ARRI ALEXA Series Cameras | 686 Titles
Malaria (2016)
86 Minutes
Directed by | Parviz Shahbazi | Cinematography by | Hooman Behmanesh | Editing by | Parviz Shahbazi Cameras | ARRI ALEXA XT Plus Camera
modified:
Joker (2019)
122 Minutes
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth Lenses | ARRI Rental Prime DNA Lenses
modified:
Gemini Man (2019)
117 Minutes
Directed by | Ang Lee | Cinematography by | Dion Beebe | Editing by | Tim Squyres Cameras | ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses | Leica Summilux-C Series Lenses
modified:
If Beale Street Could Talk (2018)
119 Minutes
Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders Cameras | ARRI ALEXA 65 Camera
Lenses | ARRI Rental Prime DNA Lenses
modified:
Sleepless (2017)
95 Minutes
Directed by | Baran bo Odar | Cinematography by | Mihai Malaimare Jr. | Editing by | Robert Rzesacz Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses
modified:
Lyubi ikh vsekh (2019)
100 Minutes
Directed by | Mariya Agranovich | Cinematography by | Dzmitry Karnachyk | Editing by | Olga Grinshpun Cameras | ARRI ALEXA Mini Camera
modified:
The X-Files (1993)
45 Minutes
| Cinematography by | Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth | Editing by | Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn Lenses | Panavision Lenses
modified:
The Scythian (2018)
105 Minutes
Directed by | Rustam Mosafir | Cinematography by | Dzmitry Karnachyk | Editing by | Andrey Nazarov Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke Anamorphic/i Prime Lenses, Zeiss Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
modified:
Mad Men (2007)
47 Minutes
| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Raffertymodified:
Sons of Anarchy (2008)
45 Minutes
| Cinematography by | Paul Maibaum, David Boyd, John C. Flinn III, Jonathan Freeman, Edward J. Pei | Editing by | Paul Fontaine, Lauren Pendergrass, Etienne Des Lauriers, Hunter M. Via, Jordan Goldman, Jacques Gravett, Doc Crotzer, Tamara Luciano, Sidney Wolinsky Lenses | Angenieux Optimo 45-120mm T2.8 Lens, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
modified:
Orange Is the New Black (2013)
59 Minutes
| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens Cameras | ARRI ALEXA Camera, Panasonic VariCam 35
Lenses | Cooke 5/i Lenses
modified:
Silicon Valley (2014)
28 Minutes
| Cinematography by | Tim Suhrstedt, Jim Denault | Editing by | Tim Roche, Brian Merken, Al LeVine, Paul Zucker, Brian Bautista Cameras | ARRI ALEXA Camera
Lenses | Leica Summilux-C Series Lenses
modified:
Jojo Rabbit (2019)
108 Minutes
Directed by | Taika Waititi | Cinematography by | Mihai Malaimare Jr. | Editing by | Tom Eagles, Yana Gorskaya Cameras | ARRI ALEXA SXT Plus
Lenses | Hawk V-Lite Lenses, Hawk Vantage One Lenses
modified:
Virunga (2014)
100 Minutes
Directed by | Orlando von Einsiedel | Cinematography by | Franklin Dow | Editing by | Katie Bryer, Masahiro Hirakubo, Miikka Leskinen, St. John O'Rorke, Peta Ridley Lenses | Canon Lenses, Fujinon Alura Lenses
modified:
Treto poluvreme (2012)
113 Minutes
Directed by | Darko Mitrevski | Cinematography by | Klaus Fuxjäger | Editing by | Dejan Boskovic, Alois Fisárek Cameras | ARRI ALEXA Camera
modified:
Il ragazzo invisibile: Fratelli (2018)
100 Minutes
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione Cameras | ARRI ALEXA XT Camera
modified:
Escape Room (2019)
99 Minutes
Directed by | Adam Robitel | Cinematography by | Marc Spicer | Editing by | Steve Mirkovich Cameras | ARRI ALEXA Mini Camera
Lenses | Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
modified:
Doctor Who (2005)
45 Minutes
| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Balazs Bolygo, Graham Frake, Tony Slater Ling, Dale McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Sam Heasman, Tico Poulakakis, Catherine Goldschmidt, Ed Moore, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Joel Skinner, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Becky Trotman, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookwaymodified:
Whiplash (2014)
106 Minutes
Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
modified:
Fantastic Beasts and Where to Find Them (2016)
132 Minutes
Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day Cameras | ARRI ALEXA XT Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
modified:
