ARRI ALEXA XT Plus Camera | 46 Titles
Malaria (2016)
86 Minutes
Directed by | Parviz Shahbazi | Cinematography by | Hooman Behmanesh | Editing by | Parviz Shahbazi Cameras | ARRI ALEXA XT Plus Camera
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Sleepless (2017)
95 Minutes
Directed by | Baran bo Odar | Cinematography by | Mihai Malaimare Jr. | Editing by | Robert Rzesacz Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses
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Hotel Mumbai (2018)
123 Minutes
Capture Resolution | 2048x854 - (2.40:1) Capture Resolution
Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
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Secuestro (2016)
105 Minutes
Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca Cameras | ARRI ALEXA XT Plus Camera
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Atomic Blonde (2017)
115 Minutes
Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses | Hawk V-Lite Vintage´74 Lens
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Logan (2017)
137 Minutes
Directed by | James Mangold | Cinematography by | John Mathieson | Editing by | Michael McCusker, Dirk Westervelt Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera
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Guardians of the Galaxy (2014)
121 Minutes
Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens
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Ice (2016)
60 Minutes
| Cinematography by | Robert Aschmann, Christos Bitsakos, Maz Makhani | Editing by | Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440mm A2S T4.5 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Lenses
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Collateral Beauty (2016)
97 Minutes
Directed by | David Frankel | Cinematography by | Maryse Alberti | Editing by | Andrew Marcus Cameras | ARRI ALEXA XT Plus Camera
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Arrival (2016)
116 Minutes
Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
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Flock of Four (2017)
80 Minutes
Directed by | Gregory Caruso | Cinematography by | Gus Bendinelli | Editing by | Vic Brown Cameras | ARRI ALEXA XT Plus Camera
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The Bookshop (2017)
113 Minutes
Directed by | Isabel Coixet | Cinematography by | Jean-Claude Larrieu | Editing by | Bernat Aragonés Cameras | ARRI ALEXA XT Plus Camera
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Pete’s Dragon (2016)
102 Minutes
Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke Anamorphic/i Prime Lenses
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Good Boys (2019)
Type | Movie
89 Minutes
Directed by | Gene Stupnitsky | Cinematography by | Jonathan Furmanski | Editing by | Daniel Gabbe Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 180mm T2.8 Lens, Zeiss Master Anamorphic 28mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens
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Câini (2016)
104 Minutes
Directed by | Bogdan Mirica | Cinematography by | Andrei Butica | Editing by | Roxana Szel Cameras | ARRI ALEXA XT Plus Camera
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Doctor Strange (2016)
115 Minutes
Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Triple 9 (2016)
115 Minutes
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenormodified:
Neighbors 2: Sorority Rising (2016)
92 Minutes
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber Cameras | ARRI ALEXA XT Plus Camera
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Dirty Grandpa (2016)
102 Minutes
Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke S4 Lenses
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Keanu (2016)
100 Minutes
Directed by | Peter Atencio | Cinematography by | Jas Shelton | Editing by | Nicholas Monsourmodified:
