Project Resolution » 4K Project

4K Project | 314 Titles

4K Project 3.00/5 2 Votes

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Als Het Leven Soms Anders Is (2024)

Short Film | 2D | 4K Project | Color | 1.50:1 | 22 Minutes

Directed by | Lotte Ruules | Cinematography by | Max van de Pol | Editing by | Keno Aladjuz

Starring | Marie-Claire Molly, Bente van Pruissen, Marije van der Made

Cameras | Sony CineAlta VENICE Camera

Longlegs (2024)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Osgood Perkins | Cinematography by | Andres Arochi | Editing by | Graham Fortin, Greg Ng

Starring | Maika Monroe, Nicolas Cage, Blair Underwood

Cameras | ARRI ALEXA Mini LF Camera, ARRICAM Lite (LT) Camera

Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses

Je Bent Al Hier (2024)

Documentary | 2D | 4K Project | Color | 1.66:1 | 32 Minutes

Directed by | Inez Eltink | Cinematography by | Jor Broeder | Editing by | Keno Aladjuz

Starring | Sjoerd-Paul Beenders, Nigel Gerritsen, Dizzy Geurtzen

Cameras | Sony ILME-FX3 Camera

Rups (2024)

Short Film | 2D | 4K Project | Color | 1.50:1 | 23 Minutes

Directed by | Susanne Hagen | Cinematography by | Jesse Post | Editing by | Keno Aladjuz

Starring | Loulou van Stijn, Guusje Vos, Jamie Bouwmeester

Cameras | ARRI ALEXA Mini LF Camera

The Feather (2024)

Short Film | 2D | 4K Project | Color | 1.78:1 (16x9) | 5 Minutes

Directed by | James Newhook | Cinematography by | James Newhook | Editing by | James Newhook

Starring | Taylor Hann, Ryan Reid

Cameras | Blackmagic Pocket Cinema Camera 6K Pro

Lenses | Canon EF Series Lenses

Trap (2024)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Sayombhu Mukdeeprom | Editing by | Noemi Katharina Preiswerk

Starring | Josh Hartnett, Ariel Donoghue, Saleka Shyamalan

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke Panchro/i Classic Lenses, Zeiss Super Speed Lenses

Poor Things (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1 | 141 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Mark Ruffalo, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses

Venus Effect (2024)

Motion Picture | 2D | 4K Project | Color | 2.39:1 |

Directed by | Andrew Burn | Cinematography by | Andrew Burn

Starring | Chase Brown, Whitney Code, Vanessa D. Fant

Cameras | Sony Cameras, Sony ILME-FX3 Camera

Lenses | Sony G Master Series Lenses

Kinds of Kindness (2024)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 164 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Jesse Plemons, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Lupin (2021)

Television Series | 2D | 4K Project | Color | 2.0:1 | 45 Minutes

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Zen Fist (2024)

Short Film | 2D | 4K Project | Color | 2.0:1 | 45 Minutes

Directed by | Taiyo Kanto | Cinematography by | Taiyo Kanto | Editing by | Taiyo Kanto

Starring | Daiki Dohi, Yuhei Fujii, Takeshi Ishida

Cameras | Blackmagic URSA Mini Pro Camera

Lenses | Canon EF Series Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

Mission: Impossible – Dead Reckoning Part One (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 163 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Fraser Taggart | Editing by | Eddie Hamilton

Starring | Tom Cruise, Hayley Atwell, Ving Rhames

Cameras | ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

The Matrix Resurrections (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Lana Wachowski | Cinematography by | Daniele Massaccesi, John Toll | Editing by | Joseph Jett Sally

Starring | Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II

Cameras | Red Komodo Camera

Lenses | Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Killers of the Flower Moon (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 206 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Robert De Niro, Lily Gladstone

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

The Irishman (2019)

Motion Picture | 2D | 4K Project | Color | 1.37:1, 1.66:1, 1.85:1 | 209 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

John Wick: Chapter 4 (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff

Starring | Keanu Reeves, Laurence Fishburne, George Georgiou

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

John Wick (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

The Pills (2021)

Short Film | 2D | 4K Project | Color | 2.0:1 | 6 Minutes

Directed by | Alexander Popov | Cinematography by | Olga Mitiguz, Alexander Popov | Editing by | Alexander Popov

Starring | Nikita Hrushev, Vladislav Ivanov, Petr Kasatiev

Cameras | Red Komodo Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens

Gaming Wall St (2022)

Miniseries | 2D | 4K Project | Color | 2.0:1 | 114 Minutes

Directed by | Tobias Deml | Cinematography by | Tobias Deml, Olga Vazquez | Editing by | Rich Hyatt, Brian Kallies, Tom Patterson, Rachael Wax Taber, David Tillman

Starring | Kieran Culkin, Ramona Ortega, Harvey Pitt

Cameras | Blackmagic Pocket Cinema 4K Camera

Lenses | DZOFILMS Lenses, Voigtländer Lenses, Voigtländer Nokton 25 mm f0.95 Lens

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