4K Project | 89 Titles
Dark (2017)
Country | Germany, USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 2.0:1
Capture Resolution | 4096x2048 - (2.0:1) Capture Resolution
| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Zeiss Ultra Prime Lenses
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Rattlesnake (2019)
Country | USA
Type | Motion Picture
Aspect Ratio | 2.40:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Directed by | Zak Hilditch | Editing by | Merlin Eden
Cameras | Sony CineAlta VENICE Camera
Lenses | Kowa Cine Prominar Spherical Lenses
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Rounded Corners (2019)
Country | USA
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Paul Check
Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
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Logan (2017)
Country | USA
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.39:1
Directed by | James Mangold | Cinematography by | John Mathieson | Editing by | Michael McCusker, Dirk Westervelt
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera
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Trick Shot (2015)
Country | USA
Type | Short Film
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Evan Kaufmann | Cinematography by | Gale Tattersall | Editing by | Zach Prichard
Cameras | Canon EOS-C300 Mark II Camera
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Gamer (2009)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 1.85:1
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White
Cameras | ARRIFLEX 435 Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Stranger Things (2016)
Country | USA
Type | Television Series
Running Time | 51 Minutes
Capture Resolution | 6144x3160 - (1.94:1) Capture Resolution
| Cinematography by | Tim Ives, Tod Campbell, Lachlan Milne, David Franco | Editing by | Kevin D. Ross, Dean Zimmerman, Nat Fuller, Katheryn Naranjo
Lenses | Leica Lenses
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The Grand Tour (2016)
Country | UK, USA
Type | Television Series
Running Time | 60 Minutes
| Cinematography by | Ben Joiner, Steve Lidgerwood | Editing by | Chris Denton, James Hart, Dan James, Adam Hutchings, Steve Flatt, Stephen Bainbridge, Chris Denton, Tom Rich, Mark Roverts
Lenses | ARRI / Fujinon Lenses, Canon Lenses
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Altered Carbon (2018)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 2.0:1
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
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Better Call Saul (2015)
Country | USA
Type | Television Series
Running Time | 46 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
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Sad Hill Unearthed (2017)
Country | Spain
Type | Documentary, Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 1.78:1 (16x9), 1.85:1
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch
Cameras | Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
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Death Note (2017)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi
Cameras | Panasonic VariCam 35, Panasonic VariCam Camera
Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
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The Neon Demon (2016)
Country | Denmark, France, USA, UK
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Nicolas Winding Refn | Cinematography by | Natasha Braier | Editing by | Matthew Newman
Lenses | Cooke Lenses, Cooke Xtal Express Lenses
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Dunkirk (2017)
Country | UK, Netherlands, France, USA
Type | Motion Picture
Running Time | 106 Minutes
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
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Boots on the Ground (2017)
Country | UK
Type | Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Louis Melville | Cinematography by | Boyd Skinner | Editing by | Lucas Roche
Cameras | GoPro HERO4 Black
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Revelator (2017)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken
Cameras | Blackmagic URSA Camera
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Pickings (2018)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 5120x2134 - (2.40:1) Capture Resolution, 5120x2700 - (1.90:1) Capture Resolution
Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan
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Fantastic Beasts and Where to Find Them (2016)
Country | UK, USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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Raymond’s 5 (2017)
Country | UK
Type | Motion Picture
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | James Hastings | Cinematography by | Francis Cousins
Cameras | Red Raven Camera
Lenses | Canon Lenses
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Cat and Mouse (2015)
Country | Netherlands, Belgium
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek
Cameras | Red One Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
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