Kowa Cine Prominar Spherical Lenses | 10 Titles
May December (2023)
Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves
Cameras | ARRI Alexa 35 Camera
Lenses | Kowa Cine Prominar Spherical Lenses
Arrival (2016)
Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses
At Eternity’s Gate (2018)
Directed by | Julian Schnabel | Cinematography by | Benoît Delhomme | Editing by | Louise Kugelberg, Julian Schnabel
Cameras | Red Helium (Weapon) 8K
Lenses | Kowa Cine Prominar 20mm T2.3 Lens, Kowa Cine Prominar 25mm T2.3 Lens, Kowa Cine Prominar 32mm T2.3 Lens, Kowa Cine Prominar Spherical Lenses
Rattlesnake (2019)
Directed by | Zak Hilditch | Editing by | Merlin Eden
Cameras | Sony CineAlta VENICE Camera
Lenses | Kowa Cine Prominar Spherical Lenses
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Out of the Dark (2014)
Directed by | Lluís Quílez | Cinematography by | Isaac Vila | Editing by | Bernat Vilaplana
Cameras | ARRI ALEXA Studio Camera
Straight Outta Compton (2015)
Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
The Gunman (2015)
Directed by | Pierre Morel | Cinematography by | Flavio Martínez Labiano | Editing by | Frédéric Thoraval
Cameras | ARRI ALEXA XT Camera, Red Epic Camera
Lenses | Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
La ritournelle (2014)
Directed by | Marc Fitoussi | Cinematography by | Agnès Godard | Editing by | Laure Gardette
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses
Autoreiji (2010)
Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Yoshinori Ohta, Takeshi Kitano
Cameras | ARRIFLEX 535 B Camera
