Go Ad-Free - Contribute - Status Updates

Cameras » ARRI Cameras » ARRI ARRIFLEX Series Cameras » ARRIFLEX 35mm Cameras » ARRIFLEX 35 BL Camera

ARRIFLEX 35 BL Camera | 24 Titles

ARRIFLEX 35 BL Camera 4.00/5 6 Votes

LessUpdatedTitleYear

The Shining (1980)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1, 1.85:1 | 146 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy

Starring | Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Super Speed Lenses

Barry Lyndon (1975)

Motion Picture | 2D | Color | 1.66:1 | 185 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson

Starring | Ryan O'Neal, Marisa Berenson, Patrick Magee, Hardy Krüger

Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera

Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens

Taxi Driver (1976)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro

Starring | Robert De Niro, Jodie Foster, Cybill Shepherd, Albert Brooks

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

Titus (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 162 Minutes

Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot

Starring | Anthony Hopkins, Jessica Lange, Osheen Jones, Dario D'Ambrosi

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

The Abyss (1989)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 145 Minutes

Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Starring | Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Leo Burmester

Cameras | ARRIFLEX 35 BL Camera, Panavision System 65 Camera

Bohemian Rhapsody (2018)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 2.39:1 | 134 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman

Starring | Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Raging Bull (1980)

Motion Picture | 2D | Black & White, Color | 129 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Cathy Moriarty, Joe Pesci, Frank Vincent

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

RoboCop (1987)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

RoboCop | ShotOnWhat?

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste

Starring | Peter Weller, Nancy Allen, Dan O'Herlihy, Ronny Cox

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

Full Metal Jacket (1987)

Motion Picture | 2D | Color | 1.37:1, 1.66:1, 1.85:1 | 116 Minutes

Full Metal Jacket | ShotOnWhat?

Directed by | Stanley Kubrick | Cinematography by | Douglas Milsome | Editing by | Martin Hunter

Starring | Matthew Modine, R. Lee Ermey, Vincent D'Onofrio, Adam Baldwin

Cameras | ARRIFLEX 35 BL Camera

84 Charing Cross Road (1987)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

84 Charing Cross Road | ShotOnWhat?

Directed by | David Hugh Jones | Cinematography by | Brian West | Editing by | Chris Wimble

Starring | Anne Bancroft, Anthony Hopkins, Judi Dench, Jean De Baer

Cameras | ARRIFLEX 35 BL Camera

Fanny and Alexander (1982)

Motion Picture | 2D | Color | 1.66:1 | 188 Minutes

Fanny and Alexander | ShotOnWhat?

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson

Starring | Bertil Guve, Pernilla Allwin, Kristina Adolphson, Börje Ahlstedt

Cameras | ARRIFLEX 35 BL Camera

Apocalypse Now (1979)

Motion Picture | 2D | Color | 2.0:1, 2.20:1, 2.39:1 | 147 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Starring | Martin Sheen, Marlon Brando, Robert Duvall, Frederic Forrest

Cameras | ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, Mitchell BNCR Camera

Lenses | Technovision Lenses

Out of Africa (1985)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 161 Minutes

Directed by | Sydney Pollack | Cinematography by | David Watkin | Editing by | Pembroke J. Herring, Sheldon Kahn, Fredric Steinkamp, William Steinkamp

Starring | Meryl Streep, Robert Redford, Klaus Maria Brandauer, Michael Kitchen

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

Luna (1979)

Motion Picture | 2D | Color | 142 Minutes

Luna | ShotOnWhat?

Directed by | Bernardo Bertolucci | Cinematography by | Vittorio Storaro | Editing by | Gabriella Cristiani

Starring | Jill Clayburgh, Matthew Barry, Veronica Lazar, Renato Salvatori

Cameras | ARRIFLEX 35 BL Camera

The Man Who Loved Women (1977)

Motion Picture | 2D | Black & White, Color | 1.66:1 | 120 Minutes

Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué

Starring | Charles Denner, Brigitte Fossey, Nelly Borgeaud, Geneviève Fontanel

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

Narc (2002)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy

Starring | Ray Liotta, Jason Patric, Chi McBride, Dan Leis

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

Conan the Barbarian (1982)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | John Milius | Cinematography by | Duke Callaghan | Editing by | Carroll Timothy O'Meara

Starring | Arnold Schwarzenegger, James Earl Jones, Max von Sydow, Sandahl Bergman

Cameras | ARRIFLEX 35 BL Camera

Lenses | Todd-AO Lenses

Black Joy (1977)

Motion Picture | 2D | Color | 97 Minutes

Directed by | Anthony Simmons | Cinematography by | Phil Meheux | Editing by | Thom Noble

Starring | Norman Beaton, Trevor Thomas, Dawn Hope, Floella Benjamin

Cameras | ARRIFLEX 35 BL Camera

Mad Max (1979)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | George Miller | Cinematography by | David Eggby | Editing by | Cliff Hayes, Tony Paterson

Starring | Mel Gibson, Joanne Samuel, Hugh Keays-Byrne, Steve Bisley

Cameras | ARRIFLEX 35 BL Camera

Lenses | Todd-AO Lenses

One from the Heart (1981)

Motion Picture | Color | 107 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts

Starring | Frederic Forrest, Teri Garr, Raul Julia, Nastassja Kinski

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Super Cine Varotal 25-250mm f2.8 Lens

© 2012-2019 ShotOnWhat?

20224.20