2.0:1 | 16 Titles
13 Reasons Why (2017)
60 Minutes
| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Andrij Parekh, Marshall Adams, Tommy Lohmann | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox Cameras | Panasonic VariCam 35
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Green Book (2018) 
130 Minutes
Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito Cameras | ARRI ALEXA Mini Camera
Lenses | Leica Summilux-C Series Lenses
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Deadwood: The Movie (2019)
110 Minutes
Directed by | Daniel Minahan | Cinematography by | David Klein | Editing by | Erick Fefferman, Martin Nicholson Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
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Dogs of Berlin (2018)
542 Minutes
Capture Resolution | 3424 x 2202 - (1.55:1) Capture Resolution, 5120 x 2880 - (1.78:1) Capture Resolution, 6560 x 3100 - (2.12:1) Capture Resolution
| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leica Summilux-C Series Lenses
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Dark (2017)
60 Minutes
Capture Resolution | 4096x2048 - (2.0:1) Capture Resolution
| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Zeiss Ultra Prime Lenses
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Tango (1998)
115 Minutes
Directed by | Carlos Saura | Cinematography by | Vittorio Storaro | Editing by | Julia Juaniz Cameras | Technovision Cameras
Lenses | Technovision Lenses
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Sex Education (2019)
45 Minutes
| Cinematography by | Jamie Cairney, Oli Russell | Editing by | Steve Ackroyd, David Webb, Calum Ross Cameras | Sony CineAlta VENICE Camera
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Altered Carbon (2018)
60 Minutes
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
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The Polar Express (2004)
100 Minutes
Directed by | Robert Zemeckis | Cinematography by | Don Burgess, Robert Presley | Editing by | R. Orlando Duenas, Jeremiah O'Driscollmodified:
Run of the Arrow (1957)
86 Minutes
Directed by | Samuel Fuller | Cinematography by | Joseph F. Biroc | Editing by | Gene Fowler Jr.modified:
Jurassic World (2015)
124 Minutes
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt Cameras | ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses
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House of Cards (2013)
51 Minutes
Capture Resolution | 5120x2700 - (1.90:1) Capture Resolution
| Cinematography by | David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives | Editing by | Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses
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Goya in Bordeaux (1999)
100 Minutes
Directed by | Carlos Saura | Cinematography by | Vittorio Storaro | Editing by | Julia Juaniz Cameras | Technovision Cameras
Lenses | Technovision Lenses
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Apocalypse Now (1979)
147 Minutes
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch Lenses | Technovision Lenses
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Bucharestless (2011)
93 Minutes
Directed by | George Dorobantu | Cinematography by | George Dorobantu, Alexandra M. Paun | Editing by | George Dorobantu Cameras | Sony Other Camera
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The Last Emperor (1987)
163 Minutes
3D Re-released in 2013
Directed by | Bernardo Bertolucci | Cinematography by | Vittorio Storaro | Editing by | Gabriella Cristiani Cameras | ARRIFLEX 35 BL Camera
Lenses | Technovision Lenses
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