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Project Resolution » 4K Project

4K Project | 140 Titles

4K Project 3.00/5 2 Votes

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Zack Snyder’s Justice League (2021)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 242 Minutes

Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn

Starring | Henry Cavill, Ben Affleck, Gal Gadot, Amy Adams

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35mm Cameras, ARRIFLEX 435 Camera

Lenses | Leica Summilux-C Series Lenses

No Time to Die (2021)

Motion Picture | 2D | 4K Project | Color | 163 Minutes

Directed by | Cary Joji Fukunaga | Cinematography by | Linus Sandgren | Editing by | Tom Cross, Elliot Graham

Starring | Daniel Craig, Ana de Armas, Rami Malek

Cameras | Imax Cameras, Imax MSM 9802 Camera

Passengers (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 116 Minutes

Directed by | Morten Tyldum | Cinematography by | Rodrigo Prieto | Editing by | Maryann Brandon

Starring | Jennifer Lawrence, Chris Pratt, Michael Sheen, Laurence Fishburne

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Primo 70 Lenses

The Aeronauts (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley

Starring | Felicity Jones, Eddie Redmayne, Himesh Patel, Vincent Perez

Cameras | Red Monstro 8K Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Hunters (2020)

Television Series | 2D | 4K Project | Color | 60 Minutes

| Cinematography by | William Rexer, Tim Norman, Frederick Elmes | Editing by | Matt Barber, Amy E. Duddleston, John Petaja, Andrew Groves

Starring | Al Pacino, Logan Lerman, Lena Olin, Jerrika Hinton

Cameras | Red Monstro 8K Camera

A Hidden Life (2019)

Motion Picture | 2D | 4K Project | Color | 174 Minutes

Directed by | Terrence Malick | Cinematography by | Jörg Widmer | Editing by | Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Starring | August Diehl, Valerie Pachner, Maria Simon, Karin Neuhäuser

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

Orange Is the New Black (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9) | 59 Minutes

| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens

Starring | Taylor Schilling, Danielle Brooks, Taryn Manning, Emma Myles

Cameras | ARRI ALEXA Camera, Panasonic VariCam 35

Lenses | Cooke 5/i Lenses

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens

Blade Runner 2049 (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 164 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Skin: The Movie (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 51 Minutes

Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe

Starring | Mark Christopher Lawrence, Merrick McCartha, Michelle Way, Mark Atkinson

Cameras | Sony PXW-FS7 Camera

Lenses | Nikon - Nikkor Lenses, Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Marriage Story (2019)

Motion Picture | 2D | 4K Project | Color | 137 Minutes

Directed by | Noah Baumbach | Cinematography by | Robbie Ryan | Editing by | Jennifer Lame

Starring | Adam Driver, Scarlett Johansson, Julia Greer, Azhy Robertson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Midsommar (2019)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 147 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Florence Pugh, Jack Reynor, Vilhelm Blomgren, William Jackson Harper

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision Primo Artiste Lenses

Ava (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Léa Mysius | Cinematography by | Paul Guilhaume | Editing by | Pierre Deschamps

Starring | Noée Abita, Laure Calamy, Juan Cano, Tamara Cano

Cameras | ARRICAM Lite (LT) Camera

Lenses | Hawk V-Lite Lenses

13 Reasons Why (2017)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9), 2.0:1 | 60 Minutes

| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe

Cameras | Panasonic VariCam 35

Lenses | Hawk V-Lite Vintage´74 Lens, Leica Summilux-C Series Lenses

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Horsehead (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 89 Minutes

Directed by | Romain Basset | Cinematography by | Vincent Vieillard-Baron | Editing by | Sébastien de Sainte Croix, Frédéric Pons

Starring | Lilly-Fleur Pointeaux, Catriona MacColl, Murray Head, Gala Besson

Cameras | Red One MX Camera

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