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Distributed Aspect Ratio » 2.0:1

2.0:1 | 20 Titles

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Green Book (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 130 Minutes

Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito

Starring | Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leica Summilux-C Series Lenses

Liberty (2018)

Miniseries | 2D | HD Project | Color | 2.0:1 | 58 Minutes

| Cinematography by | Aske Foss | Editing by | Kristofer Nordin, Jacob Thuesen

Starring | Connie Nielsen, Carsten Bjørnlund, Sofie Gråbøl, Charlie Karumi

Cameras | ARRI ALEXA Mini Camera

Lenses | Cineovision Lenses, Optica Elite 35 Anamorphic 50-160 mm T4.9 Lens

Midsommar (2019)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 147 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Florence Pugh, Jack Reynor, Vilhelm Blomgren, William Jackson Harper

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision Primo Artiste Lenses

13 Reasons Why (2017)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9), 2.0:1 | 60 Minutes

| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe

Cameras | Panasonic VariCam 35

Lenses | Hawk V-Lite Vintage´74 Lens, Leica Summilux-C Series Lenses

If Beale Street Could Talk (2018)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 119 Minutes

Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders

Starring | KiKi Layne, Stephan James, Regina King, Teyonah Parris

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses

Stranger Things (2016)

Television Series | 2D | 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | Tim Ives, Tod Campbell, Lachlan Milne, David Franco | Editing by | Kevin D. Ross, Dean Zimmerman, Nat Fuller, Katheryn Naranjo

Starring | Millie Bobby Brown, Finn Wolfhard, Winona Ryder, David Harbour

Cameras | Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses | Leica Summilux-C Series Lenses

House of Cards (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives | Editing by | Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor

Starring | Kevin Spacey, Michel Gill, Robin Wright, Kate Mara

Cameras | Red Epic Camera, Red Epic Dragon Camera, Red Weapon Dragon Camera

Lenses | Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses

Deadwood: The Movie (2019)

Motion Picture | 2D | Color | 2.0:1 | 110 Minutes

Directed by | Daniel Minahan | Cinematography by | David Klein | Editing by | Erick Fefferman, Martin Nicholson

Starring | Timothy Olyphant, Ian McShane, Molly Parker, Paula Malcomson

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Supreme Prime Series Lenses

Dogs of Berlin (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 542 Minutes

| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good

Starring | Felix Kramer, Fahri Yardim, Samy Abdel Fattah, Mohamed Issa

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leica Summilux-C Series Lenses

Dark (2017)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor

Starring | Karoline Eichhorn, Louis Hofmann, Jördis Triebel, Maja Schöne

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Lenses

Tango (1998)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.39:1 | 115 Minutes

Directed by | Carlos Saura | Cinematography by | Vittorio Storaro | Editing by | Julia Juaniz

Starring | Miguel Ángel Solá, Cecilia Narova, Mía Maestro, Juan Carlos Copes

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Sex Education (2019)

Television Series | 2D | 6K Project | Color | 2.0:1 | 45 Minutes

| Cinematography by | Jamie Cairney, Oli Russell | Editing by | Steve Ackroyd, David Webb, Calum Ross

Starring | Asa Butterfield, Gillian Anderson, Ncuti Gatwa, Emma Mackey

Cameras | Sony CineAlta VENICE Camera

Altered Carbon (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny

Starring | Chris Conner, Renée Elise Goldsberry, Joel Kinnaman, James Purefoy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses

The Polar Express (2004)

Motion Picture | 2D, 3D | Color | 2.0:1, 2.39:1 | 100 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess, Robert Presley | Editing by | R. Orlando Duenas, Jeremiah O'Driscoll

Starring | Tom Hanks, Chris Coppola, Michael Jeter, Leslie Zemeckis

Run of the Arrow (1957)

Motion Picture | 2D | Color | 1.33:1 (4x3), 2.0:1, 2.35:1 | 86 Minutes

Directed by | Samuel Fuller | Cinematography by | Joseph F. Biroc | Editing by | Gene Fowler Jr.

Starring | Rod Steiger, Sara Montiel, Brian Keith, Ralph Meeker

Jurassic World (2015)

Motion Picture | 3D | Color | 2.0:1 | 124 Minutes

Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt

Starring | Chris Pratt, Bryce Dallas Howard, Ty Simpkins, Judy Greer

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Goya in Bordeaux (1999)

Motion Picture | 2D | Color | 2.0:1 | 100 Minutes

Directed by | Carlos Saura | Cinematography by | Vittorio Storaro | Editing by | Julia Juaniz

Starring | Francisco Rabal, Jose Coronado, Dafne Fernández, Eulàlia Ramon

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Apocalypse Now (1979)

Motion Picture | 2D | Color | 2.0:1, 2.20:1, 2.39:1 | 147 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Starring | Martin Sheen, Marlon Brando, Robert Duvall, Frederic Forrest

Cameras | ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, Mitchell BNCR Camera

Lenses | Technovision Lenses

Bucharestless (2011)

Documentary | 2D | SD Project | Color | 2.0:1 | 93 Minutes

Directed by | George Dorobantu | Cinematography by | George Dorobantu, Alexandra M. Paun | Editing by | George Dorobantu

Cameras | Sony Other Camera

The Last Emperor (1987)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.20:1, 2.39:1 | 163 Minutes

Directed by | Bernardo Bertolucci | Cinematography by | Vittorio Storaro | Editing by | Gabriella Cristiani

Starring | John Lone, Joan Chen, Peter O'Toole, Ruocheng Ying

Cameras | ARRIFLEX 35 BL Camera

Lenses | Technovision Lenses