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ARRI ALEXA Studio Camera | 36 Titles

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Skyfall (2012)

Motion Picture | 2D | Color | 1.90:1, 2.39:1 | 143 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Stuart Baird

Starring | Daniel Craig, Javier Bardem, Naomie Harris, Judi Dench

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Castle (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis | Editing by | Warren Bowman, David Latham, Marta Evry, Orlando Machado Jr., Neil Felder, Dennis Virkler, Edward A. Warschilka, Sue Blainey, Amy McGrath, Jeff Freeman, Mark Manos, Jack Colwell, John Axness, Philip Fowler, Byron Smith

Starring | Nathan Fillion, Stana Katic, Susan Sullivan, Jon Huertas

Cameras | ARRI ALEXA Studio Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Kick-Ass 2 (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Jeff Wadlow | Cinematography by | Tim Maurice-Jones | Editing by | Eddie Hamilton

Starring | Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Baby Driver (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss

Starring | Ansel Elgort, Jon Bernthal, Jon Hamm, Eiza González

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

The Precipice Game (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Zao Wang | Cinematography by | Joewi Verhoeven | Editing by | Hua Tang, Jolin Zhu

Starring | Ruby Lin, Peter Ho, Kim Scar, Yuexi Gai

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera

Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Paterson (2016)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Affonso Gonçalves

Starring | Adam Driver, Golshifteh Farahani, Nellie, Rizwan Manji

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera

Out of the Dark (2014)

Motion Picture | 2D | 2K Project | Color | 92 Minutes

Directed by | Lluís Quílez | Cinematography by | Isaac Vila | Editing by | Bernat Vilaplana

Starring | Julia Stiles, Scott Speedman, Stephen Rea, Pixie Davies

Cameras | ARRI ALEXA Studio Camera

Lenses | Hawk C-Series Lenses, Hawk V-Plus Lenses, Kowa Cine Prominar Spherical Lenses

Più buio di mezzanotte (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 98 Minutes

Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Marco Spoletini

Starring | Davide Capone, Vincenzo Amato, Lucia Sardo, Pippo Delbono

Cameras | ARRI ALEXA Studio Camera

Lenses | Technovision Cooke Anamorphic 100mm T2.8 Lens, Technovision Cooke Anamorphic 32mm T2.3 Lens, Technovision Cooke Anamorphic 40mm T3.0 Lens, Technovision Cooke Anamorphic 50mm T2.5 Lens, Technovision Cooke Anamorphic 75mm T2.5 Lens

Alles wird gut (2015)

Short Film | 2D | Color | 2.39:1 | 30 Minutes

Directed by | Patrick Vollrath | Cinematography by | Sebastian Thaler | Editing by | Patrick Vollrath

Starring | Simon Schwarz, Julia Pointner, Marion Rottenhofer, Daniel Keberle

Cameras | ARRI ALEXA Studio Camera

Yves Saint Laurent (2014)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Jalil Lespert | Cinematography by | Thomas Hardmeier | Editing by | François Gédigier

Starring | Pierre Niney, Guillaume Gallienne, Charlotte Le Bon, Laura Smet

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses | Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Nezha (2014)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Xiaofeng Li | Cinematography by | Joewi Verhoeven | Editing by | Yueyue Liu

Starring | Jiaqi Li, Haofei Li, Jin Chen, Peng Xin

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Avant l’hiver (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker

Starring | Daniel Auteuil, Kristin Scott Thomas, Leïla Bekhti, Richard Berry

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Paddington (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Mark Everson

Starring | Hugh Bonneville, Sally Hawkins, Julie Walters, Jim Broadbent

Cameras | ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses

Big Eyes (2014)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Tim Burton | Cinematography by | Bruno Delbonnel | Editing by | JC Bond

Starring | Amy Adams, Christoph Waltz, Danny Huston, Krysten Ritter

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

3 Days to Kill (2014)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | McG | Cinematography by | Thierry Arbogast | Editing by | Audrey Simonaud

Starring | Kevin Costner, Hailee Steinfeld, Connie Nielsen, Amber Heard

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses | Technovision Lenses, Zeiss Super Speed Lenses

Galore (2013)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Rhys Graham | Cinematography by | Stefan Duscio | Editing by | Andy Canny

Starring | Ashleigh Cummings, Aliki Matangi, Lily Sullivan, Toby Wallace

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens

Zulu (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet

Starring | Orlando Bloom, Forest Whitaker, Conrad Kemp, Inge Beckmann

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

100% cachemire (2013)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Valérie Lemercier | Cinematography by | Denis Lenoir | Editing by | Célia Lafitedupont

Starring | Valérie Lemercier, Gilles Lellouche, Samatin Pendev, Marina Foïs

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Her (2013)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Spike Jonze | Cinematography by | Hoyte Van Hoytema | Editing by | Jeff Buchanan, Eric Zumbrunnen

Starring | Joaquin Phoenix, Amy Adams, Scarlett Johansson, Rooney Mara

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

Enough Said (2013)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Nicole Holofcener | Cinematography by | Xavier Grobet | Editing by | Robert Frazen

Starring | Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette

Cameras | ARRI ALEXA Studio Camera

Lenses | Leitz Summilux-C Series Lenses

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