2.35:1 | 561 Titles
The Scythian (2018)
105 Minutes
Directed by | Rustam Mosafir | Cinematography by | Dzmitry Karnachyk | Editing by | Andrey Nazarov Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke Anamorphic/i Prime Lenses, Zeiss Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Reuniting the Rubins (2010)
97 Minutes
Directed by | Yoav Factor | Cinematography by | Miles Cook | Editing by | Ben King, Anthony Stadler Cameras | ARRICAM Studio (ST) Camera
Lenses | Cooke S4/i Lenses
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Treto poluvreme (2012)
113 Minutes
Directed by | Darko Mitrevski | Cinematography by | Klaus Fuxjäger | Editing by | Dejan Boskovic, Alois Fisárek Cameras | ARRI ALEXA Camera
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Spud (2009)
27 Minutes
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution, 1920x1080 - (1.78:1) Capture Resolution
Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera
Lenses | Fujinon Lenses
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Missed Connection (2017)
12 Minutes
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Directed by | Paul Abbaszadeh, Tyler Norman | Cinematography by | Paul Abbaszadeh | Editing by | Paul Abbaszadeh Cameras | Sony NEX-FS700 Camera
Lenses | Nikon - Nikkor Lenses, Samyang Lenses
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Deep Impact (1998)
120 Minutes
Directed by | Mimi Leder | Cinematography by | Dietrich Lohmann | Editing by | Paul Cichocki, David Rosenbloom Cameras | ARRIFLEX 535 Camera
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Jaws (1975)
124 Minutes
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
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A Girl Is a Gun (2017)
| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi
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Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic 30-72mm A2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
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Monster Party (2018)
89 Minutes
Directed by | Chris von Hoffmann | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr., Joe Rosenbloom Cameras | Red Epic Helium Camera
Lenses | Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
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Thor (2011)
115 Minutes
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
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Guldjakken – fra Struer til Hall of Fame (2018)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Jesper Elming | Cinematography by | Claus Frederiksen Cameras | Sony PXW-FS7 Camera
Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85mm T1.5 Lens, Sony G 18–110mm f4.0 Lens
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Lawrence of Arabia (1962) 
216 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates Cameras | Super Panavision-70 Camera
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Chitty Chitty Bang Bang (1968)
144 Minutes
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley Cameras | Super Panavision-70 Camera
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El Último Suspiro (2017)
5 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo Cameras | Blackmagic Design Cameras, Canon Cameras
Lenses | Canon Lenses, Leica Lenses
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Dunkirk (2017)
106 Minutes
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith Cameras | Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
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Più accecante della notte (2016)
20 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Diego Bonuccelli | Cinematography by | Diego Bonuccelli, Katia Cirrincione | Editing by | Diego Bonuccelli Cameras | Canon Cameras, Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, GoPro HERO4 Black
Lenses | Canon EF Series Lenses, Canon Lenses
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Ice Station Zebra (1968)
148 Minutes
Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster Cameras | Super Panavision-70 Camera
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Song of Norway (1970)
138 Minutes
Directed by | Andrew L. Stone | Cinematography by | Davis Boulton | Editing by | Virginia L. Stone Cameras | Super Panavision-70 Camera
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Ryan’s Daughter (1970)
206 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage Cameras | Super Panavision-70 Camera
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Mackenna’s Gold (1969)
128 Minutes
Directed by | J. Lee Thompson | Cinematography by | Joseph MacDonald | Editing by | Bill Lenny Cameras | Super Panavision-70 Camera
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