ARRIFLEX 35 BL Camera | 22 Titles
Bohemian Rhapsody (2018)
Country | UK, USA
Type | Motion Picture
Running Time | 134 Minutes
Aspect Ratio | 1.33:1 (4x3), 2.39:1
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottmanmodified:
Taxi Driver (1976)
Country | USA
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 1.85:1
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro Cameras | ARRIFLEX 35 BL Camera
Lenses | ARRI / Zeiss Lenses
modified:
Raging Bull (1980)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Thelma Schoonmaker Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
modified:
RoboCop (1987)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
modified:
Full Metal Jacket (1987)
Country | UK, USA
Type | Motion Picture
Running Time | 116 Minutes
Directed by | Stanley Kubrick | Cinematography by | Douglas Milsome | Editing by | Martin Hunter Cameras | ARRIFLEX 35 BL Camera
modified:
Barry Lyndon (1975)
Country | UK, USA
Type | Motion Picture
Running Time | 185 Minutes
Aspect Ratio | 1.66:1
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens
modified:
84 Charing Cross Road (1987)
Country | UK, USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Directed by | David Hugh Jones | Cinematography by | Brian West | Editing by | Chris Wimble Cameras | ARRIFLEX 35 BL Camera
modified:
The Shining (1980)
Country | UK, USA
Type | Motion Picture
Running Time | 146 Minutes
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
modified:
Fanny and Alexander (1982)
Country | Sweden, France, West Germany
Type | Motion Picture
Running Time | 188 Minutes
Aspect Ratio | 1.66:1
Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson Cameras | ARRIFLEX 35 BL Camera
modified:
Apocalypse Now (1979)
Country | USA
Type | Motion Picture
Running Time | 147 Minutes
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch Lenses | Technovision Lenses
modified:
Out of Africa (1985) 
Country | USA, UK
Type | Motion Picture
Running Time | 161 Minutes
Aspect Ratio | 1.85:1
Directed by | Sydney Pollack | Cinematography by | David Watkin | Editing by | Pembroke J. Herring, Sheldon Kahn, Fredric Steinkamp, William Steinkamp Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
modified:
Luna (1979)
Country | Italy, USA
Type | Motion Picture
Running Time | 142 Minutes
Directed by | Bernardo Bertolucci | Cinematography by | Vittorio Storaro | Editing by | Gabriella Cristiani Cameras | ARRIFLEX 35 BL Camera
modified:
The Man Who Loved Women (1977)
Country | France
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 1.66:1
Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
modified:
Narc (2002)
Country | USA, Canada
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 1.85:1
Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy Lenses | Zeiss Super Speed Lenses
modified:
Conan the Barbarian (1982)
Country | USA, Spain, Mexico
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | John Milius | Cinematography by | Duke Callaghan | Editing by | Carroll Timothy O'Meara Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
modified:
Black Joy (1977)
Country | UK
Type | Motion Picture
Running Time | 97 Minutes
Directed by | Anthony Simmons | Cinematography by | Phil Meheux | Editing by | Thom Noble Cameras | ARRIFLEX 35 BL Camera
modified:
Mad Max (1979)
Country | Australia
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.39:1
Directed by | George Miller | Cinematography by | David Eggby | Editing by | Cliff Hayes, Tony Paterson Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
modified:
One from the Heart (1981)
Country | USA
Type | Motion Picture
Running Time | 107 Minutes
Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts Cameras | ARRIFLEX 35 BL Camera
modified:
Belizaire the Cajun (1986)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 1.85:1
Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
modified:
Across 110th Street (1972)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Barry Shear | Cinematography by | Jack Priestley | Editing by | Byron 'Buzz' Brandt, Carl Pingitore Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera
modified:
