Black & White | 342 Titles
Don Quixote (1992)
Directed by | Orson Welles | Cinematography by | Juan Manuel de la Chica, José García Galisteo, Manuel Mateos, Ricardo Navarrete, Edmond Richard, Giorgio Tonti | Editing by | Fatima Michalczik, Lina Romay
8½ (1963)
Directed by | Federico Fellini | Cinematography by | Gianni Di Venanzo | Editing by | Leo Catozzo
Cameras | ARRIFLEX 35 IIC Camera
Van Hitcom Naar Shitcom (En Weer Terug) (2024)
Directed by | Charmeno Kraladis | Cinematography by | Tijmen Kroonenberg | Editing by | Keno Aladjuz
Cameras | Panasonic Lumix DMC-GH5s Camera
Once Upon a Time… in Hollywood (2019)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
You Were Never Really Here (2017)
Directed by | Lynne Ramsay | Cinematography by | Thomas Townend | Editing by | Joe Bini
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses
With Byrd at the South Pole (1930)
Cinematography by | Joseph T. Rucker, Willard Van der VeerEditing by | Emanuel Cohen
Cameras | Akeley 35mm Ciné Camera
White Shadows in the South Seas (1928)
Directed by | W.S. Van Dyke, Robert J. Flaherty | Cinematography by | Clyde De Vinna, George Gordon Nogle, Bob Roberts | Editing by | Ben Lewis
Cameras | Mitchell Standard Camera
The Great Waltz (1938)
Directed by | Julien Duvivier, Victor Fleming, Josef von Sternberg | Cinematography by | Joseph Ruttenberg | Editing by | Tom Held
Cameras | Mitchell Standard Camera
The Other Side of the Wind (2018)
Directed by | Orson Welles | Cinematography by | Gary Graver | Editing by | Bob Murawski, Orson Welles
Cameras | Éclair NPR Camera
The Awful Truth (1937)
Mr. Deeds Goes to Town (1936)
Directed by | Frank Capra | Cinematography by | Joseph Walker | Editing by | Gene Havlick
Cameras | Mitchell Standard Camera
Anthony Adverse (1936)
Directed by | Mervyn LeRoy, Michael Curtiz | Cinematography by | Tony Gaudio | Editing by | Ralph Dawson
All the Money in the World (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision Super Speed Lenses
The Divine Lady (1928)
7th Heaven (1927)
Directed by | Frank Borzage | Cinematography by | Ernest Palmer, Joseph A. Valentine | Editing by | Barney Wolf
Cameras | Mitchell Standard Camera
Darkest Hour (2017)
Directed by | Joe Wright | Cinematography by | Bruno Delbonnel | Editing by | Valerio Bonelli
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
The Good Earth (1937) 
Directed by | Sidney Franklin, Victor Fleming, Gustav Machatý, Sam Wood | Cinematography by | Karl Freund | Editing by | Basil Wrangell, Ben Lewis
Cameras | Mitchell Standard Camera
A Midsummer Night’s Dream (1935)
Directed by | William Dieterle, Max Reinhardt | Cinematography by | Hal Mohr | Editing by | Ralph Dawson
Murder on the Orient Express (2017)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Mick Audsley
Cameras | ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera
Lenses | Panavision Sphero 65 Series Lenses
The Informer (1935)
Directed by | John Ford | Cinematography by | Joseph H. August | Editing by | George Hively
Cameras | Mitchell Standard Camera
