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Ryan Gosling

25 Titles

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Neil Armstrong

First Man (2018)

| USA, Japan

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus, ARRIFLEX 435 Camera, Imax MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

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'K'

Blade Runner 2049 (2017)

| USA, UK, Hungary, Canada, Spain

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

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BV

Song to Song (2017)

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Rehman Nizar Ali, Hank Corwin, Keith Fraase

Cameras: ARRI ALEXA Camera, ARRI ALEXA M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

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Holland March

The Nice Guys (2016)

| USA

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

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Sebastian

La La Land (2016)

| USA, Hong Kong

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

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Jared Vennett

The Big Short (2015)

| USA

Directed by: Adam McKay

Cinematography by: Barry Ackroyd

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

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Director, Producer, Written By

Lost River (2014)

| USA

Directed by: Ryan Gosling

Cinematography by: Benoît Debie

Edited by: Nico Leunen, Valdís Óskarsdóttir

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Red Epic Camera

Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

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Executive Producer, Julian

Only God Forgives (2013)

| Denmark, France, USA, Sweden, Belgium

Directed by: Nicolas Winding Refn

Cinematography by: Larry Smith

Edited by: Matthew Newman

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Cooke S4 Lenses

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Sgt. Jerry Wooters

Gangster Squad (2013)

| USA

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

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Luke, Stunts

The Place Beyond the Pines (2012)

| USA

Directed by: Derek Cianfrance

Cinematography by: Sean Bobbitt

Edited by: Jim Helton, Ron Patane

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4/i Lenses

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Stephen Meyers

The Ides of March (2011)

| USA

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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Jacob

Crazy, Stupid, Love. (2011)

| USA

Directed by: Glenn Ficarra, John Requa

Cinematography by: Andrew Dunn

Edited by: Lee Haxall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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Driver

Drive (2011)

| USA

Directed by: Nicolas Winding Refn

Cinematography by: Newton Thomas Sigel

Edited by: Matthew Newman

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Iconix HD-RH1 Camera, Weisscam HS-2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

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Film Role

Horrible Bosses (2011)

| USA

Directed by: Seth Gordon

Cinematography by: David Hennings

Edited by: Peter Teschner

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

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David Marks

All Good Things (2010)

| USA

Directed by: Andrew Jarecki

Cinematography by: Michael Seresin

Edited by: David Rosenbloom, Shelby Siegel

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Dean, Executive Producer

Blue Valentine (2010)

| USA

Directed by: Derek Cianfrance

Cinematography by: Andrij Parekh

Edited by: Jim Helton, Ron Patane

Cameras: ARRIFLEX 416 Camera, Red One Camera

Lenses: Angenieux Lenses, Zeiss Lenses

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Lars Lindstrom

Lars and the Real Girl (2007)

| USA, Canada

Directed by: Craig Gillespie

Cinematography by: Adam Kimmel

Edited by: Tatiana S. Riegel

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

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Willy Beachum

Fracture (2007)

| USA, Germany

Directed by: Gregory Hoblit

Cinematography by: Kramer Morgenthau

Edited by: David Rosenbloom

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Dan Dunne

Half Nelson (2006)

| USA

Directed by: Ryan Fleck

Cinematography by: Andrij Parekh

Edited by: Anna Boden

Cameras: ARRIFLEX 16SR3 Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

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Noah

The Notebook (2004)

| USA

Directed by: Nick Cassavetes

Cinematography by: Robert Fraisse

Edited by: Alan Heim

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Richard Haywood

Murder by Numbers (2002)

| USA

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

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Roy Chutney

The Slaughter Rule (2002)

| USA

Directed by: Alex Smith, Andrew J. Smith

Cinematography by: Eric Alan Edwards

Edited by: Brent White

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Danny Balint

The Believer (2001)

| USA

Directed by: Henry Bean

Cinematography by: Jim Denault

Edited by: Mayin Lo, Lee Percy

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Alan Bosley

Remember the Titans (2000)

| USA

Directed by: Boaz Yakin

Cinematography by: Philippe Rousselot

Edited by: Michael Tronick

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Himself

Access Hollywood (1996)

Television Series

| USA

Directed by: Neill Harper, Richard Plotkin, Earnest Winborne, Robert Cedric Bowden, Kim Anastasia, Christopher A. Berry, A. Berry, Shannon Fitzgerald

Cinematography by: Dieter Depypere, Shaheen Seth, Robert Cedric Bowden

Edited by: Pascal Boidart, George D. Brown III, Craig Casey, Nick Friedman, Brian Gallotto, Mark Grizzle, Summer Huber, Juan Jones, Doug Marconet, Kevin McCormick, Richard Arsenault, Chad Bergacs, TaJuan Hayes, Mark S. Andrew, Pete Hentrich, Doug Imai

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