Hawk V-Series Lenses | 27 Titles
Ophelia (2018)
Directed by | Claire McCarthy | Cinematography by | Denson Baker | Editing by | Luke Dunkley
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
Lenses | Angenieux Optimo Anamorphic 44-440mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Mal de pierres (2016)
Directed by | Nicole Garcia | Cinematography by | Christophe Beaucarne | Editing by | Simon Jacquet
Cameras | Red Epic Dragon Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Eddie the Eagle (2015)
Allegiant (2016)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses
Magic Mike XXL (2015)
Directed by | Gregory Jacobs | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Dragon Camera
Taken 3 (2014)
Directed by | Olivier Megaton | Cinematography by | Eric Kress | Editing by | Audrey Simonaud, Nicolas Trembasiewicz
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses
The Best of Me (2014)
Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse
Cameras | ARRI ALEXA XT Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
The Theory of Everything (2014)
Directed by | James Marsh | Cinematography by | Benoît Delhomme | Editing by | Jinx Godfrey
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera
Selma (2014)
Directed by | Ava DuVernay | Cinematography by | Bradford Young | Editing by | Spencer Averick
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses
Galore (2013)
Directed by | Rhys Graham | Cinematography by | Stefan Duscio | Editing by | Andy Canny
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens
Wolf Creek 2 (2013)
Directed by | Greg McLean | Cinematography by | Toby Oliver | Editing by | Sean Lahiff
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens
Zulu (2013)
Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet
Cameras | ARRI ALEXA Studio Camera
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Fashion Victim (2009)
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
The Guilt Trip (2012)
Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
The Collection (2012)
Directed by | Marcus Dunstan | Cinematography by | Sam McCurdy | Editing by | Kevin Greutert, Mark Stevens
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Haywire (2011)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red One MX Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Charlie St. Cloud (2010)
Directed by | Burr Steers | Cinematography by | Enrique Chediak | Editing by | Padraic McKinley
Lenses | Hawk V-Series Lenses