4K Project&nbsp; | &nbsp;110 Titles

Running Time | 49 Minutes

Aspect Ratio | 1.78:1 (16x9)

Starring | Pedro Pascal, Wagner Moura, Boyd Holbrook, Alberto Ammann

| Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans | Editing by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquez

Cameras | Panasonic Lumix DMC-GH4 Camera, Red Epic Dragon Camera

Lenses | Cooke S4/i Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

modified: 2019-09-19 19:37:55

A Quiet Place (2018)

Country | USA

Type | Motion Picture

Running Time | 90 Minutes

Aspect Ratio | 2.39:1

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Starring | Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

modified: 2019-09-19 09:50:59

Can You Ever Forgive Me? (2018)

Country | USA

Type | Motion Picture

Running Time | 106 Minutes

Aspect Ratio | 2.39:1

Starring | Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision Primo 70 Lenses

modified: 2019-09-19 09:43:15

Fantastic Beasts and Where to Find Them (2016)

Country | UK, USA

Type | Motion Picture

Running Time | 132 Minutes

Aspect Ratio | 2.39:1

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Released in 2D, Released in 3D

Starring | Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan Fogler

Cameras | ARRI ALEXA XT Camera

modified: 2019-09-17 15:55:31

A Girl Is a Gun (2017)

Country | France

Type | Television Series, Web Series

Aspect Ratio | 2.35:1

Lenses | Angenieux Optimo Anamorphic 30-72mm 2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

Starring | Hiram A. Murray, Jon Komp Shin, Maria Volk, Roy Werner

| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi

Cameras | ARRI ALEXA Mini Camera

modified: 2019-09-08 13:29:44

Bohemian Rhapsody (2018)

Country | UK, USA

Type | Motion Picture

Running Time | 134 Minutes

Aspect Ratio | 1.33:1 (4x3), 2.39:1

Starring | Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

modified: 2019-09-04 21:32:12

13 Reasons Why (2017)

Country | USA

Running Time | 60 Minutes

Aspect Ratio | 1.78:1 (16x9), 2.0:1

Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe

| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Andrij Parekh, Marshall Adams, Tommy Lohmann | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Cameras | Panasonic VariCam 35

Lenses | Hawk V-Lite Vintage´74 Lens, Leica Summilux-C Series Lenses

modified: 2019-09-03 19:08:46

When the Game Stands Tall (2014)

Country | USA

Type | Motion Picture

Running Time | 115 Minutes

Aspect Ratio | 1.85:1

Starring | Jim Caviezel, Alexander Ludwig, Michael Chiklis, Laura Dern

Cameras | Red Epic Camera

Lenses | Cooke 5/i Lenses

modified: 2019-09-03 13:01:23

Once Upon a Time… in Hollywood (2019)

Country | USA, UK, China

Type | Motion Picture

Running Time | 161 Minutes

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

modified: 2019-09-02 23:26:01

Into the Badlands (2015)

Country | USA

Running Time | 42 Minutes

Aspect Ratio | 1.78:1 (16x9)

Starring | Daniel Wu, Orla Brady, Emily Beecham, Aramis Knight

| Cinematography by | Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart | Editing by | Paul G. Day, Ben Wilkinson, Erin Deck, Jay Prychidny, Bridget Durnford, Ray Daniels III, Vikash Patel, Anthony Pinker, Cedric Nairn-Smith

Cameras | Red Epic Dragon Camera

Lenses | Leica Summicron-C Series Lenses, Leica Summilux-C Series Lenses

modified: 2019-08-27 19:38:47

Natural Vice (2018)

Country | USA

Type | Motion Picture

Running Time | 81 Minutes

Aspect Ratio | 2.39:1

Starring | Brent Harvey, Jovanna Nicole, Allen Theosky Rowe, Aria Emory

Cameras | Sony PXW-FS7 Camera

Lenses | Canon Lenses

modified: 2019-08-26 20:34:37

FML (2016)

Country | USA

Type | Direct to Video

Running Time | 98 Minutes

Aspect Ratio | 1.78:1 (16x9)

Starring | Busy Philipps, David Dobrik, Jimmy Tatro, Andrew Daly

Directed by | Jason Nash | Cinematography by | Tobias Deml

Cameras | Sony α7R II Camera, Sony α7S II Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Master Series Lenses

modified: 2019-08-26 20:14:59

Cold War (2018)

Country | Poland, UK, France

Type | Motion Picture

Running Time | 89 Minutes

Aspect Ratio | 1.37:1

Starring | Joanna Kulig, Tomasz Kot, Borys Szyc, Agata Kulesza

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

modified: 2019-08-26 12:31:27

The Boonies (2017)

Country | USA

Type | Television Series, Web Series

Aspect Ratio | 1.78:1 (16x9)

Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens

Starring | Emilio Garcia-Sanchez, Zoe Travis, Justin Cone, Logan Garretson

| Cinematography by | Tobias Deml | Editing by | Mark Marraccini, Monet Malek

Cameras | ARRI ALEXA Mini Camera

modified: 2019-08-25 19:34:39

The Ballad of Buster Scruggs (2018)

Country | USA

Type | Motion Picture

Running Time | 133 Minutes

Aspect Ratio | 1.85:1

Starring | Tim Blake Nelson, Willie Watson, Clancy Brown, Danny McCarthy

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

modified: 2019-08-25 18:19:05

At Eternity’s Gate (2018)

Country | Ireland, Switzerland, UK, France, USA

Type | Motion Picture

Running Time | 111 Minutes

Aspect Ratio | 2.39:1

Starring | Willem Dafoe, Rupert Friend, Oscar Isaac, Mads Mikkelsen

Cameras | Red Helium (Weapon) 8K

Lenses | Kowa Cine Prominar 20mm T2.3 Lens, Kowa Cine Prominar 25mm T2.3 Lens, Kowa Cine Prominar 32mm T2.3 Lens, Kowa Cine Prominar Spherical Lenses

modified: 2019-08-20 11:43:16

Spider-Man 3 (2007)

Country | USA

Type | Motion Picture

Running Time | 139 Minutes

Aspect Ratio | 2.39:1

Starring | Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

modified: 2019-08-19 18:00:39

Live by Night (2016)

Country | USA

Type | Motion Picture

Running Time | 129 Minutes

Aspect Ratio | 2.39:1

Starring | Ben Affleck, Elle Fanning, Brendan Gleeson, Chris Messina

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

modified: 2019-08-19 13:23:30

The Girl in the Spider’s Web (2018)

Country | Germany, Sweden, USA

Type | Motion Picture

Running Time | 115 Minutes

Aspect Ratio | 2.39:1

Capture Resolution | 3840 x 2160 (1.78:1) - Capture Resolution, 6560 x 3100 - (2.12:1) Capture Resolution

Starring | Claire Foy, Beau Gadsdon, Sverrir Gudnason, LaKeith Stanfield

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus

Lenses | ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

modified: 2019-07-25 12:58:55

Dogs of Berlin (2018)

Country | Germany

Running Time | 542 Minutes

Aspect Ratio | 2.0:1

Capture Resolution | 3424 x 2202 - (1.55:1) Capture Resolution, 5120 x 2880 - (1.78:1) Capture Resolution, 6560 x 3100 - (2.12:1) Capture Resolution