Aaton A-Minima Camera | 21 Titles
La La Land (2016)
Country | USA, Hong Kong
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.55:1
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
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Scrubs (2001)
Country | USA
Type | Television Series
Running Time | 22 Minutes
| Cinematography by | John Inwood, Andrew Rawson, Dave Perkal, Richard W. Davis, Blake T. Evans, Richard Quinlan | Editing by | John Michel, Rick Blue, Jay Scherberth, Stuart Bass, Daniel S. Russ, Timothy Serda
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City of God (2002)
Country | Brazil, France, Germany
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 1.85:1
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
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Calvaire (2004)
Country | Belgium, France, Luxembourg
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.35:1
Directed by | Fabrice du Welz | Cinematography by | Benoît Debie | Editing by | Sabine Hubeaux
Cameras | Aaton A-Minima Camera
Lenses | Zeiss Ultra Prime Lenses
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The Brown Bunny (2003)
Country | USA, Japan
Type | Motion Picture
Running Time | 93 Minutes
Aspect Ratio | 1.66:1
Directed by | Vincent Gallo | Cinematography by | Vincent Gallo | Editing by | Vincent Gallo
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
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Old Joy (2006)
Country | USA
Type | Motion Picture
Running Time | 76 Minutes
Directed by | Kelly Reichardt | Cinematography by | Peter Sillen | Editing by | Kelly Reichardt
Cameras | Aaton A-Minima Camera
Lenses | Zeiss Super Speeds Mk I Lenses
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Hustle & Flow (2005)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 1.85:1
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Ultra Prime Lenses
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United 93 (2006)
Country | USA, UK, France
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 2.39:1
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses
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28 Weeks Later (2007)
Country | UK, Spain
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera
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She Hate Me (2004)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 1.85:1
Directed by | Spike Lee | Cinematography by | Matthew Libatique | Editing by | Barry Alexander Brown
Cameras | Aaton A-Minima Camera, ARRI Cameras
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The Hurt Locker (2008)
Country | USA
Type | Motion Picture
Running Time | 131 Minutes
Aspect Ratio | 1.78:1 (16x9), 1.85:1
Directed by | Kathryn Bigelow | Cinematography by | Barry Ackroyd | Editing by | Chris Innis, Bob Murawski
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Moonrise Kingdom (2012)
Country | USA
Type | Motion Picture
Running Time | 94 Minutes
Aspect Ratio | 1.85:1
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Cameras | Aaton A-Minima Camera, Aaton Xterà Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
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Travelers and Magicians (2003)
Country | Australia, Bhutan, UK
Type | Motion Picture
Running Time | 108 Minutes
Aspect Ratio | 1.85:1
Directed by | Khyentse Norbu | Cinematography by | Alan Kozlowski | Editing by | Andrew McCormick, Lisa-Anne Morris, John Scott
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
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Lie with Me (2005)
Country | Canada
Type | Motion Picture
Running Time | 93 Minutes
Aspect Ratio | 1.66:1
Directed by | Clement Virgo | Cinematography by | Barry Stone | Editing by | Susan Maggi
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
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Junebug (2005)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 1.85:1
Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
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Apocalypto (2006)
Country | USA, Mexico
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 1.85:1
Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera
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The Last King of Scotland (2006)
Country | UK, Germany
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Panavision Lenses
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The Paradigm Shift (2008)
Country | USA
Type | Motion Picture
Running Time | 26 Minutes
Aspect Ratio | 1.85:1
Directed by | Jon Barr | Cinematography by | Billy Bob Thompson | Editing by | Pete Kruvczuk
Cameras | Aaton A-Minima Camera, Aaton XTR Camera
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The Constant Gardener (2005)
Country | UK, Germany, USA, China, Kenya
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 1.85:1
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux HR Zoom Lenses
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Friday Night (2002)
Country | France
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.85:1
Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera
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