Doug Holt
Inventing the Abbotts (1997)
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Ray Lovejoy
Jimmy Emmett
To Die For (1995)
Directed by: Gus Van Sant
Cinematography by: Eric Alan Edwards
Edited by: Curtiss Clayton
