Aaton A-Minima Camera | 22 Titles
First Man (2018)
141 Minutes
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus, ARRIFLEX 435 Camera, Imax MSM 9802 Camera
Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses
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La La Land (2016)
128 Minutes
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
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Scrubs (2001)
22 Minutes
| Cinematography by | John Inwood, Andrew Rawson, Dave Perkal, Richard W. Davis, Blake T. Evans, Richard Quinlan | Editing by | John Michel, Rick Blue, Jay Scherberth, Stuart Bass, Daniel S. Russ, Timothy Serdamodified:
City of God (2002)
130 Minutes
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezendemodified:
Calvaire (2004)
88 Minutes
Directed by | Fabrice du Welz | Cinematography by | Benoît Debie | Editing by | Sabine Hubeaux Cameras | Aaton A-Minima Camera
Lenses | Zeiss Ultra Prime Lenses
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The Brown Bunny (2003)
93 Minutes
Directed by | Vincent Gallo | Cinematography by | Vincent Gallo | Editing by | Vincent Gallo Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
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Old Joy (2006)
76 Minutes
Directed by | Kelly Reichardt | Cinematography by | Peter Sillen | Editing by | Kelly Reichardt Cameras | Aaton A-Minima Camera
Lenses | Zeiss Super Speeds Mk I Lenses
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Hustle & Flow (2005)
116 Minutes
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Ultra Prime Lenses
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United 93 (2006)
111 Minutes
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses
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28 Weeks Later (2007)
100 Minutes
Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera
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She Hate Me (2004)
138 Minutes
Directed by | Spike Lee | Cinematography by | Matthew Libatique | Editing by | Barry Alexander Brown Cameras | Aaton A-Minima Camera, ARRI Cameras
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The Hurt Locker (2008) 
131 Minutes
Directed by | Kathryn Bigelow | Cinematography by | Barry Ackroyd | Editing by | Chris Innis, Bob Murawskimodified:
Moonrise Kingdom (2012)
94 Minutes
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum Cameras | Aaton A-Minima Camera, Aaton Xterà Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
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Travelers and Magicians (2003)
108 Minutes
Directed by | Khyentse Norbu | Cinematography by | Alan Kozlowski | Editing by | Andrew McCormick, Lisa-Anne Morris, John Scott Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
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Lie with Me (2005)
93 Minutes
Directed by | Clement Virgo | Cinematography by | Barry Stone | Editing by | Susan Maggi Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
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Junebug (2005)
106 Minutes
Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
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Apocalypto (2006)
139 Minutes
Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera
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The Last King of Scotland (2006)
123 Minutes
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright Lenses | Panavision Lenses
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The Paradigm Shift (2008)
26 Minutes
Directed by | Jon Barr | Cinematography by | Billy Bob Thompson | Editing by | Pete Kruvczuk Cameras | Aaton A-Minima Camera, Aaton XTR Camera
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The Constant Gardener (2005)
129 Minutes
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux HR Zoom Lenses
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