Black & White | 256 Titles
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses
Night Train (1999)
Mank (2020)
Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter
Cameras | Red Digital Cinema Cameras
Lenses | Leica Summilux-C Series Lenses
Easy Rider (1969)
Directed by | Dennis Hopper | Cinematography by | László Kovács, Baird Bryant | Editing by | Donn Cambern
Cameras | ARRIFLEX 35 IIC Camera, Bolex Cameras
Once Upon a Time… in Hollywood (2019)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
King Kong (1933)
Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman
Cameras | Mitchell Standard Camera
Jude (1996)
Directed by | Michael Winterbottom | Cinematography by | Eduardo Serra | Editing by | Trevor Waite
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Wilfred (2011)
| Cinematography by | Bradford Lipson, Tom Magill, Kurt Jones, Blake T. Evans | Editing by | Richie Edelson, Grady Cooper, Christian Hoffman, Tod Modisett, Ivan Victor, Daniel Raj Koobir, Claire Scanlon, Tyler Earring, Robert Bramwell
Song to Song (2017)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Rehman Nizar Ali, Hank Corwin, Keith Fraase
Cameras | ARRI ALEXA Camera, ARRI ALEXA M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Master Prime Lenses
Pi (1998)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch
Cameras | Aaton XTR Prod Camera, Bolex H16 Camera
Lenses | Angenieux Lenses, Canon Lenses
Schindler’s List (1993)
Better Call Saul (2015)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras | Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
The Granary (2017)
Directed by | Eveshka Ghost | Editing by | Eveshka Ghost
Cameras | Canon EOS 550D Camera, Canon EOS Rebel T2i Camera
Stalker (1979)
Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova
Cameras | Kinor Cameras, Mitchell NC Camera
The Wizard of Oz (1939)
Directed by | Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor | Cinematography by | Harold Rosson | Editing by | Blanche Sewell
Cameras | Technicolor 3-Strip Camera
Natural Born Killers (1994)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Nixon (1995)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin
The Long Way Home (1997)
JFK (1991)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia
Lenses | Panavision E35 35 mm T2.0 Lens
BlacKkKlansman (2018)
Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
