Distributed Aspect Ratio » 2.55:1

2.55:1 | 11 Titles

2.55:1 5.00/5 5 Votes

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Society of the Snow (2023)

Motion Picture | 2D | 4K Project | Color | 2.55:1 | 144 Minutes

Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí

Starring | Enzo Vogrincic, Agustín Pardella, Matías Recalt

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

La La Land (2016)

Motion Picture | 2D | 2K Project | Color | 2.55:1 | 128 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Emma Stone, Rosemarie DeWitt, J.K. Simmons

Cameras | Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Spider-Man: Across the Spider-Verse (2023)

Motion Picture | 2D | 2K Project | Color | 2.39:1, 2.55:1 | 140 Minutes

Directed by | Joaquim Dos Santos, Kemp Powers, Justin K. Thompson | Editing by | Mike Andrews

Starring | Shameik Moore, Hailee Steinfeld, Brian Tyree Henry

Event Horizon (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1, 2.55:1 | 96 Minutes

Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter

Starring | Laurence Fishburne, Sam Neill, Kathleen Quinlan, Joely Richardson

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Lust for Life (1956)

Motion Picture | 2D | Film Project | Color | 2.55:1 | 122 Minutes

Directed by | Vincente Minnelli, George Cukor | Cinematography by | Russell Harlan, Freddie Young | Editing by | Adrienne Fazan

Starring | Kirk Douglas, Anthony Quinn, James Donald, Pamela Brown

The Bridge on the River Kwai (1957)

Motion Picture | 2D | Color | 1.37:1, 2.35:1, 2.55:1 | 161 Minutes

Directed by | David Lean | Cinematography by | Jack Hildyard | Editing by | Peter Taylor

Starring | William Holden, Alec Guinness, Jack Hawkins, Sessue Hayakawa

Lenses | Bausch & Lomb Lenses

Four Kinds of Love (2014)

Motion Picture | 2D | Color | 2.55:1 | 55 Minutes

Directed by | Timothy David Mitchell | Cinematography by | Sam Ward | Editing by | Timothy David Mitchell

Starring | Bo-Dene Stieler, Sahil Saluja, Madelaine Cantwell, Jadon Dutra

Cameras | Canon EOS-7D Camera

Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 50 mm f1.2 L Lens

The Girl in the Red Velvet Swing (1955)

Motion Picture | 2D | Color | 2.55:1 | 109 Minutes

The Girl in the Red Velvet Swing | ShotOnWhat?

Directed by | Richard Fleischer | Cinematography by | Milton R. Krasner | Editing by | William Mace

Starring | Ray Milland, Joan Collins, Farley Granger, Luther Adler

There’s No Business Like Show Business (1954)

Motion Picture | 2D | Color | 2.55:1 | 117 Minutes

There’s No Business Like Show Business | ShotOnWhat?

Directed by | Walter Lang | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson

Starring | Ethel Merman, Marilyn Monroe, Donald O'Connor, Dan Dailey

Ben-Hur (1959)

Motion Picture | 2D | Film Project | Color | 2.55:1, 2.76:1 | 212 Minutes

Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth

Starring | Charlton Heston, Jack Hawkins, Stephen Boyd, Haya Harareet

Cameras | MGM Camera 65 Camera

Lenses | Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Lenses, Panavision Lenses

The King and I (1956)

Motion Picture | 2D | Film Project | Color | 2.55:1 | 133 Minutes

Directed by | Walter Lang | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson

Starring | Yul Brynner, Deborah Kerr, Rita Moreno, Martin Benson

Lenses | Bausch & Lomb Lenses

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