ARRIFLEX 35 BL Camera | 24 Titles
The Shining (1980)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy
Cameras | ARRIFLEX 35 BL Camera
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
Taxi Driver (1976)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
Titus (1999)
Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
The Abyss (1989)
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith
Cameras | ARRIFLEX 35 BL Camera, Panavision System 65 Camera
Bohemian Rhapsody (2018)
Raging Bull (1980)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
RoboCop (1987)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
Full Metal Jacket (1987)
Directed by | Stanley Kubrick | Cinematography by | Douglas Milsome | Editing by | Martin Hunter
Cameras | ARRIFLEX 35 BL Camera
84 Charing Cross Road (1987)
Directed by | David Hugh Jones | Cinematography by | Brian West | Editing by | Chris Wimble
Cameras | ARRIFLEX 35 BL Camera
Fanny and Alexander (1982)
Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson
Cameras | ARRIFLEX 35 BL Camera
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses
Out of Africa (1985)
Directed by | Sydney Pollack | Cinematography by | David Watkin | Editing by | Pembroke J. Herring, Sheldon Kahn, Fredric Steinkamp, William Steinkamp
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
Luna (1979)
Directed by | Bernardo Bertolucci | Cinematography by | Vittorio Storaro | Editing by | Gabriella Cristiani
Cameras | ARRIFLEX 35 BL Camera
The Man Who Loved Women (1977)
Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
Narc (2002)
Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy
Lenses | Zeiss Super Speed Lenses
Conan the Barbarian (1982)
Directed by | John Milius | Cinematography by | Duke Callaghan | Editing by | Carroll Timothy O'Meara
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
Black Joy (1977)
Directed by | Anthony Simmons | Cinematography by | Phil Meheux | Editing by | Thom Noble
Cameras | ARRIFLEX 35 BL Camera
Mad Max (1979)
Directed by | George Miller | Cinematography by | David Eggby | Editing by | Cliff Hayes, Tony Paterson
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
One from the Heart (1981)
Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts
Cameras | ARRIFLEX 35 BL Camera