Director Of Photography
The Walk (2015)
| USA
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Director Of Photography
The Martian (2015)
| UK, USA
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Director Of Photography
Exodus: Gods and Kings (2014)
| UK, Spain, USA
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Director Of Photography
The Counselor (2013)
| UK, USA
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Director Of Photography
Prometheus (2012)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Director Of Photography
Pirates of the Caribbean: On Stranger Tides (2011)
| USA, UK
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Director Of Photography
The Rum Diary (2011)
| USA, UK
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Director Of Photography
Alice in Wonderland (2010)
| USA
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Director Of Photography
Eagle Eye (2008)
| USA, Germany
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Director Of Photography
Pirates of the Caribbean: At World's End (2007)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Director Of Photography
Sweeney Todd: The Demon Barber of Fleet Street (2007)
| USA, UK
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Director Of Photography
Pirates of the Caribbean: Dead Man's Chest (2006)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cinematographer
Hide and Seek (2005)
| USA, Germany
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Director Of Photography
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Director Of Photography
Bad Company (2002)
| USA, Czech Republic
Directed by: Joel Schumacher
Cinematography by: Dariusz Wolski
Cinematographer
The Mexican (2001)
| USA, Mexico
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Director Of Photography: Second Unit , Second Unit Director
Coyote Ugly (2000)
| USA
Directed by: David McNally
Cinematography by: Amir Mokri
Edited by: William Goldenberg
Cinematographer
Dark City (1998)
| Australia, USA
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Edited by: Dov Hoenig
Cinematographer
A Perfect Murder (1998)
| USA
Directed by: Andrew Davis
Cinematography by: Dariusz Wolski
Director Of Photography
The Fan (1996)
| USA
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Cinematographer
Crimson Tide (1995)
| USA
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Director Of Photography
The Crow (1994)
| USA
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Assistant Camera
Parting Glances (1986)
| USA
Directed by: Bill Sherwood
Cinematography by: Jacek Laskus
Edited by: Bill Sherwood
