ARRI ALEXA Series Cameras | 910 Titles
The King Tide (2023)
Directed by | Christian Sparkes | Cinematography by | Mike McLaughlin | Editing by | Justin Oakey
Cameras | ARRI ALEXA Mini Camera
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
You Were Never Really Here (2017)
Directed by | Lynne Ramsay | Cinematography by | Thomas Townend | Editing by | Joe Bini
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Ghost in the Shell (2017)
Directed by | Rupert Sanders | Cinematography by | Jess Hall | Editing by | Billy Rich, Neil Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens
Victoria & Abdul (2017)
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Melanie Oliver
Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Zeiss Master Prime Lenses
I Don’t Feel at Home in This World Anymore (2017)
Directed by | Macon Blair | Cinematography by | Larkin Seiple | Editing by | Tomas Vengris
Cameras | ARRI ALEXA Mini Camera
Beauty and the Beast (2017)
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Leitz Summilux-C Series Lenses
Love, Simon (2018)
Directed by | Greg Berlanti | Cinematography by | John Guleserian | Editing by | Harry Jierjian
Cameras | ARRI ALEXA XT Camera
It (2017)
Directed by | Andy Muschietti | Cinematography by | Chung-hoon Chung | Editing by | Jason Ballantine
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Suburbicon (2017)
Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Sorry to Bother You (2018)
Directed by | Boots Riley | Cinematography by | Doug Emmett | Editing by | Terel Gibson
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke Anamorphic/i Prime Lenses
Causeway (2022)
Directed by | Lila Neugebauer | Cinematography by | Diego García | Editing by | Robert Frazen, Lucian Johnston
Cameras | ARRI ALEXA LF Camera
Lenses | Panavision H Series Lenses
Swiss Army Man (2016)
Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Matthew Hannam
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Phantom Flex4K Camera, Red Epic Dragon Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Anamorphic Lenses, Cooke S4/i Lenses, Cooke Xtal Express Lenses, Zeiss Super Speed Lenses
All the Money in the World (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision Super Speed Lenses
Life Itself (2018)
Directed by | Dan Fogelman | Cinematography by | Brett Pawlak | Editing by | Julie Monroe
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Cooke Panchro/i Classic Lenses
Kin (2018)
Directed by | Jonathan Baker, Josh Baker | Cinematography by | Larkin Seiple | Editing by | Mark Day
Cameras | ARRI ALEXA Mini Camera
American Animals (2018)
Directed by | Bart Layton | Cinematography by | Ole Bratt Birkeland | Editing by | Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart
Wildlife (2018)
Directed by | Paul Dano | Cinematography by | Diego García | Editing by | Louise Ford, Matthew Hannam
Cameras | ARRI ALEXA XT Camera
In Fabric (2018)
Directed by | Peter Strickland | Cinematography by | Ari Wegner | Editing by | Mátyás Fekete
Cameras | ARRI ALEXA Mini Camera
To All the Boys I’ve Loved Before (2018)
Directed by | Susan Johnson | Cinematography by | Michael Fimognari | Editing by | Phillip J. Bartell, Joe Klotz
Cameras | ARRI ALEXA Mini Camera
Ad Astra (2019)
Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen
Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
