Color Profile » Black & White

Black & White | 339 Titles

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Poor Things (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1 | 141 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Mark Ruffalo, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses

Kinds of Kindness (2024)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 164 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Jesse Plemons, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

I Love Lucy (1951)

Television Series | 2D | Film Project | Black & White | 1.33:1 (4x3) | 30 Minutes

| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn

Starring | Lucille Ball, Desi Arnaz, Vivian Vance, William Frawley

Cameras | Mitchell BNC Camera

Forrest Gump (1994)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Robin Wright, Gary Sinise, Sally Field

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Touch of Evil (1958)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 95 Minutes

Directed by | Orson Welles | Cinematography by | Russell Metty | Editing by | Walter Murch, Aaron Stell, Virgil W. Vogel, Edward Curtiss

Starring | Charlton Heston, Orson Welles, Janet Leigh

Cameras | Mitchell BNC Camera, Mitchell NC Camera

Othello (1951)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 90 Minutes

Directed by | Orson Welles | Cinematography by | G.R. Aldo, Anchise Brizzi, George Fanto, Alberto Fusi, Oberdan Troiani | Editing by | Jenö Csepreghy, Renzo Lucidi, William Morton, Jean Sacha

Starring | Orson Welles, Micheál MacLiammóir, Robert Coote

Citizen Kane (1941)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 119 Minutes

Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise

Starring | Orson Welles, Joseph Cotten, Dorothy Comingore, Agnes Moorehead

Cameras | Mitchell BNC Camera

Lenses | Cooke Speed Panchro Lenses

The Trial (1962)

Motion Picture | 2D | Film Project | Black & White | 1.66:1 | 119 Minutes

Directed by | Orson Welles | Cinematography by | Edmond Richard | Editing by | Yvonne Martin, Frederick Muller, Orson Welles

Starring | Anthony Perkins, Arnoldo Foà, Jess Hahn

Confidential Report (1955)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 93 Minutes

Directed by | Orson Welles | Cinematography by | Jean Bourgoin | Editing by | Renzo Lucidi, William Morton, Orson Welles

Starring | Orson Welles, Peter van Eyck, Michael Redgrave

Macbeth (1948)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 107 Minutes

Directed by | Orson Welles | Cinematography by | John L. Russell | Editing by | Louis Lindsay

Starring | Orson Welles, Jeanette Nolan, Dan O'Herlihy

Following (1998)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 69 Minutes

Directed by | Christopher Nolan | Cinematography by | Christopher Nolan | Editing by | Gareth Heal, Christopher Nolan

Starring | Jeremy Theobald, Alex Haw, Lucy Russell

Cameras | ARRIFLEX 16BL Camera

The Magnificent Ambersons (1942)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 88 Minutes

Directed by | Orson Welles, Fred Fleck, Robert Wise | Cinematography by | Stanley Cortez, Jack MacKenzie, Orson Welles | Editing by | Robert Wise, Jack Moss, Mark Robson

Starring | Tim Holt, Joseph Cotten, Dolores Costello

Cameras | Mitchell Cameras

Chimes at Midnight (1965)

Motion Picture | 2D | Film Project | Black & White | 1.66:1 | 115 Minutes

Directed by | Orson Welles | Cinematography by | Edmond Richard | Editing by | Elena Jaumandreu, Frederick Muller, Peter Parasheles

Starring | Orson Welles, Jeanne Moreau, Margaret Rutherford

Cameras | ARRIFLEX Camera

The Stranger (1946)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 95 Minutes

Directed by | Orson Welles | Cinematography by | Russell Metty | Editing by | Ernest J. Nims

Starring | Orson Welles, Edward G. Robinson, Loretta Young

Killers of the Flower Moon (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 206 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Robert De Niro, Lily Gladstone

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

Memento (2000)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn

Starring | Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Boone Junior

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Don Quixote (1992)

Motion Picture | 2D | Film Project | Black & White | 116 Minutes

Directed by | Orson Welles | Cinematography by | Juan Manuel de la Chica, José García Galisteo, Manuel Mateos, Ricardo Navarrete, Edmond Richard, Giorgio Tonti | Editing by | Fatima Michalczik, Lina Romay

Starring | Francisco Reiguera, Akim Tamiroff, Pepe Mediavilla

8½ (1963)

Motion Picture | 2D | Film Project | Black & White | 1.85:1 | 138 Minutes

Directed by | Federico Fellini | Cinematography by | Gianni Di Venanzo | Editing by | Leo Catozzo

Starring | Marcello Mastroianni, Anouk Aimée, Claudia Cardinale, Sandra Milo

Cameras | ARRIFLEX 35 IIC Camera

Van Hitcom Naar Shitcom (En Weer Terug) (2024)

Short Film | 2D | HD Project | Black & White, Color | 1.33:1 (4x3), 1.78:1 (16x9) | 13 Minutes

Directed by | Charmeno Kraladis | Cinematography by | Tijmen Kroonenberg | Editing by | Keno Aladjuz

Starring | Keno Aladjuz, Tijmen Kroonenberg, Merel Koomen

Cameras | Panasonic Lumix DMC-GH5s Camera

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