Since its creation in 1935, the company has preserved its know-how and remains in the forefront of innovation, with the ability to find its customers the best professional optical solutions.
Angenieux Lenses | 782 Titles
Phone: +33 (0)4 77 90 78 30
Contact: Contact: Edith Bertrand
Thales Angenieux’s Optimo series of zooms have become the most sought after lenses all over the world.
A Quiet Place (2018)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
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Live Free or Die Hard (2007)
Country | USA, UK
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.39:1
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
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Breaking Bad (2008)
Country | USA
Type | Television Series
Running Time | 49 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses
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3 Idiots (2009)
Country | India
Type | Motion Picture
Running Time | 170 Minutes
Aspect Ratio | 2.39:1
Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani Cameras | ARRICAM Lite (LT) Camera
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Whiplash (2014)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
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Game of Thrones (2011)
Country | USA, UK
Type | Television Series
Running Time | 57 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson | Editing by | Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Milesmodified:
Happy Death Day (2017)
Country | USA
Type | Motion Picture
Running Time | 96 Minutes
Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin Cameras | ARRI ALEXA Mini Camera
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A Girl Is a Gun (2017)
Country | France
Type | Television Series, Web Series
Aspect Ratio | 2.35:1
| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic 30-72mm 2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
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Vice (2018)
Country | USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras
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Cloud Atlas (2012)
Country | Germany, USA, Hong Kong, Singapore, China
Type | Motion Picture
Running Time | 172 Minutes
Aspect Ratio | 2.39:1
Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
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Cold War (2018)
Country | Poland, UK, France
Type | Motion Picture
Running Time | 89 Minutes
Aspect Ratio | 1.37:1
Directed by | Pawel Pawlikowski | Cinematography by | Lukasz Zal | Editing by | Jaroslaw Kaminski Cameras | ARRI ALEXA XT Camera
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Avengers: Infinity War (2018)
Country | USA
Type | Motion Picture
Running Time | 149 Minutes
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt Lenses | Angenieux Lenses, Leica Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
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Mary Poppins Returns (2018)
Country | USA, UK
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
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Secuestro (2016)
Country | Spain
Type | Motion Picture
Running Time | 105 Minutes
Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca Cameras | ARRI ALEXA XT Plus Camera
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Chronicle of an Escape (2006)
Country | Argentina
Type | Motion Picture
Running Time | 103 Minutes
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce Cameras | ARRICAM Lite (LT) Camera
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The Expendables (2010)
Country | USA, Bulgaria
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 2.39:1
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
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The Love Witch (2016)
Country | USA
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 1.85:1
Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller Cameras | ARRICAM Studio (ST) Camera
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Second Act (2018)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 2.39:1
Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens
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The Art of Racing in the Rain (2019)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 1.85:1
Directed by | Simon Curtis | Cinematography by | Ross Emery | Editing by | Adam Recht Cameras | ARRI ALEXA SXT EV
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
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Ophelia (2018)
Country | UK, USA
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 2.39:1
Directed by | Claire McCarthy | Cinematography by | Denson Baker | Editing by | Luke Dunkley Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus
Lenses | Angenieux Optimo Anamorphic 40-440mm 2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
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