ARRI ALEXA Series Cameras | 910 Titles
Terminator: Dark Fate (2019)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Longlegs (2024)
Directed by | Osgood Perkins | Cinematography by | Andres Arochi | Editing by | Graham Fortin, Greg Ng
Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses
Gold Star (2020)
Directed by | Amin Pourbarghi | Cinematography by | Costa Konstantinou | Editing by | Gusti Wiblinger
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon EF Series Lenses, Canon FD Series Lenses
Lefka Hristougenna 1948 (2023)
Directed by | Antonios Vallindras | Cinematography by | Mihalis Gkatzogias | Editing by | Vasia Ntoulia
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
Rups (2024)
Directed by | Susanne Hagen | Cinematography by | Jesse Post | Editing by | Keno Aladjuz
Cameras | ARRI ALEXA Mini LF Camera
Girls (2012)
| Cinematography by | Tim Ives, Jody Lee Lipes, Matthew Santo, Hernan Otaño | Editing by | Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon
Cameras | ARRI ALEXA Camera
Once Upon a Time (2011)
| Cinematography by | Stephen Jackson, Tony Mirza, Steven Fierberg | Editing by | Geofrey Hildrew, Mark Goldman, Joe Talbot Hall, Scot J. Kelly, Richard Glazerman, Paul Mendoza, Jon Koslowsky, Kathryn Panian, Robert Lanford, Adam Lemnah, Chris Conlee, Adam K. Tiller, Jim Towne, Julie Monroe, Henk Van Eeghen, Luke Brown, Lindsay Armstrong
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Scandal (2012)
| Cinematography by | Oliver Bokelberg, Michael G. Wojciechowski, Daryn Okada, Steven G. Fracol, Andrew Lemon | Editing by | Gregory T. Evans, Matthew Ramsey, Christal Khatib, Kyle Bond, Matthew Pevic, Joe Mitacek, Karen Castañeda, Julia Grove, Dino DeLorenzo, Jonathan Pledger, David Greenspan, Jamin Bricker, Kurt Courtland
Cameras | ARRI ALEXA Camera, Digital Bolex D16
Lenses | Angenieux Optimo Zoom Lenses
Lupin (2021)
| Cinematography by | Christophe Nuyens, Maxime Cointe, Nicolas Massart, Martial Schmeltz | Editing by | Jean-Daniel Fernandez Qundez, Audrey Simonaud, Romain Rioult, Richard Marizy, Matthilde Carlier, Vincent Tabaillon
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Lenses | P+S Technik TECHNOVISION 1.5x 100 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 135 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 40 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 40-70 mm T3.2 Lens, P+S Technik TECHNOVISION 1.5x 50 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 75 mm T2.5 Lens
Californication (2007)
| Cinematography by | Michael Weaver, Tim Bellen, Andy Graham, Peter Levy | Editing by | Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
The Lobster (2015)
Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis
Cameras | ARRI ALEXA XT Camera
Mission: Impossible – Dead Reckoning Part One (2023)
Directed by | Christopher McQuarrie | Cinematography by | Fraser Taggart | Editing by | Eddie Hamilton
Lenses | Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses
The Irishman (2019)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
John Wick: Chapter 4 (2023)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses
John Wick: Chapter 3 – Parabellum (2019)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
John Wick: Chapter 2 (2017)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff
Cameras | ARRI ALEXA XT Plus Camera
John Wick (2014)
Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens
The Batman (2022)
Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | William Hoy, Tyler Nelson
Lenses | ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses
Dìdi (2024)
Directed by | Sean Wang | Cinematography by | Sam A. Davis | Editing by | Arielle Zakowski
Cameras | ARRI Alexa 35 Camera
The Kid Detective (2020)
Directed by | Evan Morgan | Cinematography by | Mike McLaughlin | Editing by | Curt Lobb
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens